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A - Can I send you the complete list in an Excel spreadsheet? Okay, okay...truth be told, I’ve had some dream roles already, such as George Schneider in Neil Simon’s Chapter Two at CAT (that's a role I’d like to do again, actually). And although I love character parts and I love comedies (see previous question and answer in yesterday's installment), I’d like to have the chance to tackle the role of Johnny in Frankie and Johnny in the Clair de Lune by Terrence McNally. Probably without the nudity. As a “man of a certain age,” I’m not sure that would appeal to ANYONE. But I absolutely love the play and the role.
Q - Have you dabbled in any other arts activities?
A - Believe it or not, I did a semester with the modern dance company at Longwood. You’ll notice I’ve never been asked to dance in any Richmond theatre productions; I guess that speaks to my skill as a dancer more than anything else I could say.
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A - Carol sang in the UVA women’s chorus and still has a lovely voice to match those beautiful eyes. She also did all the interior design and decorating in our home. Guests always ask who we hired. "I didn’t hire someone," I tell them, "I married someone."
Q - When you're not at work at Anthem, or acting in a production at a Richmond theatre, what are your other interests? What other aspirations have you pursued?
A - I was a “jock” in school – wrestling was my thing, and during my first year of college at George Mason (before Longwood), a pinched nerve in my neck led to an x-ray. That’s when I learned about an injury two years before that had caused a dislocated cervical vertebra. I'd been wrestling for two years with a dislocated vertebra! I'm very lucky that I didn't wind up in a wheelchair. I quit wrestling after that, under doctor's orders. I got healthy, took up acting after transferring to Longwood, and the rest, as they say, is history.
Q - Why do you think theatre has held your interest all these years?
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I try to be versatile, to honor the play and the role and the direction, to create a character who is unique, who has a little bit of “Frank” in him, but is still, hopefully, different from anything else I’ve done before. I'm not really interested in rehashing a previous performance or falling back on some schtick from my acting “bag of tricks."
To me, my highest achievement would be for an audience member to see my name in a playbill and think, “Frank Creasy is in this play. That should be fun. Wonder what he'll do this time.”
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