Thanks to My Fair Cast

Posted by Bruce Miller
There's an old saw that goes "Nine tenths of directing is casting"--the point being that if a director is fortunate enough to be able to cast the right actors in the right roles, everything else sort of takes care of itself. Of course, this is overly simplistic crazy talk. Yeah. But it's also kinda true.

In my own experience, I'm reminded of Do Lord Remember Me, Crimes of the Heart, The Normal Heart, The Little Foxes, Boleros for the Disenchanted, and the Smoke on the Mountain trilogy. Somehow I wound up with perfect, surprising, wonderful casts in each of those shows, and my job in rehearsals became refreshingly joyful and easy.

The same is true with My Fair Lady. Will any theatre anywhere have a more perfect cast for this irreplacable classic? I don't think so. Of course, these are the words of a lovesick director so they cannot be trusted. Most of you already know to take this and everything I ever write with a grain of salt. If you didn't know that before, you now have been so advised.

Having admitted that, here's some gospel truth you can take to the bank. Any stage director who has the privilege to work with Stacey Cabaj, Joe Inscoe, Jason Marks, Suzanne Pollard, Matthew Costello, Lauren Leinhaas Cook and Ben Houghton should count him/herself blessed. And having a supporting cast that includes Brian Baez, Andy Boothby, Dawn Hall, Robin Harris, Michael Hawke, Maggie Horan, Christie Jackson, Paul Major, Mark Persinger, Russell Rowland, Ali Thibodeau, Alana Thomas, Durron Tyre and Ingrid Young ... well, that's just an embarrassment of riches.

Not only are these people talented, experienced and smart, they're fun to be around, they expect serious and focused work from each other, and they give every moment of rehearsal and performance everything they've got.

The show is going great guns, and prompting among the most enthusiastic audience feedback (phone calls, emails etc.) that I've ever encountered. These are the first people I need to thank. And I do so, now, with a full and happy heart.

--Bruce Miller

Time to Remember a Pair of Novembers

Posted by Bruce Miller

On Monday, Sept 8, Barksdale Theatre and Theatre IV will present the first Founders Award to Sara Belle and Neil November, recognizing their decades-long contributions to our two nonprofit theatres--a contribution comparable to the commitment of our founders—Pete and Nancy Kilgore, Muriel McAuley, Phil Whiteway and me. The award will be presented during a gala dinner event held at the University of Richmond Jepson Alumni Center, hosted by Suzanne Pollard, Marilyn and Jay Weinberg, Carole and Marcus Weinstein, Allison Weinstein and Ivan Jecklin. All proceeds from the event will be used to establish a Strategic Cash Reserve for Barksdale Theatre and Theatre IV.

Sara Belle and Neil November have been instrumental in the success of Barksdale Theatre and Theatre IV for decades. In her 1984 book, Going On … Barksdale Theatre – The First 31 Years, Muriel McAuley reports that the only reason Barksdale survived the early 80s and lived to celebrate its 30th birthday in '83 was because “Neil and Sara Belle November, longtime patrons and friends, headed up a fund drive. We already had The Barksdale Hundred (individuals who committed support of $100 per year). Neil established The Barksdale Thousand and raised enough money to get us through!”

That was the first emergency fund drive led by Neil November—followed by a larger one ten years later, and a spectacular capital campaign when Barksdale had to move from the Tavern to Willow Lawn in 1996. During these same years when Neil was saving Barksdale, Sara Belle was on the Board at Theatre IV, supporting our campaign to purchase and restore the historic Empire Theatre, and lending support to each and every annual campaign.

There are any number of people who have earned the right to hear us say, “Barksdale and Theatre IV would not be here today were it not for you.” Sara Belle and Neil November top the list.

And it’s not just about money. We have always been able to call Neil and Sara Belle for advice, contacts, shoulders to cry on, and jokes to laugh at. They’re at every opening night, and they cheer us on even when they don’t like a show (Neil – “What the hell was that about?!”; Sara Belle – “Don’t pay any attention to him!!!”)

Like all people of means, Sara Belle and Neil could have spent their money on themselves, and exhausted their time and talents on one big party. But throughout their lives, they have chosen instead to bestow their generous financial support and countless hours of hard work on any number of worthy community projects, including Barksdale Theatre and Theatre IV, Westminster-Canterbury, the Science Museum of Virginia and the Virginia Aviation Museum, and many causes related to their Jewish heritage.

Let us say it again – Barksdale and Theatre IV would not be here today were it not for Sara Belle and Neil November. For that and so much more, we thank them from the bottom of our hearts.

