Showing posts with label T Foley. Show all posts
Showing posts with label T Foley. Show all posts

Friday, December 19, 2008

Chase, Steve, Catherine, Adam and Bob

Posted by Bruce Miller
As many of you know, last spring Phil and I determined that Barksdale and Theatre IV needed to eliminate five staff positions over the next year in order to responsibly face the declining economy. Assessing financial realities and accepting that we need to lose five valued staff members was the easy part. Deciding which positions to eliminate was tough.

We looked first at attrition. Who on staff had expressed an interest in leaving in the near to not too distant future. It’s much more supportive of staff morale to eliminate a position that has been voluntarily vacated than to yank a job away from someone who truly wants and needs it.

Chase Kniffen had already decided to leave Barksdale and Theatre IV to start his own company, Stage 1. The wisdom of that decision is now easily discernible to all. So we chose not to fill his position of Special Projects Manager. Among other responsibilities, Chase had managed Barksdale’s Bifocals Theatre Project and our SOAR high school externships. It was an easy decision to put Bifocals touring and the externship program on hold, at least during the first half of 08-09. His other responsibilities were divided among remaining staff members, adding to their already full plates.

Steve Perigard had been talking about moving on to other opportunities for at least three years. In the spring of 08, Steve told me that he thought that the time may have come. Who can blame him? Someone with Steve Perigard’s intelligence, initiative, job experience, talent and skill set can do much better than serve as an Associate Artistic Director year after year. Steve asked if he could contemplate the move during the summer. I said he could take all the time he needed. In the early fall, he made it official—he wanted to move on.

I’m told that the rumor mill is now putting forth the notion that Steve was “let go” or “fired.” That rumor is in no way true. Everyone should know of the friendship, respect and admiration I have for Steve. There’s no way in this world that I would have let him go or fired him. Steve made the difficult decision to move on from Barksdale and Theatre IV because he feels like it’s in his best interests to explore other opportunities. I wholehearted support him in that decision. Being an Associate Artistic Director is in many ways a thankless job. He deserves more, and I’m confident he’ll quickly find several wonderful, fulfilling and lucrative opportunities.

It is Steve’s stated hope, and mine, that he will continue to work with our two companies as a freelance director and actor. More about that in the coming weeks and months.

We did not decide to eliminate Steve’s position because we can afford to be without an Associate Artistic Director. We can’t. But his position can now be one of the five we need to eliminate, or at least put on hold. Not filling the position of Associate Artistic Director is a better option than firing someone else.

Simply writing down the many jobs that Steve has masterfully performed here is filling up a book. During January, we will finalize the determination of who will assume each of his responsibilities. It will not be easy to make these decisions. Frankly, I’m scared to death. I know that it will be rough going without him. However, I also know that we will make it work. We are blessed with many capable staff leaders who can effectively perform any task that is put before them. Institutionally, dealing with transition can ultimately strengthen a company. In our case, it can help prepare the company for Phil’s and my retirement in 7 ½ years.

The third position to be eliminated was Catherine Dudley’s position as Marketing Associate. Catherine had just completed her course work to be an ASL interpreter. She’d been talking for well over a year about leaving Barksdale to pursue her “dream job” working as an interpreter with deaf students. In June, I asked Catherine to consider making this transition earlier rather than later. I was confident that she would find immediate work in her chosen career. Because she loved working with us, and vice versa, it was a tearful conversation. But she understood and accepted my request. Sure enough, in September she began working as an interpreter for Chesterfield County Public Schools, and from day one she’s been thrilled by her new job—and enjoying a significant pay increase.

Best of all, Catherine has continued to work for us as translator and sign instructor for Sanders Family Christmas and Children of a Lesser God. It’s been a perfect transition. Catherine’s many responsibilities have now been added to the overflowing plates of Sara Marsden, our Marketing Director, and Billy Christopher Maupin, our Marketing Associate and Publications Manager.

The fourth and fifth positions to be eliminated were Adam Tiller’s job as Office Manager and Bob Albertia’s job as Group Sales Manager. Adam has been a favorite son and valued employee at Barksdale and Theatre IV for years, in many capacities. But his ultimate goal was to return to grad school. He’s a brilliant young man, and frankly, his many talents were somewhat wasted in his part-time job as Office Manager. His major responsibilities included manning the front desk as a receptionist, and accepting, recording and depositing all incoming revenue. At the top of the new year, we hope to be recruiting volunteers to fill the first of those two tasks. The financial responsibilities have now been shifted over to other employees.

