Where Are They Now? - The Asian Adventures of GnG

Posted by Garrett Weeda
Just a little background information, my name is Garrett Weeda and I toured with Theatre IV from September 2006 until May 2009. My wife, Grace Abele, also toured with Theatre IV from September 2008 until May 2009. After finishing our tours, we both ended up working at Busch Gardens Williamsburg (I was a Stage Manager while Grace was a singer in several of their shows).

Enough of the history lesson, now onto the good stuff!

Last September Grace and I accepted jobs in South Korea, working as “edutainers" at Gyeonggi English Village. An “edutainer” here means that we are responsible for the park’s educational entertainment. Along with performing, our department is in charge of creating shows and activities to help Koreans learn English following our central parkwide theme, which we decide on every three months. We have never had a job that has allowed us to be so creative. Grace and I are performing in our fourth show. Grace is currently writing our next show, which is a take on Robin Hood, and so far she has gotten to compose the music for our past two shows. Currently, I am in charge of props for our next two shows and was fortunate enough to direct our winter production, called The Nanny. We love our jobs so much we decided to extend our contracts another year, but hopefully we will be returning to the U.S. sometime next May.

*Sidenote – We were able to bring our beautiful pup, Zuri, and so many of our friends here have dogs that she always has someone to play with.

Now onto the GREAT stuff!

On March 21, 2011, Grace and I got married in Seoul! And you know what that means…it was time for a honeymoon! One huge perk of our job is that we are given twenty vacation days each year (and five extra because we got married). We took twenty of them in one big chunk and spent an entire month traveling Southeast Asia. In all we visited six major cities in four different countries: Thailand, Malaysia, Singapore, and Bali.

The best part by far was while we were in Chiang Mai, Thailand during Songkran. That was an unforgettable adventure; anyone who has the chance must experience it. Songkran is the annual water festival during the hottest days of summer in Thailand. AKA city-wide water fight! Everyone parties and splashes each other with water in the streets. With music blaring, there are people of all ages, genders, and races dancing, singing, and spraying water everywhere. There is so much genuine good will that it was an absolutely amazing experience.

Our travelling didn’t stop there. We went to Hong Kong to celebrate the Chinese New Year and what a city! Amazing architecture, beautiful sights, wonderful food, and probably the best public transportation in the world. One day we hope to return to try living there for a year or two. But our travels will continue. We took a week to explore different areas of Korea in July, will follow that with a week in China in October, and to cap it all off, Cambodia, Vietnam, and Songkran in Chiang Mai again in April.

All-in-all life is good, even though we miss our friends and family in the States. We wish everyone could have an experience like this. We do have one favor to ask of Theatre IV and Barksdale. Can you guys stop putting on these amazing shows until we get back? We are totally jealous that we can’t see you all in these terrific productions.

--Garrett Weeda

Oliver Hill - One of America's Greatest Civil Rights Heroes

Posted by Bruce Miller
One of the several things I love about my job is the variety. The late, great Oliver Hill, one of Virginia’s most renowned civil rights heroes, will be added to Virginia’s Standards of Learning next school year, and Theatre IV is creating a new play to help teachers introduce Mr. Hill to their upper elementary and middle school students.

I began my research this week. The 55-minute, touring instructional program will open with a gala performance in the historic Empire Theatre in January 2012. Along with My Fair Lady, the as-yet-unnamed Oliver Hill project will be a cornerstone of the Empire’s Centennial Celebration. The Empire first opened its doors on Christmas Day, 1911.

Oliver Hill was born in Richmond 4 ½ years earlier, on May 1, 1907. As a child, he moved with his family to Roanoke, and later Washington, D. C., where he graduated from Dunbar High School. He earned his undergraduate degree from Howard University and entered the School of Law there in 1930, studying under Charles Hamilton Houston, the chief architect of national efforts to challenge Jim Crow laws through the legal system. In law school, Hill was a classmate and friend of future Supreme Court Associate Justice Thurgood Marshall. Hill graduated second in the Class of 1933; Marshall was first.

After serving in WWII, Hill set up his law office in Richmond, and from here he worked on several important cases of the civil rights movement. He helped to win equal pay for African American teachers, access to school buses for black students, voting rights, inclusion of blacks on juries, and employment protection against racial discrimination. His work on behalf of the students of Moton High School in Farmville became part of the landmark case of Brown v. Board of Education that helped to end the national policy of "separate but equal."

