Showing posts with label Tiller. Show all posts
Showing posts with label Tiller. Show all posts

Friday, December 19, 2008

Chase, Steve, Catherine, Adam and Bob

Posted by Bruce Miller
As many of you know, last spring Phil and I determined that Barksdale and Theatre IV needed to eliminate five staff positions over the next year in order to responsibly face the declining economy. Assessing financial realities and accepting that we need to lose five valued staff members was the easy part. Deciding which positions to eliminate was tough.

We looked first at attrition. Who on staff had expressed an interest in leaving in the near to not too distant future. It’s much more supportive of staff morale to eliminate a position that has been voluntarily vacated than to yank a job away from someone who truly wants and needs it.

Chase Kniffen had already decided to leave Barksdale and Theatre IV to start his own company, Stage 1. The wisdom of that decision is now easily discernible to all. So we chose not to fill his position of Special Projects Manager. Among other responsibilities, Chase had managed Barksdale’s Bifocals Theatre Project and our SOAR high school externships. It was an easy decision to put Bifocals touring and the externship program on hold, at least during the first half of 08-09. His other responsibilities were divided among remaining staff members, adding to their already full plates.

Steve Perigard had been talking about moving on to other opportunities for at least three years. In the spring of 08, Steve told me that he thought that the time may have come. Who can blame him? Someone with Steve Perigard’s intelligence, initiative, job experience, talent and skill set can do much better than serve as an Associate Artistic Director year after year. Steve asked if he could contemplate the move during the summer. I said he could take all the time he needed. In the early fall, he made it official—he wanted to move on.

I’m told that the rumor mill is now putting forth the notion that Steve was “let go” or “fired.” That rumor is in no way true. Everyone should know of the friendship, respect and admiration I have for Steve. There’s no way in this world that I would have let him go or fired him. Steve made the difficult decision to move on from Barksdale and Theatre IV because he feels like it’s in his best interests to explore other opportunities. I wholehearted support him in that decision. Being an Associate Artistic Director is in many ways a thankless job. He deserves more, and I’m confident he’ll quickly find several wonderful, fulfilling and lucrative opportunities.

It is Steve’s stated hope, and mine, that he will continue to work with our two companies as a freelance director and actor. More about that in the coming weeks and months.

We did not decide to eliminate Steve’s position because we can afford to be without an Associate Artistic Director. We can’t. But his position can now be one of the five we need to eliminate, or at least put on hold. Not filling the position of Associate Artistic Director is a better option than firing someone else.

Simply writing down the many jobs that Steve has masterfully performed here is filling up a book. During January, we will finalize the determination of who will assume each of his responsibilities. It will not be easy to make these decisions. Frankly, I’m scared to death. I know that it will be rough going without him. However, I also know that we will make it work. We are blessed with many capable staff leaders who can effectively perform any task that is put before them. Institutionally, dealing with transition can ultimately strengthen a company. In our case, it can help prepare the company for Phil’s and my retirement in 7 ½ years.

The third position to be eliminated was Catherine Dudley’s position as Marketing Associate. Catherine had just completed her course work to be an ASL interpreter. She’d been talking for well over a year about leaving Barksdale to pursue her “dream job” working as an interpreter with deaf students. In June, I asked Catherine to consider making this transition earlier rather than later. I was confident that she would find immediate work in her chosen career. Because she loved working with us, and vice versa, it was a tearful conversation. But she understood and accepted my request. Sure enough, in September she began working as an interpreter for Chesterfield County Public Schools, and from day one she’s been thrilled by her new job—and enjoying a significant pay increase.

Best of all, Catherine has continued to work for us as translator and sign instructor for Sanders Family Christmas and Children of a Lesser God. It’s been a perfect transition. Catherine’s many responsibilities have now been added to the overflowing plates of Sara Marsden, our Marketing Director, and Billy Christopher Maupin, our Marketing Associate and Publications Manager.

The fourth and fifth positions to be eliminated were Adam Tiller’s job as Office Manager and Bob Albertia’s job as Group Sales Manager. Adam has been a favorite son and valued employee at Barksdale and Theatre IV for years, in many capacities. But his ultimate goal was to return to grad school. He’s a brilliant young man, and frankly, his many talents were somewhat wasted in his part-time job as Office Manager. His major responsibilities included manning the front desk as a receptionist, and accepting, recording and depositing all incoming revenue. At the top of the new year, we hope to be recruiting volunteers to fill the first of those two tasks. The financial responsibilities have now been shifted over to other employees.

Bob Albertia is one of Richmond’s theatrical cornerstones. He is and always will be irreplaceable. Bob has now retired, a privilege and opportunity that he well deserves. His group sales responsibilities have been split in half. Tony Foley is handling the aggressive sales work. AnnaMarie Epps in our box office is handling the more passive job of taking and servicing orders. No one can possibly assume Bob’s particular panache in dealing with enthusiastic group leaders. But we’ll all do the best we can, and we'll make it through.

Our hope and expectation is that we will continue to work with Bob as a volunteer providing team leadership to our Bifocals Theatre Project and working with us on a variety of other artistic projects.

The big question in everyone’s mind is, “Do the cuts stop here?” In all honestly, I don’t know. We believe we made responsible and effective decisions in a timely manner, and it is our fervent hope that no additional layoffs will be forthcoming.

But that is not a promise. The economy will do what it will do. And we will respond responsbilty. The Boards, Phil and I are addressing proactively the various financial challenges in every way we can. We will ride out this storm. And we will honor our commitment to our incredible staff to the very best of our abilities.