Bob Albertia is one of Richmond’s theatrical cornerstones. He is and always will be irreplaceable. Bob has now retired, a privilege and opportunity that he well deserves. His group sales responsibilities have been split in half. Tony Foley is handling the aggressive sales work. AnnaMarie Epps in our box office is handling the more passive job of taking and servicing orders. No one can possibly assume Bob’s particular panache in dealing with enthusiastic group leaders. But we’ll all do the best we can, and we'll make it through.

Our hope and expectation is that we will continue to work with Bob as a volunteer providing team leadership to our Bifocals Theatre Project and working with us on a variety of other artistic projects.

The big question in everyone’s mind is, “Do the cuts stop here?” In all honestly, I don’t know. We believe we made responsible and effective decisions in a timely manner, and it is our fervent hope that no additional layoffs will be forthcoming.

But that is not a promise. The economy will do what it will do. And we will respond responsbilty. The Boards, Phil and I are addressing proactively the various financial challenges in every way we can. We will ride out this storm. And we will honor our commitment to our incredible staff to the very best of our abilities.

--Bruce Miller

Saturday, July 5, 2008

Cinco July-O

Posted by Bruce Miller
For many years, Lanford Wilson’s Fifth of July was my favorite play. And now I have two glorious new reasons to love this particular box on the summer calendar:

Tom and Carmela McGranahan were married today, and
Sophia Elizabeth Foley was born at 5-something this morning.

How can things get any happier than that?!

Tom and Carmela’s wedding was nothing short of wonderful. Saint Benedict’s Catholic Church was beautiful; Carmela and her daughter/Maid of Honor looked beautiful; the Reverend Michael Renninger delivered a beautiful (and funny) homily; shoot, even the grin on Tom’s face was beautiful.

Lots and lots of Barksdale friends were in attendance. And when the service was over, everyone adjourned to the lobby of Barksdale Willow Lawn, where the reception was beautiful.

It was one of the nicest weddings I’ve ever been to, which is appropriate, since Tom is one of the nicest men I’ve ever known. Everyone at Barksdale wishes Tom and Carmela nothing but joy.

And then, to know that on the very same day, Erin and Tony Foley (or is it Erin Thomas-Foley and Tony Foley? – I’m not sure) … anyway, to know that Erin and Tony welcomed their beautiful baby into the world only hours before Tom and Carmela shared their first kiss as man and wife … these two blessed events make Cinco July-O cause for unending celebration.

Sophia Elizabeth Foley was born at the crack of dawn, two weeks early, healthy and happy and weighing in at 5 lbs. 9 oz.--or, as Andy Boothby told me, 5 ft. 9 inches. All of us wish nothing but the best for this beautiful new family.

Tonight I visit the tech rehearsal of Shirley Valentine, and if those proceedings can be one one-hundredth as beautiful as the morning and afternoon, we’ll be in great shape! I can’t wait.

My camera was dead today, so if anyone has additional photos of the nuptials, email ‘em to Jessica Daugherty and she will post 'em. Thanks.

--Bruce Miller




Sunday, December 2, 2007

Three Hits (No Strike!) and We're In

Posted by Bruce Miller
Last Thurs, Nov 29, the strike ended and all of Broadway returned to work. The following evening, Fri, Nov 30, Theatre IV opened A Christmas Story at the historic Empire Theatre, the third mainstage opening in 15 days for the Barksdale/Theatre IV team. Today, Sun, Dec 2, the first Christmas Story review came out in the T-D, and, just as with the first two openings of our holiday trifecta, it looks like another winner coming out of the gates!

To paraphrase a song from Swingtime Canteen, “Praise the Lord and pass the approbation!”

Under the headline: “Caution: This Play Could Lead You to Fits of Laughter,” Susan Haubenstock writes, “Theatre IV’s holiday show A Christmas Story may be too funny for children. Well, too funny for them to fully appreciate. The adults who bring them to the Empire Theatre will be laughing out loud.”

