In the Good Old Summertime

Posted by Bruce Miller
The books are now closed on the Summer of 09, and the good news is that our recent hit productions of Thoroughly Modern Millie, Driving Miss Daisy and Fully Committed broke last year’s records, adding up to Barksdale Theatre’s selling-est summer ever!

If you look only at the months of June, July and August, the Summer of 08 was the previous box office winner. In Summer 08 we sold or comped a total of 13,500 tickets, grossing $338,218. The box office breakdown looked like this: Guys and Dolls at the Empire (10,922 tickets, $270,260), Shirley Valentine at the Tavern (2,578 tickets, $67,958).

This past summer, Thoroughly Modern Millie never caught fire the way Guys and Dolls did the summer before. We know our audience LOVED Millie (as did the critics), so we’re guessing that sales were sluggish due to:
a. the economy
b. lower title recognition
c. our decision to compete with ourselves by remounting Driving Miss Daisy at Willow Lawn.

When all was said and done, the Millie box office released 7,698 tickets for a total revenue figure of $190,724, nearly $80 K short of the Guys total.
Fortunately, even as sales sagged a bit in the early summer at the Empire, Fully Committed proceeded to knock it out of the park in the late summer at Hanover Tavern. Somewhere in mid-July, you could almost feel consumer confidence begin to turn a corner. The Fully Committed box office released 4,181 tickets and brought in $107,553 in revenue—nearly $40,000 more than Shirley Valentine did at Hanover Tavern the summer before.

Just as we had hoped, it was dear Miss Daisy who put us over the top. Daisy pulled off an impressive performance at Willow Lawn, especially taking into account that it was a revival of a hit Tavern production that did very well in Hanover the previous fall. A total of 2,915 ticket holders saw Daisy, generating $63,955 in revenue. There was no comparable show or slot in the 2008 line-up, and so the addition of this third show made it possible to break last summer’s record.
All told, in Summer 09, we sold or comped a total of 14,794 tickets and grossed $362,232—an approximate $24,000 increase over Summer 08.

So, how do things look for Summer 2010? With the economy starting to improve, and three GREAT productions in the works (The Sound of Music in the Empire, On Golden Pond at Hanover Tavern, and a revival of Crowns starting at the Gottwald Playhouse and then transferring to Barksdale Willow Lawn), we have every reason to be optimistic.

Who knows? Maybe 2010 will be the summer we break $400 thousand.

Thank you for continuing to help us keep Barksdale growing and going strong. I hope you will buy your subscriptions, group sales and single tickets soon, if you haven’t already. We need you. I look forward to seeing you at the theatre!

--Bruce Miller

PS – Revenues that came in during the first couple weeks in June for the end of the run of I Ought to Be in Pictures are added into our Spring box office tallies, and therefore not included here.

Wichmann is "Outrageously Funny!"

Posted by Bruce Miller

The first review is in, and it looks like Fully Committed is going to be another smash hit.

Under the headline "For one-man play, one word: hilarious," Times-Dispatch critic Julinda Lewis writes:

"Outrageously Funny!

Wichmann's idiosyncratic voices and gestures for each character are crystal clear and ring of authenticity.

It's heartwarming, subtle and heroic to watch Sam learn to take control of his own destiny, manipulate the system, and change subtly from underdog to top dog."

Please come see Scotty in his last Richmond show before shipping off to join the Navy. His performance is world-class, heartfelt, hysterically funny, and not to be missed.

See you at the theatre!

--Bruce Miller

"Fully Committed" Indeed

Posted by Bruce Miller
We had a GREAT Opening last night for Fully Committed, the hip and hysterically funny comedy that will be playing through August 30 at the historic Hanover Tavern, directed by the very talented Steve Perigard and starring the one and only Scott Wichmann (pictured in the Eric Dobbs photos above).

In attendance for the auspicious Opening, laughing their socks off, were Barksdale / Theatre IV All-Stars including Tom and Carlene Bass, the production’s wonderful light designer Slade Billew and his wife and the production’s soon-to-be stage manager Christina Billew, Traci Coogle with Empire Theatre portraitist Pat Cully, Judi and Bill Crenshaw, Catherine Dudley, Tony Foley, Phyllis and Paul Galanti, and the production’s masterful costume designer Sue Griffin accompanied by Wayne Shields.

Also serving in the guffaw brigade were invaluable ushers Bev and Danny Hobson, Audra Honaker, Jeannie and Christina Kilgore (our house manager and ticket taker extraordinaire), Tom and Carmella McGranahan, Marie McGranahan and Gayle Turner, the production’s sound op Andrew Montak, Steve Perigard (of course) and Robert Throckmorton.

The production’s terrific scenic designer Terrie Powers (accompanied by yours truly and our two kids: Curt Miller, now working as Theatre IV’s groundsman and Hannah Miller, now working in our group sales dept) further filled out the ranks, joining the irreplaceable Essie Simms, Jill Bari Steinberg (or is it Jill Bari Organ these days?), and Wendy Vandergrift (the production’s stage manager) accompanied by her husband Michael.

