How We Help ... St. Christopher's

Posted by Phil Whiteway

Barksdale Theatre and Theatre IV were happy to help out St. Christopher’s School this past weekend. St. Christopher’s helps us each year with our after school enrichment program for less advantaged elementary students at St. Andrew’s Episcopal School on Oregon Hill. When our St. Andrew’s students attend a Theatre IV production in the Empire, high school students from St. Christopher’s accompany them as mentors and “big brothers.”

In January the St. Christopher’s Annual Auction Committee contacted Judi Crenshaw, our publicist extraordinaire, about the possibility of our providing historical characters to enhance their annual development event. St. Chris’s theme this year revolved around patriotism, and our partners at St. Chris were looking for actors to play George Washington, Abe Lincoln, Thomas Jefferson and Patrick Henry. These were paid gigs for the actors, but St. Chris asked if we at Barksdale would donate our time and expertise, helping out with organization, casting and costuming.

We said “yes.” Judi Crenshaw (our publicist) organized the project, Ford Flannagan (our company manager) assisted Judi in finding actors who came in the same size as the costumes, Sue Griffin (our costume director) managed wardrobe, and Catherine Dudley (our marketing assistant) recorded the donation. Our costume department in particular went well above and beyond the call of duty assembling garments, wigs, hats and various Colonial and Revolutionary accoutrements.

On Saturday, Feb 23, the Auction took place and our four “patriots” mingled with the 350 St. Christopher supporters. Fun times were had by all.

Barksdale and Theatre IV donate tickets and services to hundreds of fellow nonprofits throughout Greater Richmond every year. Through this How We Help spotlight series, we hope to make you more aware of this vital part of our operation.

--Phil Whiteway

Oh Christmas Tree! Oh Christmas Tree! Look!! The Show I Did in '63!!!

Posted by John Steils

The good men and women of Barksdale’s Bifocals Theatre Project—our dynamic initiative for senior theatre artists and audiences—are launching a new program. During the next several months, they will be working independently and with Barksdale’s artisans to create handcrafted Christmas tree ornaments to represent each of the approximately 300 mainstage shows that Barksdale has produced since its founding as Richmond’s first professional performing arts organization in 1953.

Simultaneously, we will all begin creating ornaments for each of the mainstage productions at Theatre IV and the Virginia Museum Theatre / TheatreVirginia, the two other great stage companies whose resources and energies contribute so much to make Barksdale the powerhouse it is today.

Eventually, all these ornaments will be hung each year on the festive trees located in the lobbies of our Willow Lawn, Hanover Tavern, and historic Empire performance facilities. Christmas and Hanukkah are an ideal time to remember and celebrate all the great professional productions that have made Richmond the theatrical capital of the region. Who knows, maybe other theatres will join in the project to create memory trees of their own.

During my three months at Barksdale, I’ve had the privilege to meet and talk with many of the hundreds of theatre artists, Board leaders etc. who make up this landmark institution. Kevin Kilgore, Jacqui O’Connor, Essie Simms (she’s seen every B’dale production since 1953!) and many, many others have shared stories of the Tavern that have made the historic Barksdale come alive for me. Ford Flannagan, Gordon Bass, Terrie Powers and their pals have related stories that go back to Theatre IV’s founding in 1975, allowing me feel like I was in those touring vans myself. Did Jan Guarino really learn the entire score to Jubilee! while riding in the van on the way to a Newport News performance?

Sue Griffin, Meredith Stanley Scott (pictured with husband Alfred in the '70s to the left), Bob Albertia and dozens of others have shared their tales of VMT / TVA, keeping that company very much alive in the hallways, dressing rooms and rehearsal halls of Barksdale. Did you know that six of our current staff members, scores of our talented theatre artists, even our artistic director are all VMT / TVA vets? Shoot, the evening gown that Jan Guarino wears nightly in Swingtime Canteen was first created for and worn in Bubbling Brown Sugar at TheatreVirginia, and Jan herself starred in countless TheatreVirginia productions (in between those notorious van rides at Theatre IV).