Technical glitches aside (see my Opening Night coverage), Susie basically loved the whole thing: “Off Center and Always Hilarious!” “Clever Theatrical Devices!” “Incredibly Funny!” She loved our director and designers: “Director Chase Kniffen hits every laugh.” “The house set designed by Mercedes Schaum looks like it’s laughing.” “Matthew Landwehr’s lighting contributes mightily to the scene transitions.”

She especially loved our cast: “Eric Pastore has the charisma to keep our focus throughout the play’s 2 ½ hours.” “Michael Thibodeau and Eric Evans play his buddies with thorough 1938 credibility. Chandler Hurd is delightful as a coonskin-cap-wearing bully; and Lillie Izo and Lyla Rossi are wonderful as the neighborhood girls.”

“Above all, tiny R. Cooper Timberline is hilarious as Randy, whether whining, hiding, waiting for Santa, or needing to wee-wee.”

“Tony Foley plays the narrator (the adult Ralph) with heart, and Gordon Bass is perfect as the cursing, growling Old Man. Julie Fulcher’s long suffering Mother is great, and costume designer Sarah Grady even provides her with the requisite pink chenille bathrobe. And Jacqueline Jones puts in another of her high-octane performances as Ralphie’s teacher.”

If you and your kids would like a good laugh this Christmas, and who wouldn’t, please call for your Christmas Story tickets ASAP. If you’d like to revisit comic hijinks associated with the screen-writing of Gone with the Wind, please call for tickets to Moonlight and Magnolias at Barksdale Willow Lawn. And if you’d like to tap your feet and sing along to the boogie woogie hits of the 40s in a colorful recreation of a USO Christmas show, head on out to Hanover Tavern for Swingtime Canteen.

Better yet, go see all three! And remember, theatre tickets and gift certificates make GREAT Christmas and Hanukkah presents!!

See you at the theatre.

--Bruce Miller

Photo credits: All photos by Jay Paul. At flagpole (left to right) - Lyla Rossi, Lillie Izo, Eric Pastore, Michael Thibodeau, Eric Evans. In chairs - Eric Pastore, Eric Evans. Bundled up - Michael Thibodeau, Eric Pastore, R. Cooper Timberline, Eric Evans.

Friday, November 30, 2007

Deck the Halls with Bows so Jolly

Posted by Bruce Miller

The talented cast and crew of Theatre IV's new production of A Christmas Story took their first curtain call tonight, and then gathered in the historic Empire lobby for that merry ritual known as Meet and Greet. The Opening Night cast party was put on hold for a half hour or so until all playbills were signed and every jolly juvenile was sent on his or her way home with a smile and an autograph. Meet and Greet is so rewarding for cast and audience members alike at each Theatre IV production, I often wonder why we never try it for adult audience shows at Barksdale.

A Christmas Story was our third mainstage opening in as many weeks. If I were to put on my MARKETING AND PUBLIC RELATIONS hat, I'd tell you that the evening was an unqualified success. And in many ways it was. The audience LOVED the show, awarding it a million laughs and an enthusiastic ovation. The cast did an outstanding job.

But if I were to put on my LET'S PEEK BEHIND THE SCENES FOR THE TRUTH hat, I'd have to say that we encountered a few glitches this evening, more in my opinion than we encountered at this morning's final dress rehearsal. But such is the joy of live theatre. When you mount three major mainstage productions and four national tours in 15 days, glitches are gonna happen. Having been down this road more than a few times before, we know that now is the time to iron out some of the technical kinks that tripped us up in a few places tonight. I'm confident that every aspect of this big show will soon be in sync with every other aspect, creating the holiday heartwarmer that this production is destined to be.

Gracing the cast party were our Ralphie and Ralph (the same character as a boy and a man), played with wonderful humor and charm by Eric Pastore and Tony Foley (pictured to the left). Tony is well remembered as the young lawyer husband in Barefoot in the Park, and the innkeeper husband in Agatha Christie's The Mousetrap.

When not rubbing shoulders with his adult self, Eric Pastore decided to hang with his compadres Michael Thibodeau and Eric Evans, who play Ralphie's best pals Flick and Schwartz. These three multi-talented young men (pictured to the right) are all Barksdale veterans, having appeared in leading roles in Mame, The Member of the Wedding, and Mame, respectively (yes, the role of Young Patrick in Mame was triple-cast).