Oliver Hill retired in 1998 after 60 years of exemplary work. He was awarded the Presidential Medal of Freedom by President Clinton in 1999. He died at age 100 in Richmond on August 5, 2007.

I'm extremely honored to have the opportunity to write this play, and to interview so many great civil rights heroes who worked along side Oliver Hill, including Hill's longtime law partner, Sen. Henry Marsh, pictured above. I'm proud that Theatre IV continues to be the nation's leading producer of theatrically based, African American history programs for schools. We regularly tour these instructional programs to every school district in Virginia, and throughout 32 neighboring states.

--Bruce Miller

Jacqueline Jones Teaches Us Many Things in Her Responses to "The Questionnaire"

Posted by Billy Christopher Maupin

Theatre IV’s production of A Christmas Story opens this Friday at the beautiful, historic Empire Theatre. One of Richmond’s favorite ladies is featured as Miss Shields (well, at some performances, but I’ll let her explain that later). Jacqueline Jones, known to most as Jackie, you may remember from Deathtrap, Over the River and Through the Woods, or Agatha Christie’s The Mousetrap at Barksdale Theatre at Hanover Tavern, or from Into the Woods at Barksdale Theatre at Willow Lawn, or perhaps even more likely, as Mrs. Piggle-Wiggle at Theatre IV (the first show I saw at the Empire Theatre). Jackie has taken on the Pivot/Lipton questionnaire and shared some fantastic stories!

1. What is your favorite word?

Onomatopoeia

I like saying it different ways and in different voices and with different meanings. Have a whole conversation using only onomatopoeia. It's a good word. Honk.

I also like to say kiwi – and banana. Those are fun to say in different voices, too.

Mmeep, Mmeep.

2. What is your least favorite word?

Any word that is whined.

3. What turns you on [creatively, spiritually or emotionally]?

Cool crisp fresh air – autumn is my favorite season, spring is a close second. Unless it is spring. Then autumn is a close second.

Singing in tight harmonies when they are right – it takes me a long time to learn them, so when I finally get them, I feel pretty and enjoy a sense of accomplishment – pulling weeds does that for me too, but it's not as fun.

My mother and my best friend Walker always suggested that I'd better hone my acting skills 'cause I'd never make it as a singer. When I was in college (Boston University, SFA '78), I took Voice for Theatre Students from a BU School of Music opera teacher. She carried her dog, Chloe, to every class (hmmm, I cannot remember the teacher's name, but I'll never forget the dog's). The dog, a tiny little thing the teacher carried under her arm, was there to show us how to breathe. I am really good at panting. My jury song (that's just too fancy a word for what we did, but what else shall I call it?) was "Will You Remember (Sweetheart)?" Maybe you've heard a Jeanette MacDonald and Nelson Eddy recording of it. After I finished singing, our teacher turned to my fellow students and proudly proclaimed, "Now class, didn't we turn this sow's ear into a silk purse!" Hmmm.

I usually refer to myself as a character singer.

(Jackie and Walker pictured together to the right)

4. What turns you off?

Dishonesty. Betray my trust and your name is mud.

I almost included "Rudeness," too. But I console myself that if not for the varied people and behaviors in the world, character actors would be out of a job.

5. What sound or noise do you love?

Quiet.

Shhhh of the overhead fan as it cools me to sleep while I am under a heavy quilt.

Train whistle – we live just close enough to the tracks, but not too close.

My children's *happy* voices: their laughter and humming and storytelling. My kids are "all grown up" now. Their happy voices still make me reel. (Jackie's son Madison pictured at left)

The garage door late at night: everyone's home and I can sleep soundly.

6. What sound or noise do you hate?

The bass vibrating my car from someone else's vehicle … even after they've driven a block away.

Our dog whining.

7. What is your favorite curse word? (have it at it. I obviously won't post it for real, but in some approved somewhat censored fashion) (Note: Jackie did her own censoring)

My favorites are not ones I actually use; in fact people tend to apologize when they curse around me. Maybe I make them feel guilty.