You generous people in Richmond’s vibrant theatre community have had the good sense to combine and unite your passions to create a current company that thrives on all the strengths of the various companies that preceded it. That’s a pretty amazing achievement, and I don’t think there are many theatre communities that could pull it off. Pete, Nancy and Muriel (and Leslie Cheek, Robert Telford et al) must have been amazing people to have created the family you have become. Now, the three memory trees you are creating will represent their and your star-studded history in all its glory. You have my undying admiration.

Sadly, sort of, for me, this is my last blog entry. I came to Richmond at the end of September to be with my sister, who was seriously ill. The wonderful news is that she is now SO much better and I am able to return home. While I was here, Barksdale was kind enough to welcome me into the fold, and give this theatrical fish-out-of-water a temporary home. My part-time internship with the marketing department has been a lifeline for me during a somewhat stressful time, and I can’t thank you all enough.

So Merry Christmas and Happy Hanukkah! I will miss you all, and I thank you for being the most amazing theatre I’ve ever had the privilege to know. Long may you thrive!

--John Steils

Would you like a light plot with that quiche?

Thanks to Laurie Null and Miss Hathaway’s Café for featuring Barksdale and Theatre IV designers in her current gallery display. Miss Hathaway’s Café is a charming eatery located in Stratford Hills, South of the James, adjacent to the pharmacy at the intersection of Forest Hill Avenue and Hathaway Road. For the last few weeks, design sketches and plots from Sue Griffin (costumes), Lynne Hartman (lights) and Terrie Powers (sets) have been gracing the walls of this colorful café.

Laurie Null is a Richmond theatre alum from days gone by, but she now spends her time making just about the best pastries, sandwiches and quiche you’ll find, and serving them in a comfortable and welcoming environment.

The name Miss Hathaway’s Café was inspired, in part, by the Hathaway Road intersection, but also by the character of Jane Hathaway, played with such aplomb for years on The Beverly Hillbillies by the late Nancy Kulp.

When you’re feeling in need of a break, be sure to visit Miss Hathaway’s Café, and tell Laurie that Barksdale sent you.

--Bruce Miller

"Intimate" Earns Rave in Times-Dispatch

The first Intimate Apparel review is in, and everything’s coming up roses. Susan Haubenstock’s assessment appears in this morning’s Times-Dispatch (Sunday, April 15), and it begins as follows: “What an excellent synergy of writing, acting, directing and design is Barksdale’s Intimate Apparel, the Lynn Nottage drama that played off-Broadway in 2004 and won the 2004 Outer Critics Circle Award. With director Steve Perigard at the helm, Nottage’s carefully plotted tale is realized with perfectly tuned sensibility.”

If you’re a regular reader of this blog, you know how excited we at Barksdale are about Intimate Apparel. We’re excited because Intimate Apparel is a beautiful new play by Lynn Nottage, a playwright who is now establishing her place in the top tier of favorite playwright lists all around the country. This production is a Central Virginia premiere, and the latest product of the Women’s Theatre Project we kicked off in 2001. Through this project, we commit to the production of at least one work by a woman playwright each season. Intimate Apparel is beautifully plotted and written with a real reverence for character and language. It has been a delight to produce.

We’re excited because we have been able to recruit an exceptional cast. “Adanma Onyedike’s Esther is beautifully realized, lacking in self-possession at first but growing through her difficulties to become very much herself,” says Haubenstock. “There are wonderful discoveries in the performances of Tawnya Pettiford-Wates as Mrs. Dickson, Jennifer Massey as Mrs. Van Buren, and Katrinah Carol Lewis as Mayme. Andy Nagraj is touching as Mr. Marks, and every move of Chris Lindsay’s George is charged with feeling.”

We’re excited to have the chance to again experience the organic power of Steve Perigard’s sensitive direction, the full-flavored beauty of Kim Parkin’s handsome scenic design, the magnificent period costumes created by Sue Griffin, and the spellbinding lighting of Lynne Hartman. Paul Deiss has written a wonderful rag that is performed by Katrinah and Ida (the name by which everyone knows Adanma). It sounds like Scott Joplin reborn. And, as always, Amanda Durst has created an entire world with her dialect direction.

We’re trying to live up to the standard we have set for ourselves, a standard that is appropriate for Central Virginia’s leading professional theatre. I think Intimate Apparel is representative of the artistic growth we seek. I’m proud of our production.















For the full review go to: Richmond Times-Dispatch