Hats Off to Barksdale's Mighty Volunteers

Posted by Bruce Miller
Volunteers come in all shapes and sizes, ages, races and creeds. God bless them every one.

About 120 of Barksdale and Theatre IV’s finest volunteers gathered last evening for our annual Volunteer Rally in our Willow Lawn lobby. Jean Hartley (our Volunteer Coordinator), her husband Dorman, Jennings Whiteway (our Events, Access and Food Service Manager), Jeanette Blaylock (volunteer chef extraordinaire), and Bob Albertia (our Group Sales Manager) provided the management, food and decoration for the event.

Steve Moore tickled the ivories beautifully throughout the evening. Speakers included Jean Hartley, Joy Ross (our Community Relations Manager), Bob Albertia, Phil Whiteway and me. Jeanette Blaylock’s famous artichoke dip, crab dip, fresh salsa and brownie bites complemented the crudités and ham biscuits provided by our friendly and generous downstairs neighbors, Padow’s Deli. From all appearances, a fun time was had by all.

Present in everyone’s hearts was Elizabeth Prevatt, one or our foremost and longest-serving volunteers, who died last month at age 82. Elizabeth was the elegant, prim, white-haired lady who for many years greeted audience members and took their tickets as they entered the lobby at the top of our stairs. With love and respect, our current production of The Clean House is dedicated to Elizabeth's memory.

Volunteers at Barksdale and Theatre IV work as ushers at our Willow Lawn, Hanover Tavern, and historic Empire theatres. They also assist with concessions, man the Will Call Window in our box office during some performances, assist with lunch service responsibilities during Bifocal’s matinees, and provide administrative support as needed.

Barksdale Theatre and Theatre IV would not survive without our able, talented and generous volunteers. If you would like to join our growing volunteer family, please call Jean Hartley at 355-3434.

See you at the theatre!

(Photo note: The youthful volunteers pictured above and to the left served on the all-volunteer crew for Barksdale and Steward School's co-production of Disney's High School Musical during the summer of 08.)

--Bruce Miller

You Scream, I Scream, We All Scream for

Posted by Bruce Miller

It was a dark and stormy night, on stage and in the “real world,” as we kicked off the fall season at Barksdale Hanover Tavern with tonight’s opening of Deathtrap by Ira Levin. After directing last fall’s successful production of Agatha Christie’s whodunnit, The Mousetrap, John Moon returned to direct this fall’s thriller, Deathtrap. He's done a terrific job. We’ve yet to decide which trap will be used to ensnare John’s services for next season.

Screams and laughs accompanied all the flashes of lightning and claps of thunder as John’s talented cast kept things edgy until the final curtain. Michael Goodwin made a terrific Barksdale debut in the leading role of has-been playwright Sydney Bruhl. One of our nation’s finest actors, Mike has built a stellar career at Seattle Rep, the Guthrie in Minneapolis, Arena Stage in D. C., the American Conservatory Theatre in San Francisco, the Long Wharf in New Haven, and the New York Shakespeare Festival under Joseph Papp. Broadway credits include A Patriot for Me, Cyrano, Ambassador, and a revival of Charley’s Aunt. TV credits include recurring roles on Dynasty, Falcon Crest, St. Elsewhere, McGyver and Matlock, among many others.

Christopher Evans returned from New York to rejoin his Barksdale family in the role of novice playwright Clifford Anderson. Chris appeared with us before in The Full Monty, Melissa Arctic, Fifth of July, and Gross Indecency: The Three Trials of Oscar Wilde. He even filled in for a week in the lead role of Paul Bratter in last year’s Barefoot in the Park.

Robin Arthur, Jacqueline Jones and ‘Rick Gray round out the cast of potential murderers and/or murderees. Robin is well remembered at Willow Lawn for her role as Vera Charles in Mame, and she counts among her Hanover Tavern credits everything from Nunsense to Amanda Wingfield in The Glass Menagerie. Jackie starred in Das Barbecu, the last show before the start of Barksdale’s ten-year hiatus from the Tavern in 1996, and Over the River and Through the Woods, one of the shows in the first season back at the Tavern in 2006. ‘Rick makes a point to come play with us every six years or so, having last appeared at Barksdale in my 2001 production of The Little Foxes at Willow Lawn.

