Showing posts with label Albertia. Show all posts
Showing posts with label Albertia. Show all posts

Friday, December 19, 2008

Chase, Steve, Catherine, Adam and Bob

Posted by Bruce Miller
As many of you know, last spring Phil and I determined that Barksdale and Theatre IV needed to eliminate five staff positions over the next year in order to responsibly face the declining economy. Assessing financial realities and accepting that we need to lose five valued staff members was the easy part. Deciding which positions to eliminate was tough.

We looked first at attrition. Who on staff had expressed an interest in leaving in the near to not too distant future. It’s much more supportive of staff morale to eliminate a position that has been voluntarily vacated than to yank a job away from someone who truly wants and needs it.

Chase Kniffen had already decided to leave Barksdale and Theatre IV to start his own company, Stage 1. The wisdom of that decision is now easily discernible to all. So we chose not to fill his position of Special Projects Manager. Among other responsibilities, Chase had managed Barksdale’s Bifocals Theatre Project and our SOAR high school externships. It was an easy decision to put Bifocals touring and the externship program on hold, at least during the first half of 08-09. His other responsibilities were divided among remaining staff members, adding to their already full plates.

Steve Perigard had been talking about moving on to other opportunities for at least three years. In the spring of 08, Steve told me that he thought that the time may have come. Who can blame him? Someone with Steve Perigard’s intelligence, initiative, job experience, talent and skill set can do much better than serve as an Associate Artistic Director year after year. Steve asked if he could contemplate the move during the summer. I said he could take all the time he needed. In the early fall, he made it official—he wanted to move on.

I’m told that the rumor mill is now putting forth the notion that Steve was “let go” or “fired.” That rumor is in no way true. Everyone should know of the friendship, respect and admiration I have for Steve. There’s no way in this world that I would have let him go or fired him. Steve made the difficult decision to move on from Barksdale and Theatre IV because he feels like it’s in his best interests to explore other opportunities. I wholehearted support him in that decision. Being an Associate Artistic Director is in many ways a thankless job. He deserves more, and I’m confident he’ll quickly find several wonderful, fulfilling and lucrative opportunities.

It is Steve’s stated hope, and mine, that he will continue to work with our two companies as a freelance director and actor. More about that in the coming weeks and months.

We did not decide to eliminate Steve’s position because we can afford to be without an Associate Artistic Director. We can’t. But his position can now be one of the five we need to eliminate, or at least put on hold. Not filling the position of Associate Artistic Director is a better option than firing someone else.

Simply writing down the many jobs that Steve has masterfully performed here is filling up a book. During January, we will finalize the determination of who will assume each of his responsibilities. It will not be easy to make these decisions. Frankly, I’m scared to death. I know that it will be rough going without him. However, I also know that we will make it work. We are blessed with many capable staff leaders who can effectively perform any task that is put before them. Institutionally, dealing with transition can ultimately strengthen a company. In our case, it can help prepare the company for Phil’s and my retirement in 7 ½ years.

The third position to be eliminated was Catherine Dudley’s position as Marketing Associate. Catherine had just completed her course work to be an ASL interpreter. She’d been talking for well over a year about leaving Barksdale to pursue her “dream job” working as an interpreter with deaf students. In June, I asked Catherine to consider making this transition earlier rather than later. I was confident that she would find immediate work in her chosen career. Because she loved working with us, and vice versa, it was a tearful conversation. But she understood and accepted my request. Sure enough, in September she began working as an interpreter for Chesterfield County Public Schools, and from day one she’s been thrilled by her new job—and enjoying a significant pay increase.

Best of all, Catherine has continued to work for us as translator and sign instructor for Sanders Family Christmas and Children of a Lesser God. It’s been a perfect transition. Catherine’s many responsibilities have now been added to the overflowing plates of Sara Marsden, our Marketing Director, and Billy Christopher Maupin, our Marketing Associate and Publications Manager.

The fourth and fifth positions to be eliminated were Adam Tiller’s job as Office Manager and Bob Albertia’s job as Group Sales Manager. Adam has been a favorite son and valued employee at Barksdale and Theatre IV for years, in many capacities. But his ultimate goal was to return to grad school. He’s a brilliant young man, and frankly, his many talents were somewhat wasted in his part-time job as Office Manager. His major responsibilities included manning the front desk as a receptionist, and accepting, recording and depositing all incoming revenue. At the top of the new year, we hope to be recruiting volunteers to fill the first of those two tasks. The financial responsibilities have now been shifted over to other employees.