I did not grow up in a cursing home.

(Jackie's mother, Bea, pictured to the right; Bea is on the left in the picture with her mother, Jackie's Oma, on the right)

Our kitchen was divided into two parts by a bar which housed the stovetop. One day when I was about 13, I was on one side of the divider at our table. My mother was on the opposite side where she was hidden by the open refrigerator door. She did not know I was present.

Suddenly there was a crash followed by "S#!+!"

"Mom?"

Brief silence before her nonchalant, "Yes?"

I'd never heard my mother curse before and rarely since.

My college pal Bruce MacVittie (his birthday was October 14 – I always remember it because he told me no one ever remembered his birthday – part friendship, part challenge) is from Rhode Island. Oh boy, did he cuss! Those words just rolled off freely like I'd never heard (really never heard) before. Bruce wanted to teach me how to sling 'em too. We practiced. I learned to say "A$$H@!*" with a terrific New England accent just like his and one time I even tried it on for real. He glowed.

The German equivalent of "A$$H@!*" was my Oma's favorite and she taught it and all the other German curse words to her coworkers in the shoe department at Thalhimers where she and my Opa were tops. Oh the stories! I don't really like the word in German or English, but just the way Bruce MacVittie said it. Aside from that one time, I don't use it at all, but the "Sugar Honey Ice Tea" cuss has slipped from my lips on rare occasions.

One more cursing story. This one took place in 1982 on a Theatre IV tour of the musical The Golden Goose by Ford Flannagan; see him in Theatre IV's upcoming Peter Pan!

The cast included my current tag team Teacher in A Christmas Story. AnnaMarie Rossi and I share the role of Miss Shields in Theatre IV's upcoming holiday offering at the historic Empire Theatre (I do the weekday student matinees; she does weekend matinees and we split the evenings). In The Golden Goose, AnnaMarie played The Princess Who Could Not Smile. I portrayed Goldie, the Golden Goose, and at the time I was even still Jackie Goldberg. Hmmm, I wonder if Ford did that on purpose. Ford? We traveled with The Queen, The Guard, The Jester and Simpleton. All six actors but Goldie and Simpleton played multiple roles.

Ford, who wrote the book and lyrics and directed our show, was once quoted as saying, "the play is based on the Grimm stories about Simpleton and the Golden Goose. It has nothing to do with the goose that laid the golden egg.''

The publicity material said "The story takes place in a gloom-filled kingdom, the result of a spell cast by an evil Jester. The Queen holds a contest to find someone to break the spell, which can be done by making the melancholy Princess laugh. Simpleton, the hero of the tale, is aided by the title character."

The Queen was also our company manager on that tour. She was the liaison between Theatre IV and our venue contact person (usually a school "prince – i – pal" – ha-ha); she made big decisions on tour, a Queen Mother if you will. Coincidently, she is the person instrumental in my diligence in always wearing a seatbelt, even before it was a state law.

One of our Princes had major potty mouth. MAJOR. Our Queen on the other hand may as well have been called the Virgin Queen, my own dumb joke, because that title has little to do with the fact that she did not did not did not like cussing ... or overuse of the word hate. The Queen's disapproval of cursing fueled Mr. Potty Prince even more.

One day, his word du jour was … well … it was ... "f*%#wad." I'd never even heard that word. Have you? After hearing it all morning, our Queen went into a royal tizzy (she never raised her voice, even on this occasion) and decreed that the cursing must stop. It did. For a while. Until ... Later that day.

In our production of The Golden Goose, in an effort to make The Princess Who Could Not Smile happy again, the Queen throws a ball during which three Princes made cameo appearances to dance with The Princess Who Could Not Smile. Afterwards, she sings a lovely solo about when the good ol' days were so ... good, and how sad she is now. (Ford writes lyrics better than I do. He wrote Theatre IV's Little Red Hen, too. I was the title character in its premier in 1981. My sister Laura still asks me to twang the title song to her on the phone.) (Promo shot of The Little Red Hen at right, with Jackie at bottom left, AnnaMarie Rossi at left and Ford center, also pictured are Debbie Gale Taylor, seen as Joan's mother in Barksdale Theatre's production of The Lark last season, and Richard Travis)

Anyway, this particular show, the third dance partner, our very own Potty Prince, entered and twirled The Princess Who Could Not Smile as usual till the point at which he faced upstage (away from the audience). As The Princess Who Could Not Smile faced downstage, her face in full view of the audience, Potty Prince opened his mouth to reveal to her a tiny note neatly placed on his tongue, a tiny note with the word " f*%#wad " on it.