The physical award that will be presented to the Novembers on Monday is an original work of art commissioned from, designed and handcrafted by Steve Resnick, the world’s preeminent Judaic glass artist, living in Silver Spring, Maryland. Resnick’s original works have been presented to dignitaries worldwide including President Bill Clinton, Senator Hillary Rodham Clinton, Vice President Al Gore, Prime Minister Benjamin Netanyahu, President Shimon Peres, Senator Charles Schumer, and Prime Minister Yitzhak Shamir.
Resnick’s glass carving is characterized by its wonderful textural quality utilizing intricate organic motifs. The Founders Award is made from panels of celedon green glass (see photo to right), onto which olive branches have been gracefully etched (see photo to left). The award is inspired by the Tzedakah Box from Jewish tradition, signifying the spiritual obligation to give selflessly to others and work for justice. The olive branch design comes from Judeo-Christian and Greek traditions, symbolizing strength through peace. The award is hand-signed on its base by the artist. It can be displayed either on its pedestal or off.

If you see Sara Belle or Neil after Monday evening, please thank them for their life-giving support of Barksdale Theatre and Theatre IV. And congratulate them on this most recent accolade.

--Bruce Miller

Finding the We of Me - Opening Night at "The Member of the Wedding"

Posted by Bruce Miller

I've just returned from the wonderful Opening Night of The Member of the Wedding by Carson McCullers at Barksdale Willow Lawn. Along with James Joyce's The Dead, The Member of the Wedding is that rare commodity on our Signature Season--a highly theatrical evening that is language- and character-driven rather than plot-driven. I love the variety and depth that it adds to our roster. I especially love this production.

Scott Wichmann has directed an evocative evening that emotionally transports us back to the sultry Southern summers of Carson McCullers' early adolescence. The Member of the Wedding is a part of our continuing Women's Theatre Project, and the story it tells is certainly born in a woman's heart.

At least one vibrant post-show discussion revolved around whether McCullers' classic tale is the story of Berenice Sadie Brown, the big-hearted domestic brilliantly played by Katherine Louis in a star-making performance, or the story of Frankie Addams (or F. Jasmine Addams as she prefers to be called), the lonely and precocious 13-year-old played with staggering sensitivity by real-life 13-year-old Lexi Langs.

Part of the magic woven by McCullers, Wichmann and our two outstanding actresses is that the evening somehow manages to focus alternately and simultaneously on both. It's almost as if the soul of the play combines both women into one: half adult and half child, half grounded and half lost, half privileged and half trodden down. Not unlike Carson McCullers herself (pictured above and to the left with the original Berenice, Ethel Waters).

Joining in the standing ovation awarded the production were steadfast supporters Mr and Mrs Reid Ashe, Tom and Carlene Bass, Page Bauder, Rosanna Bencoach, Dr. John and Mary Jane Board, Cammie Carlton, Carrie Galeski, Bev Kniffen, Charlotte and Andy McCutcheon, Suzanne Pollard, Essie Simms and Isabella Witt. That's the back of Charlotte's head in the photo above and to the right talking with director Scott Wichmann at the post-show party.

Other theatre artists in attendance included Jan Guarino and her children Nora and Zack (Jan is starring in our upcoming Swingtime Canteen at Hanover Tavern); Julia Greer, Hannah Miller and Ali Thibodeau from the cast of Disney's High School Musical (Julia and Hannah are pictured to the left); Annie Hulcher from Annie Get Your Gun; Alex Samawicz and his date (Alex played trumpet in Into the Woods); Melissa Johnston-Price and her daughter Meg (Melissa rushed in from rehearsal for Spinning Into Butter at the Firehouse); Terrie Powers (our designer extraordinaire at Hanover Tavern); Stacy Reardon (actor alum from The Full Monty and The Wizard of Oz); and Russell Rowland fresh from his Princely duties in Into the Woods.

Hard working staff members on hand included Emily Cole Bitz, Andy Boothby, Judi Crenshaw, Catherine Dudley, Jackie Gann and her newlywed husband Bobby, Jean Hartley, Lucas Hall, Chase Kniffen, Sara Marsden, Billy Christopher Maupin, Steve Perigard, Joy Ross, Janine Serresseque, Wendy Vandergrift, Jennings Whiteway (responsible for the wonderful party), Phil Whiteway (laughing with our leading lady at the post-show celebration), and Ginnie Willard.

Providing all the luster were the stars of the evening: director Wichmann; designers Brian Barker (sets), Derek Dumais (sound) and Lynne Hartman (lights); stage managers Bo Wilson and Jody Smith Strickler; console operator Lynwood Guyton; props master Lynn West; and cast members Katherine Louis, Lexi Langs, Eric Evans, Carl Calabrese, Christine Schneider, David Bridgewater, Jill Bari Steinberg, Alec Stephens III, Tony Cosby (WELCOME HOME TONY!), Erin Kate Bradner, Katy Burke and Zac Wilson. That's Eric, Zac and Lexi in the photo above and to the left, at the post-show party.

No one can say what the critics will think, but please know that Phil Whiteway and I are very proud of this production. We hope you'll join us soon for this compelling, soul-stirring and uniquely American classic.

--Bruce Miller