Bob Albertia is one of Richmond’s theatrical cornerstones. He is and always will be irreplaceable. Bob has now retired, a privilege and opportunity that he well deserves. His group sales responsibilities have been split in half. Tony Foley is handling the aggressive sales work. AnnaMarie Epps in our box office is handling the more passive job of taking and servicing orders. No one can possibly assume Bob’s particular panache in dealing with enthusiastic group leaders. But we’ll all do the best we can, and we'll make it through.

Our hope and expectation is that we will continue to work with Bob as a volunteer providing team leadership to our Bifocals Theatre Project and working with us on a variety of other artistic projects.

The big question in everyone’s mind is, “Do the cuts stop here?” In all honestly, I don’t know. We believe we made responsible and effective decisions in a timely manner, and it is our fervent hope that no additional layoffs will be forthcoming.

But that is not a promise. The economy will do what it will do. And we will respond responsbilty. The Boards, Phil and I are addressing proactively the various financial challenges in every way we can. We will ride out this storm. And we will honor our commitment to our incredible staff to the very best of our abilities.

--Bruce Miller

Tuesday, September 30, 2008

Hats Off to Barksdale's Mighty Volunteers

Posted by Bruce Miller
Volunteers come in all shapes and sizes, ages, races and creeds. God bless them every one.

About 120 of Barksdale and Theatre IV’s finest volunteers gathered last evening for our annual Volunteer Rally in our Willow Lawn lobby. Jean Hartley (our Volunteer Coordinator), her husband Dorman, Jennings Whiteway (our Events, Access and Food Service Manager), Jeanette Blaylock (volunteer chef extraordinaire), and Bob Albertia (our Group Sales Manager) provided the management, food and decoration for the event.

Steve Moore tickled the ivories beautifully throughout the evening. Speakers included Jean Hartley, Joy Ross (our Community Relations Manager), Bob Albertia, Phil Whiteway and me. Jeanette Blaylock’s famous artichoke dip, crab dip, fresh salsa and brownie bites complemented the crudités and ham biscuits provided by our friendly and generous downstairs neighbors, Padow’s Deli. From all appearances, a fun time was had by all.

Present in everyone’s hearts was Elizabeth Prevatt, one or our foremost and longest-serving volunteers, who died last month at age 82. Elizabeth was the elegant, prim, white-haired lady who for many years greeted audience members and took their tickets as they entered the lobby at the top of our stairs. With love and respect, our current production of The Clean House is dedicated to Elizabeth's memory.

Volunteers at Barksdale and Theatre IV work as ushers at our Willow Lawn, Hanover Tavern, and historic Empire theatres. They also assist with concessions, man the Will Call Window in our box office during some performances, assist with lunch service responsibilities during Bifocal’s matinees, and provide administrative support as needed.

Barksdale Theatre and Theatre IV would not survive without our able, talented and generous volunteers. If you would like to join our growing volunteer family, please call Jean Hartley at 355-3434.

See you at the theatre!

(Photo note: The youthful volunteers pictured above and to the left served on the all-volunteer crew for Barksdale and Steward School's co-production of Disney's High School Musical during the summer of 08.)

--Bruce Miller

Friday, April 11, 2008

To Bare or not to Bare, that is the question

By Bob Albertia

Tonight, April 11, 2008 is the opening night of Barksdale's production of THE LITTLE DOG LAUGHED, a 2007 Broadway hit. Over the past few weeks, it has come to my attention that some of our patrons have commented that this play offends them to one degree or another, and they have chosen not to attend. We respect the opinions of all of our patrons and appreciate feedback on our production choices and presentations.

In view of recent comments, both pro and con, I, as an actor for fifty-plus years, would like to reflect on past Barksdale productions and their impact on the community. Over the years, Barksdale Theatre has a history of presenting edgy, provocative and caring theatre resulting in critically acclaimed productions dealing with alcoholism (Who's Afraid of Virginia Woolf), homosexuality (The Boys In The Band), nudity (Equus) to name a few, and all highly praised by the audience and critics alike.