--Bruce Miller

Monday, July 23, 2007

We're All in This Together

Posted by Bruce Miller
I just returned from Opening Night of Disney’s High School Musical and I'm proud as a peacock. I’m proud of Chase Kniffen (Director), K Strong (Choreographer) and Sherri Matthews (Music Director) who’ve done such a fantastic job assembling a talented cast of 38 actors from 20 different schools (and home schools) and turning them into such a cohesive ensemble.

I’m proud of my talented wife, Terrie Powers (set design), and my equally talented colleagues and friends Sarah Grady (costume design) and Lynne Hartman (light design). The show looks terrific, and moves without a hitch. OK, maybe there were two tiny hitches tonight, but who noticed? These three artists make the show look like a million bucks, on a budget less than 2% that size.

I’m proud of our unsung heroes, and let me first mention our amazing Tech Director, Bruce Rennie. And as I mention his name, I want to say the word “hero” three more times. In show after show, Bruce makes miracles happen behind the scenes. The company doesn’t provide him with nearly enough support staff or expertise. Still, somehow, he always gets the job done. If I didn’t know any better, I’d think there was magic involved. Theatre IV and Barksdale simply could not exist without Bruce Rennie.

The company may not provide Bruce with enough support staff, but the ones we have provided are exceptional in their commitment, talent and hard work. Derek Dumais (Sound Engineer), Adam Tiller (Electrician and Light Board Op), and Wendy Vandergrift (Assistant Tech Director) are invaluable members of the staff. Amy Gethins Sullivan, Kim Parkin, Tia James and Terrie Powers (Painters); Nathan Meadows, John Valerie, and T J Spensieri (Carpenters); and Joe Bock and Virginia Varland (Electricians) have worked tirelessly to create the eight to ten different locales that the show requires.

Most important, I’m proud of our talented kids. But more about them later. In this post, I offer my most heartfelt thanks to the amazing adult leaders noted above. Every cast and audience member owes you a standing ovation.

They’re flying; they’re soaring—and to quote a cliché, you are the wind beneath their wings.

I thank you all for a job well done.
--Bruce Miller

Wednesday, July 4, 2007

Return of the Tiller

On May 12, I wrote a blog entry about Adam Tiller, our wonderful Electrics Associate who wound up in the hospital on May 11 with a broken hip. It was a work-related accident, one that broke our heart as well as his hipbone. You can check the blog archives for the gory details, or just click the label Tiller at the bottom of this entry. After clicking that label, the May entry will appear immediately under this one, and you can scroll down to read it.

The good news … scratch that … the GREAT news is that Adam is BACK! Less than two months after his hip surgery, he started with us again on Monday, July 2, and he’s already working his healing hindquarters off at The Steward School, getting the lights ready for our upcoming production of Disney’s High School Musical.

So everything you've heard is true. You can't keep a good man down. Adam may not be rockin' and rollin' at full speed yet, but he's pretty darn close, and getting closer every day.

Welcome home, Adam. We’ve missed you and are thrilled to have you back on the team!

--Bruce Miller

Saturday, May 12, 2007

Backstage, It Should Always Be Safety First

Theatres can be dangerous places. We quote that adage often as a part of every safety speech. Sadly, despite all precautions, accidents happen, proving that the adage is more than just words.

Our able electrics assistant and great pal, Adam Tiller, is at MCV this morning undergoing surgery for a broken hip that happened yesterday on the job. Phil visited Adam last night, and reports that he was in good spirits. Indications are that he’s going to be fine. We deeply regret that he was injured, but we’re thankful that his injuries were not worse.

We tell his tale today for two reasons. 1 – If you know Adam, keep him in your prayers and send him a card. And 2 – As you go about your work in backstage settings, let his mishap help you to remember the importance of extra caution.

Adam was moving our Genie Lift Aerial Work Station to the Empire stage yesterday when the Genie escaped his grasp and toppled over backwards on top of him. Even when compacted, as this one was, Genies are top heavy pieces of equipment, and at least two workers should be involved any time a Genie is moved.

Tia James, who was working in the paint shop down the hall, heard a crash followed by Adam’s call for help. She ran to his side and single handedly hoisted the lift, which has to weigh several hundred pounds, off of his body so that he could crawl to safety.

For those who don’t know what a Genie Lift is, it’s a valuable piece of backstage equipment that allows electricians to elevate their work station to the height needed to change lamps in instruments, focus, etc. The Genie is actually much safer than the A-frame ladders that we used for these jobs in days gone by. The photo at the top of this entry shows the Genie in action.

As Adam recovers, please send warm thoughts in his direction. Warm baked goods are nice too. And remember to follow all safety procedures and exercise exceptional caution when working backstage. Even the strongest tech guy should always recruit help before moving top-heavy equipment.

UPDATE: I visited Adam this afternoon (Saturday) at about 4 p.m.. He's on the 11th floor of the East Wing, room 318. He went in for surgery at around 4:30 a.m. this morning, and by 4 p.m. the painkillers were starting to wear off. But he seemed in good--if slightly dazed--spirits, adjusting to a new and improved hip that now includes a plate and pin that didn't come with the standard equipment. His mom and aunt were visiting him too, so it was good to see that he was in loving and capable hands. His mom said that the docs expected him to be released in approximately two days, and that he should begin to be able to walk on crutches almost immediately. The crutches will be with him for quite a few weeks, but a full recovery is expected. Everyone is very thankful that no other internal injuries have been discovered, despite a significant amount of bruising on his upper torso. So the prognosis is good!

Bruce Miller