Sharing in the Opening Night festivities were Barksdale Board members Rick Arenstein and Kevin Kilgore, and longtime supporters Roy Burgess and Ed Ramsey. Steve Moore and Derek Phipps, two of the poker playing pals from The Odd Couple, came back to experience life on the other side of the footlights. Chase Kniffen and his mom, Bev Kniffen, were overheard making book during intermission as to who on stage was and who wasn’t who or what they seemed to be. Brad Tuggle, our able stage manager, and Alex Whiteway, his weapon wielding assistant, hovered over the food tables at the post-show party, glad that their responsibilities had gone off without a hitch. Terrie Powers (my wife) beamed with pride as crowds of fans congratulated her on another fantastic set.
(From left to right: Michael Goodwin, 'Rick Gray, Brad Tuggle, Chris Evans, Jackie Jones, John Moon and Robin Arthur)

If you weren’t there for Opening, you have six weeks to get caught in the Deathtrap before it becomes just another scream in the night. After breaking all records as the longest-running thriller in Broadway history (5 years), Deathtrap promises to be a hot Barksdale ticket during this most haunting time of year.

It was a great Opening. Hope you’ll call 282-2620 for your tickets today!

--Bruce Miller

For Tonight's Performance, the Role of ...

Posted by Bruce Miller

Few things are more disappointing in the world of theatre attendance than sitting down for a show you’ve been looking forward to, and discovering that little slip of paper in your playbill, or hearing that dreaded announcement over the loud speaker – “For tonight’s performance, the role of (insert the name of a pivotal role here), usually played by (insert the name of the actor you’ve been waiting six weeks to see here), will be played by (insert the name of an actor you’ve never heard of here).”

There’s a very funny section in Scrambled Feet, the hit Off Broadway satirical revue from 1979, that goes like this: “Good evening, ladies and gentlemen. At tonight’s performance of Who’s Afraid of Virginia Woolf, the part of Martha, usually played by Kathryn Hepburn, will be performed tonight by our lovely stage manager, Carla Agump. The part of Nick, usually played by Al Pacino, will be performed tonight by Shlomo Pincus. The part of Honey, usually played by Madelyn Kahn, will be deleted from the script for this evening’s performance. And the part of George, normally played by George C. Scott, will be performed tonight by our talented lighting designer, Yoshitero Nakamura. Enjoy the show!”

There I sat at Hanover Tavern last Saturday evening, knowing what I was about to hear, but still not quite prepared for the enormity of it when it finally came. “Good evening, ladies and gentlemen, and welcome to Barksdale Theatre’s production of Neil Simon’s The Odd Couple. At tonight’s performance, the role of Roy normally played by Steve Moore will be played by Joe Pabst. The role of Cecily Pigeon normally played by Jennifer Meharg will be played by Vickie McLeod. And the role of Felix Unger, normally played by Scott Wichmann, will be played this evening by Richard Koch.”

Now I’m not meaning to equate Richard Koch with “an actor you’ve never heard of” or “our talented lighting designer, Yoshitero Nakamura.” Richard, Vickie and Joe are all stars in their own right. Nonetheless, hearing that there will be three replacements, one of them a lead, in a cast of only seven, sounds daunting. It gives one pause.

But then the show started. Joe Pabst was up first, filling in for Steve who needed to be with his family in Danville. And Joe was great! The poker scene just pinged right along. If anything, it was tighter and funnier than when I last saw it five weeks ago. Then Richard had his big entrance as Felix Unger. He started out slow, as the character is meant to, but after only ten minutes, he had the audience eating out of the palm of his hand.

By the time Vickie entered, no one even remembered that there were understudies performing in that evening's show. Vickie, just like Richard and Joe, was perfection, and the entire show was an absolute delight. I missed the original cast, of course. They also are terrific. But I can’t tell you how proud I was of the three temporary replacements.