In short, my reason for writing this post, is to point out that theatres are a place for storytelling and commentary, presenting us with a look at ourselves, the nation and the world. We go to museums and view paintings of war, death, love, destruction and nudity and are in awe of artists who have so brilliantly painted scenes on canvas or delicately carved statues out of a block of stone. Theatre too, from its simple beginnings of telling stories and entertaining us, is still a platform for letting each of us take a good look at our ourselves and the world around us. From the safety of our theatre seat, we can investigate the complex and emotional issues at the heart of a production like The Boys in the Band, Equus, or in this case, The Little Dog Laughed.

As a member of the theatre staff, I applaud Barksdale Theatre in continuing the legacy of Muriel McAuley and Pete and Nancy Kilgore in presenting the highest caliber of theatre in all of its forms; bold and brash comedy, on the edge drama and tap your toes and sing along musicals. I can't wait to see tonight's show and experience yet another opening night and share those feelings with both old and new friends alike.

- Bob Albertia

Friday, December 21, 2007

Oh Christmas Tree! Oh Christmas Tree! Look!! The Show I Did in '63!!!

Posted by John Steils

The good men and women of Barksdale’s Bifocals Theatre Project—our dynamic initiative for senior theatre artists and audiences—are launching a new program. During the next several months, they will be working independently and with Barksdale’s artisans to create handcrafted Christmas tree ornaments to represent each of the approximately 300 mainstage shows that Barksdale has produced since its founding as Richmond’s first professional performing arts organization in 1953.

Simultaneously, we will all begin creating ornaments for each of the mainstage productions at Theatre IV and the Virginia Museum Theatre / TheatreVirginia, the two other great stage companies whose resources and energies contribute so much to make Barksdale the powerhouse it is today.

Eventually, all these ornaments will be hung each year on the festive trees located in the lobbies of our Willow Lawn, Hanover Tavern, and historic Empire performance facilities. Christmas and Hanukkah are an ideal time to remember and celebrate all the great professional productions that have made Richmond the theatrical capital of the region. Who knows, maybe other theatres will join in the project to create memory trees of their own.

During my three months at Barksdale, I’ve had the privilege to meet and talk with many of the hundreds of theatre artists, Board leaders etc. who make up this landmark institution. Kevin Kilgore, Jacqui O’Connor, Essie Simms (she’s seen every B’dale production since 1953!) and many, many others have shared stories of the Tavern that have made the historic Barksdale come alive for me. Ford Flannagan, Gordon Bass, Terrie Powers and their pals have related stories that go back to Theatre IV’s founding in 1975, allowing me feel like I was in those touring vans myself. Did Jan Guarino really learn the entire score to Jubilee! while riding in the van on the way to a Newport News performance?

Sue Griffin, Meredith Stanley Scott (pictured with husband Alfred in the '70s to the left), Bob Albertia and dozens of others have shared their tales of VMT / TVA, keeping that company very much alive in the hallways, dressing rooms and rehearsal halls of Barksdale. Did you know that six of our current staff members, scores of our talented theatre artists, even our artistic director are all VMT / TVA vets? Shoot, the evening gown that Jan Guarino wears nightly in Swingtime Canteen was first created for and worn in Bubbling Brown Sugar at TheatreVirginia, and Jan herself starred in countless TheatreVirginia productions (in between those notorious van rides at Theatre IV).

You generous people in Richmond’s vibrant theatre community have had the good sense to combine and unite your passions to create a current company that thrives on all the strengths of the various companies that preceded it. That’s a pretty amazing achievement, and I don’t think there are many theatre communities that could pull it off. Pete, Nancy and Muriel (and Leslie Cheek, Robert Telford et al) must have been amazing people to have created the family you have become. Now, the three memory trees you are creating will represent their and your star-studded history in all its glory. You have my undying admiration.

Sadly, sort of, for me, this is my last blog entry. I came to Richmond at the end of September to be with my sister, who was seriously ill. The wonderful news is that she is now SO much better and I am able to return home. While I was here, Barksdale was kind enough to welcome me into the fold, and give this theatrical fish-out-of-water a temporary home. My part-time internship with the marketing department has been a lifeline for me during a somewhat stressful time, and I can’t thank you all enough.