Thanks to one and all for coming.

I always scoff at theatregoers who leave a show saying things like, “How did he ever learn all those lines.” For those of us who’ve done this a few times, 99 times out of a hundred learning the lines is the easy part.

Not so with Fully Committed.

The play takes place in the subterranean bowels of one of the snobbiest four-star eateries in Manhattan. Scotty plays Sam Peliczowski, the looking-for-work actor who mans the reservation hot line. Usually Sam shares his basement “office” with the reservations manager and a second phone operator. Today, both co-workers fail to appear, and Sam is on his own.

The hit script by Becky Mode, who by the way is an old college classmate of Robert Throckmorton’s, requires the show’s sole actor to portray 42 different characters—everything from a very soft spoken and polite Japanese woman to a boisterous lounge singer who’s been banned from the restaurant forever. So Scotty is changing characters every few seconds.

But the dazzling part—the unbelievable part, to my mind—is that in many, many instances each of the individual lines that Scotty has memorized has virtually nothing to do with the lines that precede it or the lines that follow. The phone to the outside world is constantly ringing, as is the direct line to the chef’s office AND the intercoms connecting the reservations dept to the maitre d’hotel, the business manager, and the kitchen. Scotty shifts from one disconnected conversation to another with such precision, I’m honestly in awe of the brainpower that must be involved. Because of the lacks of connection, I can’t even imagine how difficult these lines were to learn.

But with Scotty’s capable cognition, it all comes off without a hitch, managing to be both hilarious and heartfelt at the same time. If you love theatre, this performance is simply not to be missed.

The non-theatre question on everyone’s lips is this. Is Scott really joining the military? Answer: Yes, the Navy Reserves. Follow-up question: Is he really leaving Richmond theatre for an extended period of time? Answer: If he gets his way, yes.

Knowing that our nation is at war, and simultaneously knowing that he is no way compelled to join the fight, Scotty nonetheless feels duty-bound to answer the call. He refuses to let the war be another person’s burden. He has enlisted in the Navy Reserves. He has asked the Navy to deploy him to the front, most likely Afghanistan, as soon as his four months of basic training are over. He expects this request to be honored, and he is very excited about having the opportunity to serve.

That’s one hell of a guy. Again, I’m in awe.

But for the next six weekends, Scotty and his comic genius are all ours.

Hope to see you at the theatre!

--Bruce Miller

In Memoriam: Robby Robinson

Posted by Bruce Miller
One of the real pleasures of leading the trips that Barksdale and Theatre IV take each year to theatre capitals around the world is making new friends. When we ventured as a group to London and Paris in the spring of 2006, two of the new friends Phil and I made were Robby and Kathy Robinson. The photo above and to the left shows Phil with Kathy and Robby in front of the Louvre.
With fun memories but a heavy heart, I attended Robby’s funeral services today. Robby passed away last Wednesday after a brief illness. He was 76 years young.

Robby and Kathy were proud residents of the Crossridge community, and part of the Crossridge crowd that regularly enjoys Barksdale Theatre. Robby served in the U. S. Army during the Korean Conflict, and he retired several years ago from the Richmond City Police Department after more than 31 years of service.

For much of his law enforcement career, Robby’s beat was “the Pike,” that part of Jefferson Davis Turnpike that extends south from the Lee Bridge. Growing up on the Southside myself, I was always warned that this area was among the meaner of the mean streets of South Richmond. At today’s service, several of Robby’s fellow retired officers commented on how safe this troubled terrain remained under Robby’s watch.

Robby’s favorite pastimes were travel, fishing, and rooting for the Atlanta Braves. I feel privileged to have joined him in the first of these pursuits. Throughout our London and Paris tour, Robby and Kathy were fun, involved and ready to roll—definitely one of the couples we recall with great affection. The bulletin for today’s memorial service says that Robby’s life philosophy was to “always have something to do, something to look forward to, and someone to do it with.” That’s certainly the Robby I remember. Personally, I can’t think of wiser words to live by.

Robby was your basic nice guy; there wasn’t a fancy or pretentious bone in his body. So it’s with a wink to his meat-and-potatoes spirit that we will be dedicating our upcoming production of Fully Committed at Hanover Tavern to his memory. Scott Wichmann stars in this hilarious one-man comedy about another man of simple tastes who finds himself working at the reservations desk for the most pompous and chichi restaurant in NYC. When I hear Scotty’s character talking on the phone with his meat-and-potatoes dad in the play, I’m going to think of Robby, and appreciate that this dad character makes Fully Committed a perfect show to dedicate to Robby’s warm and genuine spirit.

Robby is survived by Kathy, his wife of 19 years, his two sons and daughters-in-law, two step-children and their spouses, seven grandchildren and four great grandchildren. He was a good man. Along with many others in the Barksdale family, Phil and I will miss him and remember him fondly.

--Bruce Miller