The Girl Who Could Not Smile must not smile now or the curse would be broken and the play would be over! So. She cried. And she cried and she cried. And she cried through her song and ran off stage "in tears." And her Queen mother did not know why the Princess was crying so hard since the Queen's throne was positioned where she could not see what had transpired. As you can imagine, this fairytale had no happy ending except that it is a good one to tell when someone asks about curse words.

I still hum that song sometimes.

8. What profession other than your own would you like to attempt?

I like to type. I edit a few newsletters, publicity and scripts on a volunteer basis. Sumpeen like dat, maybe? But just edit. Not write from scratch. That thing about writers sweating blood – not for me.

"Writing is easy. All you do is stare at a blank sheet of paper until drops of blood form on your forehead." - Gene Fowler -

I am so thankful my Dad insisted I take typing. Nowadays with computers, keyboarding is a given for youngsters. But when I was growing up, typing was a high school elective. I didn't know then that nerve damage would eventually make writing difficult for me. But typing – piece o'cake.

While I attended BU, I picked up some secretarial classes at Fisher Jr. College, Evening Division. I took Stenoscript, a new (at that time) kind of shorthand that I never used again. I don't think anyone has ever used it. I still have the book. Oh! It holds two long-forgotten letters of recommendations from my teachers. In my typing class was a guy who wrote pornography for a living. His editor told him that if he didn't type better, he would lose his job. He didn't "look like" a pornographer.

9. What profession would you not like to do?

Proofreading. Makes me nervous. I MIGHT MISS SOMETHIINNG. Math makes me nervous, too.

10. If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?

You finally made it; the children will be fine.

(Jackie's daughter, Jasmine, pictured to the left.)

Be sure to check out Jackie and the rest of the cast of A Christmas Story at Theatre IV at the historic Empire Theatre November 30 - December 23. For tickets, call the box office at 344-8040.

You can also check out Jackie online at www.jacquelinejones.net

Meet Our Touring Actors - Part II

Posted by Bruce Miller

Theatre IV is the Children's Theatre of Virginia. Since our founding in 1975, we have toured national caliber educational programs to Virginia's public and private schools. It's a major part of our mission as a nonprofit organization.

It's also a major component of our business model. The total of the combined annual budgets of Barksdale Theatre and Theatre IV is approximately $5 million. Of that amount, approximately $1.4 million is generated by touring operations.

The same performances that we tour to Virginia schools for a significantly discounted fee (averaging about $1.40 per student) sell in the national market for approximately $3,000 per day. We regularly tour throughout Virginia, 32 other states on the eastern half of the U. S., and the District of Columbia.

Yesterday and today I'm introducing you to the talented professional actors who work full time for our touring company and make all of this possible. I've tried to subdivide a picture that was taken at our annual Tourmite Party; I apologize for the photos looking a bit like puzzle pieces pulled from a larger image. That's exactly what they are.

In the first photo (seen above and to the left), we have Faith Boles at the top, with her chin half obscured by the curly head of Mike Bash. Mike's left arm is around the shoulder of Michael Ruff (wearing the baseball cap), and just below Mike Bash's curly head is Garrett Weeda, with his right arm raised in, I think, some sort of hip hop gesture. The two smiling faces below Garrett and Michael are Jennifer Zubernick and Jonathan Niotis. Stephanie Hill is the lovely face at the bottom of the puzzle piece.

Faith Boles, Michael Ruff and Garrett Weeda are all in the cast of The True Story of Pocahontas. Mike Bash and Stephanie Hill are in The Legend of Sleepy Hollow. Jonathan Niotis and Jennifer Zubernick will be touring with Jack and the Beanstalk. Garrett, Jennifer and Stephanie are returning to Theatre IV for a second year; Faith, Jonathan, Michael and Mike are joining us for their first season.