So Merry Christmas and Happy Hanukkah! I will miss you all, and I thank you for being the most amazing theatre I’ve ever had the privilege to know. Long may you thrive!

--John Steils

Wednesday, December 5, 2007

Holiday Happenings Kick Off This Week

Posted by John Steils

If you’re looking for a way to jump start your holiday celebration, you need look no further than Barksdale Theatre and Theatre IV. Our upcoming roster of eight different productions and special events is bound to include something smile-inducing for you and yours. We’re YOUR theatre, so please join in the fun.

1. Home for the Holidays
This is Barksdale’s third annual benefit concert for the Richmond Theatre Artists Fund. Not only will you enjoy a great 2-hour evening of entertainment from some of Richmond’s finest theatre singers, you’ll also be supporting a great cause. This year’s line-up of super-stars includes Brett Ambler, Corey Davis, Jan Guarino, Audra Honaker, Katrinah Lewis, Jason Marks, Robyn O’Neill, Fernando Rivadeniera, Janine Serresseque, Durron Tyree, and Tony Williams at the piano. Erin Thomas is our emcee. Performances are on the starlit Barksdale Willow Lawn lobby stage, with attendance limited to 80 guests sitting cabaret-style at reserved tables. Click for more details.

2. Bifocals Theatre Project
If you’re 55 or older, or if you know a theatre lover who is 55 or older, you really should connect with Barksdale’s Bifocals Theatre Project, our fun and fast-moving initiative designed to serve Greater Richmond’s senior theatre artists and audiences. On Thurs Dec 6 and Fri Dec 7, our Bifocals troupe will present a half-hour version of the radio drama It’s a Wonderful Life, directed by Bob Albertia, and featuring the acting talents of Bob himself plus Tom Bass, Woody Eney, Joel Grow, Donna Knicely, Chase Kniffen and Ali Thibodeau. The performance will take place on the lobby stage at Barksdale Willow Lawn. Seating for lunch (optional) begins at 12 noon, and the performance begins at 1 pm. Attendance is limited to 80 guests, and tickets must be reserved in advance. Following the Friday performance will be the annual Bifocals Christmas Party, which is open to all theatre lovers 55 and over, free of charge. Click for more details.

3. Indonesian Shadow Puppet Performance and Concert - FREE
Also this Fri Dec 7, in partnership with the Modlin Center for the Arts at Bruce and Phil’s alma mater (the University of Richmond), Barksdale will present free performances of a traditional Indonesian shadow-puppet performance featuring Dr. Andrew Clay McGraw (ethnomusicologist and music professor at the University), Gusti Putu Sudarta, Dalang (shadow master and musician), and John MacDonald (gamelan musician). Free performances will be at our historic Empire Theatre, conducted as a part of First Fridays. Call Catherine Dudley for more information, 643-2477. And while visiting the historic Empire on First Friday, be sure to enjoy the art photos of Jay Paul, now on display in our lobby gallery. Click for more details.

4. Stretchin’ at Barksdale – only $12 for a GREAT concert
Stretchin’ at Barksdale is our free-wheeling, grab-a-beer-and-chill-to-the-music concert series, presented on Sunday evenings in the “living room” lobby at Barksdale Willow Lawn. This Sun, Dec 9, 6 pm, national rising star Justin Townes Earle, son of country superstar Steve Earle, will be taking the stage with Richmond great Susan Greenbaum. B J Kocen is our impresario and emcee. It’s the best deal on the best music in town. If you enjoy live music in a laid back “at home” atmosphere, you’d be crazy to miss it. No reservations. Purchase tickets at the door. Click for more details.

5. Rostov’s Coffee & Conversations - FREE
Get outa here! You’ve NEVER been to a Coffee & Conversations event??!! Well, there’s no time to start like the present. Next Tues, Dec 11, 9:30 am, join us in the lobby of Barksdale Willow Lawn to hear all the backstage stories directly from the horses’ mouths. Our three leading men of Moonlight and Magnolias will answer all your questions and reveal all the backstage insights you’ve been dying to know. And if you can, come a little early. Rostov’s delicious coffee, hot tea and pastries are available for a suggested donation of $3. No tickets or reservations required. Click for more details.