And let us not forget the fourth hooligan who contributes so much to this production. Chandler Hurd, a sixth grader at Byrd Middle School, plays the hooliganiest of all--Scut Farkas, bully to the stars. Chandler was taken ill during our opening weekend, but as one would expect from such a young trooper, he's been there for every rehearsal and performance, twisting arms and laughing villainously. In fact, the only thing he's missed was the Opening Night Party! We missed him, too.


Gordon Bass and Julie Fulcher (pictured to the left) do a terrific job playing Ralphie's dad and mom, known affectionately by grown-up Ralph as "Mother" and "The Old Man." It's Gordon who wins the leg lamp as a "major prize," and Julie who keeps trying to disconnect it so that the neighbors won't see. And in case you're starting to wonder if the cast party for A Christmas Story was a slumber party, remember that Meet and Greet is conducted in costume.

The three other stage wunderkind's who are knocking everyone's socks off are R. Cooper Timberline as baby brother Randy, Lillie Izo as brainiac Helen, and Lyla Rossi as Ester Jane, the young girl whose heart Ralphie has won. They are pictured to the right in front of the sign recognizing our wonderful sponsors for this production: Dominion, PriceWaterhouseCoopers, The Supply Room, STYLE Weekly and Radio Disney.

This is Lyla's second show with Theatre IV, having appeared in The Wizard of Oz as a Munchkin last spring. But this is the first time she's been part of a mother/daughter act. Lila's mom, Theatre IV All Star AnnaMarie Rossi, shares the role of Miss Shields, the teacher, with another Theatre IV All Star, Jackie Jones.

Chase Kniffen, our talented young director, goes cheek to cheek with STYLE critic Mary Burress at the post performance cast party. And our hard working stage manager, Ariel Osborne, and house manager, Catherine Dudley, survey the joyous goings on from the historic marble and forged iron staircase that leads to the balcony. Terrie Powers (Swingtime's exemplary set designer) and Virginia actors extraordinaire--Jill Bari Steinberg, Robert Throckmorton and Robyn O'Neill--discuss the latest theatre news in the background.

As the party wore on, one little bro had to call it a night in the comforting arms of his dad, Dave Timberline, henceforward known as "Cooper's old man."

So, before you get too tired, make your plans to join us for A Christmas Story at the historic Empire Theatre. It's 2 1/4 hours of holiday delight for young and old.

--Bruce Miller

Thursday, November 29, 2007

"A Christmas Story" Opens Tomorrow

Posted by Billy Christopher Maupin

Tomorrow night at Barksdale Theatre's "sister theatre," Theatre IV, A Christmas Story opens. Not the movie, of course, but a stage adaptation of the movie. And it took a heckuva lot of people to get it to the stage. The author billing credit is required by the publisher to read:

A Christmas Story
Adapted by Philip Grecian. Based on the motion picture A Christmas Story
,
© 1983 Turner Entertainment Co., Distributed by Warner Bros.,
Written by Jean Shepherd, Leigh Brown and Bob Clark;
Also based on the book In God We Trust, All Others Pay Cash by Jean Shepherd.


Now that's a mouthful. But all those writing credits make me think of all the people who are involved in getting the show onstage after the script is written. There's a talented team of people on this one.

A Christmas Story is directed by Chase Kniffen, with scenic design by Mercedes Schaum, lighting design by Matthew Landwehr, costume design by Sarah Grady, stage management by Ariel C. Osborne, and a whole slew of electricians, sound technicians, scene painters, costumers, and more.

And it's A Christmas Story onstage! I can hardly wait to see it! Especially because of the great cast: Tony Foley, Julie Fulcher, Gordon Bass, Eric Pastore, Jacqueline Jones/AnnaMarie Rossi, R. Cooper Timberline, Eric Evans, Michael Thibodeau, Lillie Izo, Lyla Rossi, and Chandler Hurd.

It's the holiday classic, live and on-stage! To order tickets, call the box office at 344-8040 or visit the
Theatre IV website at http://www.theatreivrichmond.org/. I hope to see you at the show!

(Photos by Jay Paul. From top to bottom: Eric Pastore; Julie Fulcher and Gordon Bass; Michael Thibodeau, Eric Pastore, R. Cooper Timberline, and Eric Evans; Tony Foley)


--Billy Christopher Maupin