NPR offers XOXOXO to "The O C"

It took a while, but the National Public Radio review of The Odd Couple at Hanover Tavern is in, and it’s another rave! The O C runs for only four more weeks—it’s gotta close on August 19 so that we can load in Deathtrap. It’s great to see a 40-year old play come so beautifully to life—a true American classic in the making. Don’t miss it. For a good time, call 282-2620, and make your reservations TODAY!

Here are a few highlights from John Porter’s review:

“Writing a review of Neil Simon’s The Odd Couple, now playing at Barksdale Hanover Tavern, is a relatively simple task. I’ve just got to find ways to say, 'It’s brilliant' for the next three minutes or so.

First of all, there’s the script. This is one of Simon’s early works that shows just how much of an American genius he really is. The dialogue sparks like an electric live wire and it gives the actors a broad canvas on which to paint their characters.”

“Then there’s the cast. How do you go wrong with two very strong leads who are on the top of their game? David Bridgewater is delightful as the king-sized larger than life slob known as Oscar Madison. He feels free to let loose with an over-the-top performance that breathes new life into one of the premiere characters of the American comedy stage. His partner in crime, the always strong Scott Wichmann, is just about dead-on perfect as uberneat Felix Unger.”

“The supporting cast includes a mix of well-known performers and new faces. The veterans include Steve Moore, Jeff Clevenger, Jennifer Frank and Jen Meharg, who all turn in strong performances.”

“On the technical side, the costumes by Heather Hogg evoke the early sixties very well. No, nobody is dressed up in tie-dyed bell bottoms, this was a different class altogether. The set by Terrie Powers and David Powers has a nice touch with autographed sports pictures on Oscar’s walls, lending credence to the proper era and telling us a little bit more about his character at the same time. The lighting design is by Bennett J. Fidlow and adds well to the evening.

Director Joe Pabst shows a deft touch with Simon’s dialogue. On the surface it can seem deceptively simple, but like Shakespeare or Mamet, Simon’s words have a distinct ebb and flow. If it’s not played just right, forget it, the whole thing comes crashing down like a house of cards.

In this case, the house stays up and rocks with laughter all night long.”

“I can always use more laughter in my life, and an evening of Neil Simon’s The Odd Couple, may just be the perfect way to pass a summer’s night.”

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It would be hard to beat a review like that! Insider’s Tip: Scott Wichmann and his wife Jen Meharg will be out of the show from August 8 through 12, replaced by the wonderful Richard Koch and his wife Vickie McLeod. Then Scott and Jen will be back for closing week. So if you’re a big fan of either couple, be sure to catch the show during the week they’ll be playing. Or if you're a fan of both couples ... come see it twice!

--Bruce Miller

"The O C" Knocks 'Em Dead at Tavern

The first review is in (Sunday, July 1, Richmond T-D) and The Odd Couple is a smash hit!

“Hilarious!” raves Susie Haubenstock in this morning’s newspaper. “Neil Simon’s beloved 1965 play still has the ring of truth. Barksdale Theatre’s second Hanover Tavern season validates their premise: classic comedies and mysteries are reliable crowd-pleasers. No playwright is more trustworthy than Neil Simon. And no Neil Simon play is more foolproof than The Odd Couple.”

If this iconic masterpiece of good humor is in fact foolproof, that’s a good thing, because we surely have a passel of fools working their hindquarters off on this production. Divine fools, to be sure. Fools who, like Neil Simon, have the ability to see what is true in life, and then make merciless fun out of it.

If you can’t laugh at life’s ups and downs, what can you do? The Odd Couple, as everyone in the English-speaking world must know by now, is about two men who are recently divorced, who decide to move in together and immediately begin to drive each other crazy. Both men are lemons, but leave it to Neil Simon to make lemonade.

“Scott Wichmann is great as always,” praises Haubenstock, “with the combination of physical comedy and neurotic dialogue, and his ear-clearing snorts are unlike any other sounds made by man.”

“Bridgewater plays Oscar as a sort of combination Ralph Kramden and Ed Norton from ‘The Honeymooners.’ His quiet moments on the phone with his ex-wife are as believable as his air-freshener attack on Felix.”

Rounding out our lunatic cast are four exceptional poker buddies – Jeff Clevenger, Steve Moore, Mark Persinger and Derek Phipps – and two delightfully ditzy British coquettes – Jennifer Frank and Jen Meharg.
“The four poker buddies are totally convincing,” continues Haubenstock in her hit-making assessment, “especially Jeff Clevenger, who speaks with the music of Brooklyn. The Pigeon sisters are wacky and hysterical. Gwendolyn (Jennifer Frank) is especially alarming in her scary bouffant wig, and it’s fun to see Jen Meharg, Wichmann’s wife, play Cecily opposite him.”

With additional kudos going to Joe Pabst for his expert direction, Terrie Powers and David Powers for their well designed set, and Heather Hogg for her magnificent ‘60s costumes, the T-D review is glowing to say the least.

But Haubenstock reserves her biggest praise for Neil Simon himself, and justifiably so. “It’s no accident that this play has spawned a hit movie, a TV series and numerous adaptations over the years—it’s a modern classic. Pabst’s program note suggests that Simon will eventually join George S. Kaufman and Moss Hart in the American comedy pantheon, and surely he’s right about that.”

“The American comedy pantheon.” You can’t beat a review like that.

Congratulations to all involved. And if you don’t have your tickets yet for this summer-long fun fest, please call our box office today.

Funny Femmes Fatale Fan Flames at Firehouse

Jack Welsh and I had a rollicking good time this afternoon seeing our friends Melissa Johnston Price, Harriet Traylor, John Moon and Alice Schreiner acting up a (psychological) storm in The Tale of the Allergist’s Wife at the Firehouse.

About three seasons back, this raucous and ribald script from veteran Off-Broadway bard Charles Busch updated the Neil Simon style of comedy for 21st Century Broadway. Busch enlivened his comic urban phantasmagoria with contemporary situations and language that ran the risk of making the more traditional Mr. Simon blush. The play had a long and successful Broadway run.

Now Firehouse’s talented, attractive cast, under the direction of Dan Ruth, looks like they think it's a high hoot to bring this very-Manhattan tale to life in Richmond’s Fan.

Melissa Johnston Price proves once again that she can be gorgeous and funny at the same time. Harriet Traylor develops a character that is both irresistibly seductive and slightly scary--a femme fatale with a not quite fatal attraction. John Moon brings his years as a New Yorker back to the forefront as the titular allergist, proving an able match for both beautiful women. Alice Schreiner prompts one to recall the words “potty mouth.” Joey Chahine, new to me, is terrific as the fifth cog in Busch’s oh-so-modern take on one New Yorker’s search for inner truth.

Three cheers to the Firehouse for giving Richmonders a chance to catch this hip NYC comedy. Broadway laugh-leaders have changed a lot since the classic days of Neil Simon, Mary Kerr, Muriel Resnick, Bob Randall et al. It’s good for Richmonders to have a chance to feel the force of the most recent comic haymaker to knock Broadway off its feet.

If you hanker for contemporary comedy with an edgy twist, rush to the Firehouse to catch Allergist’s Wife before it closes on May 19. As always, the Firehouse is proving how indispensable it is in Metro Richmond’s theatrical mix.

Bruce Miller