6. A Christmas Story – Empire Theatre
A great, hilarious play, suitable for the entire family age 6 to 106. You can read review quotes elsewhere on the blog, or call the Theatre IV box office for more info. 344-8040.

7. Moonlight and Magnolias – Barksdale Willow Lawn
A laugh-fest comedy about the making of the screenplay of Gone with the Wind. You can read review quotes elsewhere on the blog, or call the Barksdale box office for more info. 282-2620.

8. Swingtime Canteen – Barksdale Hanover Tavern
A joyous, toe-tapping, boogie-woogie recreation of a USO show from Christmas 1944. You can read review quotes elsewhere on the blog, or call the Barksdale box office for more info. 282-2620.

See you at the theatre!

--John Steils

Monday, December 3, 2007

A Penchant for Movies on Stage

Posted by Billy Christopher Maupin
After last week's successful opening of A Christmas Story (and a smash hit, it would seem, with ticket sales for today already exceeding 200 tickets for A Christmas Story alone!) at Theatre IV's historic Empire Theatre, Barksdale Theatre's Bifocals Theatre Project opens It's a Wonderful Life - A Live Radio Play this Thursday on Barksdale Theatre at Willow Lawn's Lobby Stage at 1PM, with lunch served at 12:30PM. Tickets for that are already looking like they may sell out (with under twenty seats available for either performance- Thursday or Friday).

Bifocals Theatre Project generally features artists ages 55 and older; this production features Robert Albertia, Tom Bass, Woody Eney, Joel Grow, and Donna Knicely, as well as two younger faces, Chase Kniffen and Ali Thibodeau, filling out the cast as George and Mary (respectively, of course).

Next week, the cast will take it on the road(!) touring to retirement communities and the like. How exciting!

Also, after Friday's performance, audience members are invited to hang around for the first-ever Bifocals Holiday Party!

So get thee to the phone and order your tickets today! They're only $10 for lunch and show and $5 for show only. (I just looked at ticket sales again, and we've sold eight more tickets in the time that it took me to write this blog...so get them today!)

For tickets to It's a Wonderful Life- A Live Radio Play, Swingtime Canteen, Moonlight and Magnolias, or A Christmas Story, call the Barksdale Theatre Box Office at 282-2620 or the Theatre IV Box Office at 344-8040. Join in the fun!
--Billy Christopher Maupin

Thursday, November 15, 2007

"Debra Wagoner, AKA Topeka Abotelli Sings in the Key of Q" or Debra Meets Lipton or Debra Wagoner Fills Out "The Questionnaire"

Posted by Billy Christopher Maupin

Tomorrow night at 8PM the smash Off-Broadway hit Swingtime Canteen opens at Barksdale Theatre at Hanover Tavern. I have my tickets; do you have yours? It has already been mentioned that one could hear/watch these five dynamic performers rehearse from the marketing department at the Empire Theatre. I cannot tell a lie: I watched and listened on more than one occasion. These women (Debra Wagoner, Katrinah Carol Lewis, Vilma Gil, Audra Honaker, and Jan Guarino) sound AMAZING!!!

There are so many great shows opening this month!
Swingtime on Friday, Moonlight and Magnolias next Friday at Barksdale Theatre at Willow Lawn, and Theatre IV's production of A Christmas Story next Friday (yes, it's adapted from the movie!!!). Ooh...also Spinning Into Butter is playing at the Firehouse Theatre Project through this Saturday. It's pretty incredible: beautiful set (Edwin Slipek, Jr.), very interesting, thought-provoking play, and all of the actors really bring it to the table...or desk...so to speak (Katie McCall, Melissa Johnston Price, Fred Iocovo, Tony Santiago, Matt Polson, and our very own Robert Albertia). Oh, and A Lesson Before Dying is playing at the African American Repertory Theatre through this Sunday. From what I hear, it's a really fantastic production. Essie Simms in particular was very adamant about how great the show is. Plus, it features Darius T. Epps, another Barksdale Theatre employee!

So...back to the subject at hand...I get a bit excited about good theatre...and there's so much of it here! It's so exciting to live in this community! Anyway...to Debra's questionnaire...

I must point out that I found it rather amusing that Debra shares many of the same answers as Joy Williams (whose questionnaire you can see two posts below). And she hadn't read Joy's before answering. Just a fun little thing.

So...to "The Questionnaire"!