It says a lot about the depth of talent that exists in Richmond that three new actors can step into a show without missing a beat. They brought their own charms and talents to the roles, found new and exciting moments, and honored the original production just enough so that no one in the rest of the cast was thrown at all. It was a joy to watch. I was glad I came home early from vacation just to catch this performance.

On behalf of all the audience members who laughed themselves silly, thanks to Richard, Vickie, Joe, and everyone else involved. As Scott, Jen and Steve all return to the show this week, they can rest assured that their standby's did them proud!

--Bruce Miller

In Sympathy

Posted by Bruce Miller

I regret that I was away on vacation last week when it was confirmed that the previously unidentified drowning victim pulled from the James River was William Dale Moore, brother of our beloved actor and friend, Steve Moore. Steve is currently appearing in The Odd Couple at Barksdale Hanover Tavern, and recently co-starred in Mame at Barksdale Willow Lawn.

We are keeping Steve and his family in our prayers as they deal with this tragic loss. I know that Steve takes comfort in knowing that our community stands with him during this terrible time, providing a foundation of love and support that he can fall back on if and when he needs to.

We offer our deepest sympathy, and trust that Steve and his family will let us know if there’s anything more that we can do.

--Bruce Miller

NPR offers XOXOXO to "The O C"

It took a while, but the National Public Radio review of The Odd Couple at Hanover Tavern is in, and it’s another rave! The O C runs for only four more weeks—it’s gotta close on August 19 so that we can load in Deathtrap. It’s great to see a 40-year old play come so beautifully to life—a true American classic in the making. Don’t miss it. For a good time, call 282-2620, and make your reservations TODAY!

Here are a few highlights from John Porter’s review:

“Writing a review of Neil Simon’s The Odd Couple, now playing at Barksdale Hanover Tavern, is a relatively simple task. I’ve just got to find ways to say, 'It’s brilliant' for the next three minutes or so.

First of all, there’s the script. This is one of Simon’s early works that shows just how much of an American genius he really is. The dialogue sparks like an electric live wire and it gives the actors a broad canvas on which to paint their characters.”

“Then there’s the cast. How do you go wrong with two very strong leads who are on the top of their game? David Bridgewater is delightful as the king-sized larger than life slob known as Oscar Madison. He feels free to let loose with an over-the-top performance that breathes new life into one of the premiere characters of the American comedy stage. His partner in crime, the always strong Scott Wichmann, is just about dead-on perfect as uberneat Felix Unger.”

“The supporting cast includes a mix of well-known performers and new faces. The veterans include Steve Moore, Jeff Clevenger, Jennifer Frank and Jen Meharg, who all turn in strong performances.”

“On the technical side, the costumes by Heather Hogg evoke the early sixties very well. No, nobody is dressed up in tie-dyed bell bottoms, this was a different class altogether. The set by Terrie Powers and David Powers has a nice touch with autographed sports pictures on Oscar’s walls, lending credence to the proper era and telling us a little bit more about his character at the same time. The lighting design is by Bennett J. Fidlow and adds well to the evening.

Director Joe Pabst shows a deft touch with Simon’s dialogue. On the surface it can seem deceptively simple, but like Shakespeare or Mamet, Simon’s words have a distinct ebb and flow. If it’s not played just right, forget it, the whole thing comes crashing down like a house of cards.

In this case, the house stays up and rocks with laughter all night long.”

“I can always use more laughter in my life, and an evening of Neil Simon’s The Odd Couple, may just be the perfect way to pass a summer’s night.”

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It would be hard to beat a review like that! Insider’s Tip: Scott Wichmann and his wife Jen Meharg will be out of the show from August 8 through 12, replaced by the wonderful Richard Koch and his wife Vickie McLeod. Then Scott and Jen will be back for closing week. So if you’re a big fan of either couple, be sure to catch the show during the week they’ll be playing. Or if you're a fan of both couples ... come see it twice!

--Bruce Miller