1. What is your favorite word?
Yes

2. What is your least favorite word?
No.
Big surprise, huh?

3. What turns you on [creatively, spiritually or emotionally]?
Getting it right. I’m a terrible perfectionist.
A live audience….and knowing when you “hav
e them.” I’ve often been asked why I don’t do more cabaret type gigs…get myself a little band together, etc. And I guess it’s because I like telling stories. And musicals to me are the best of both those worlds. You get to tell a story to the audience with words and music. Some people turn their noses up at musical theatre. But it IS most definitely an art form. And when it’s done well, it can be very transporting.

4. What turns you off?
People who hate musical theatre, HA HA!

But seriously, folks, I’m turned off by willful ignorance. Deliberate cruelty. Intolerance.

And little things like people who don’t use their turn signals……

5. What sound or noise do you love?
Laughter. Applause.
Can’t pick just one sound.



6. What sound or noise do you hate?
Hmmmmm……microphone feedback. I would swear that I’ve sustained some hearing loss over the many years of dealing with microphones. I’ve never really enjoyed using them. But they are a necessary evil, I guess.

7. What is your favorite curse word?
F***. I have a potty mouth...It might be because out of pure contrariness; I started cursing when someone told me: “You have such a sweet face I can’t imagine you ever saying dirty words”. Well, f*** that s***.

8. What profession other than your own would you like to attempt?
Costume design. But, gee, I need to learn how to sew. The only other job I ever enjoyed was being a patient advocate of sorts for the elderly. Walking them through the insurance red tape, etc. I got some nice thank you letters, and some great homemade cookies doing that job! It felt really great knowing that I was helping these folks out. That was many years ago, and the healthcare/insurance system is even worse than it was then. Geez!

9. What profession would you not like to do?
Anything to do with politics.

10. If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?
Come on in and sit right down and make yourself at home.

You can read more about Debra and her goings on and her debut album,
The Hopeful Romantic, which features a really stellar interpretation of "No One Is Alone" from Into the Woods, among others, at http://www.debrawagoner.com/.

Be sure to check out Debra and all the ladies in Swingtime Canteen at Barksdale Theatre at Hanover Tavern, running November 23 - January 20. Opening weekend is already sold out so be sure to purchase your tickets soon!

Thursday, June 7, 2007

Serving the Community Both Near and Far

Today we finished a wonderful few weeks of touring the 35-minute radio play version of Arsenic and Old Lace. I’m very proud of this production.

All of us in the cast enjoyed the privilege of performing the show in senior centers and retirement communities throughout Greater Richmond. Phil and I actually acted in this one—something we seldom do. How could we say “no” to the chance to share a stage with such amazing colleagues, most notably our memorable leading ladies, real-life sisters Mary Jane Board and Charlotte McCutcheon? They were terrific—very funny and completely professional. The play also featured the more familiar but equally enjoyable talents of Bob Albertia, Chase Kniffen and Tom McGranahan.

Barksdale’s Bifocals Theatre Project provides a chance for senior actors (55 and up) to perform for senior audiences both near and far (2 shows on our lobby stage at Willow Lawn and 10 performances in various senior enclaves around town). All performances are presented on a sliding scale, with each senior center paying only what it can afford. The Bifocals Theatre Project is another way in which Barksdale reaches out to the community, entertaining and invigorating hundreds of high-spirited Richmonders, many of whom are no longer able to attend our mainstage shows at Willow Lawn and/or Hanover Tavern.

My mother, Amy Miller, is a perfect example of the audience member whom the Bifocals Theatre Project is meant to serve—an audience member who otherwise would be all too easy to overlook. A native New Yorker, my mom was and always will be a true-blue theatre lover. But these days, even though her spirit is willing, her mind is no longer able to make it through a two-hour production, and physically it’s just too difficult for her to leave her safe and comfortable home at Westminster-Canterbury.

And so, through the Bifocals Theatre Project, Barksdale now comes to her—and to hundreds of others who regularly benefit from this exemplary service initiative.

My mom may be 91-years-old, dealing with Alzheimer’s and permanently confined to a wheelchair, but she lit up like a Christmas tree during our recent reading of the Arsenic radio script in Westminster’s beautiful Sara Belle November Theatre. Acting is always fun. Acting in a Bifocals production is not only fun, it’s also uniquely rewarding.

Many thanks to all those who make this and other Bifocals Theatre Project events possible. If you would like to learn more, or participate, or become a sponsor, please contact our Special Projects Manager, Chase Kniffen, at c.kniffen@barksdalerichmond.org . But whatever you do, don’t drink the elderberry wine.

Monday, May 21, 2007

Stories of the Past

Posted by Robert Albertia

The year was 1963 and I was thrilled to be a member of the cast of Twelve Angry Men directed by David (Pete) Kilgore. Those were magic times at Hanover Tavern. I had not yet reached my 30th year and to work at this marvelous theatre was, for me, a great milestone. The cast was filled with Barksdale favorites: Jay Lundy, Glenn Crone, Mike Pettinger, and Pete himself.
The association with Muriel McAuley and Nancy Kilgore along with Pete was one that has remained a joyous and constant reminder of the creative individuals I have had the good fortune of working with in almost forty-five years in the theatre. I wouldn't change that for anything.
It would seem that I have lost count of the many productions I have worked on, however, there are standouts among that list: playing opposite Mallory Freeman and Edie Williams as my parents in the brilliant production of Da; the hilarious My Fat Friend with Helen Ball Williams, a life-long friend; numerous productions with Helen Levinson (too many to mention)--in fact many people thought we were married!
In most of those productions, I wore my own clothes since the theatre had almost no costume budget. I never minded because of the joy of doing a part in any Barksdale production was an opportunity not to be missed.
Even today I feel the same way and continue to accept delightful roles that continue to challenge me as an actor and feed my soul.
Barksdale Theatre is one of my great loves. Those marvelous actors I have worked opposite remain with me always.

Tuesday, April 3, 2007

The Good Side of Being Big: Dan Ruth to Direct "The Tale of the Allergist's Wife" for Firehouse

Working collaboratively, Barksdale and Theatre IV have an annual operating budget of about $5 million. To put that in perspective, we’re about the same size as the Richmond Symphony, and about two times bigger than the former TheatreVirginia in its prime. In fact, we’re the largest professional theatre in Virginia history, in terms of both annual audience and annual budget.

The downside of all this is workload. If you don’t count the two weeks a year when we take vacation, we have to raise $30,000 in contributions during each of the remaining 50 weeks. That’s what it takes to raise the $1,500,000 we need each year in order to meet budget.

Equally daunting, we have to sell $70,000 per week in tickets and tour shows in order to reach our earned revenue goal of $3,500,000 per year. Needless to say, it takes a lot of work on the part of a lot of people to meet these goals. For 32 years, my workload has been about 80 hours a week. That's the challenging side of working for a large and successful organization.

But being big is good in that it gives you artistic opportunities. For recent and current productions, we were able to spend what it takes to bring in the likes of Harrison White, Dave Winning and Jay Lustig for The Full Monty, Liz Mamana for The Constant Wife, Kathy Halenda and Amy Prothro for Mame, Drew Perkins for Smoke on the Mountain, and Dan Ruth for Brooklyn Boy.

When we bring these seasoned pros into town, it helps not only Barksdale Theatre and the particular shows in which they appear, it also helps the entire Richmond theatre community. Richmond’s finest theatre artists benefit from having the chance to work and network with talented professionals from outside our community. Nothing stunts artistic growth more than working in a closed environment.

And sometimes, the artists we bring to town are then able to work for other local theatres as well. As one example, Dan Ruth (pictured above with Joe Pabst in Brooklyn Boy) began directing The Tale of the Allergist’s Wife for Firehouse Theatre Project while he was still performing in Brooklyn Boy. Now that Brooklyn's over and Allergist's Wife rehearsals are in full swing, Dan is still living in the house of Barksdale staff member Bob Albertia, and Barksdale will still be paying for his transportation back to New York, once Allergist’s Wife opens.

It was great to be able to bring Dan back to Richmond this season, and to see his wonderful work again in Brooklyn Boy. It will be equally great to see his directing expertise back in play at Firehouse. Richmond will enjoy two artistic efforts from Dan while only paying once for his housing and transportation expenses. This double-header represents an efficient use of limited community resources, and an excellent example of cooperation among two Richmond theatres. We’re proud to be a part of it.