Faith Boles was hired in our Memphis auditions. She graduated from Shenandoah Conservatory in Winchester, VA, and came to us after acting gigs with the Lake Dillon Theatre in Colorado. We cast Mike Bash out of our Boston auditions. Mike hails from Red Bank, NJ, and graduated from Emerson College in Boston. His previous acting work was with Zeropoint Productions and the Longwood Players, both of Boston.

Michael Ruff is another one of our Memphis hires. He is a native of Oklahoma, and graduated from Southeastern Oklahoma State. His last acting contract before moving to Richmond was with the Off Square Theatre in Jackson Hole, Wyoming (pictured to the left). Nice work if you can get it. Garrett Weeda is a Madison grad, and spent the summer with the Park Playhouse in Albany, NY.

Jennifer Zubernick graduated from Wilkes University in PA, and lists the Shea Theatre in New York among her previous credits. Jonathan Niotis was cast out of our Atlanta auditions. He graduated from the University of Miami and recently performed with the Jerry Herman Ring Theatre in that same city. Stephanie Hill spent the summer in between her two Theatre IV tours working for The Lost Colony. She is a VCU grad, and appeared on Theatre IV's mainstage in Disney's Beauty and the Beast.

Our next group of actors, pictured to the right, includes (left to right) Renee Monico, Liz Ballard and Jon Perez. Now before you think that any of our actors are truly bizarre (they may be; I don't know them that well yet), I remind you that this group photo was taken at a party with a Western / Hawaiian / pirate theme (it's a bit of an inside joke), and our intrepid trespians outfitted themselves in their best Yee-haw, Ahoy and/or Aloha-inducing garb. Renee and Liz are new to us this year, and they both will be appearing in The Legend of Sleepy Hollow. Jon is returning for his second touring season, and he's in the cast of Jack and the Beanstalk.

We cast Renee out of our Boston auditions. She graduated from The Hartt School at the University of Hartford, and came to Richmond after a contract with New England's prestigious (and beautiful) Goodspeed Opera House, pictured to the left. Liz was cast in Atlanta, and graduated from Catawba College. She's a native of Culpepper, VA. Jon was cast in our Charlotte auditions. He graduated from Southern Illinois University, and previously toured with the California Theatre Company.

Our final group of touring actors includes (left to right) Ronnie Brown, Meghan Kelleher, Brian Tarter, Nicole Wakefield and Darrick Penny. Ronnie and Meghan are in the cast of Jack and the Beanstalk; Brian and Nicole perform in The True Story of Pocahontas. Derrick is in The Song of Mulan. Nicole is returning for her second touring season with Theatre IV; the other four are new to our company this year.

Ronnie Brown graduated from Penn State, and recently worked on the HBO Miniseries, John Adams (pictured to the left with biographer David McCullough). Last spring and this summer, he was employed on the running crews of Theatre IV's The Wizard of Oz and Barksdale's Into the Woods. Meghan Kelleher was hired in Atlanta. She graduated from Emory and Henry, and performed previously in the company at Mill Mountain Theatre. Brian Tarter (our tallest actor at 6' 4" or more), graduated from Ashland University in Ohio, and performed previously at the Huron Playhouse.

Nicole Wakefield (partially obscured in the photo) was cast out of Memphis, but appeared as a child in Theatre IV's productions of Babes in Toyland and The Music Man. Other local theatre credits include roles at Swift Creek Mill Theatre and the West End Assembly of God. Last but not least, Darrick Penny was cast out of our Atlanta auditions. He graduated from Elon with a BFA in Musical Theatre and a minor in Spanish.

We wish all of our fine actors a most successful first semester, and thank them for their talent and hard work.

--Bruce Miller

Theatre IV on Tour - Meet the Company, Part I

Posted by Bruce Miller
The first Theatre IV show to hit the touring circuit this season is The True Story of Pocahontas, and it opened today in Chesterfield County Public Schools. Tomorrow, Tales as Tall as the Sky will meet its first student audiences in Henrico, followed by Hugs and Kisses, Jack and the Beanstalk, The Legend of Sleepy Hollow, and The Song of Mulan, all of which will open in Virginia schools sometime in the next week and a half, before spreading out on their national tours across 32 states and the District of Columbia.

Now would be a good time to introduce 13 of the 28 talented touring actors who are working with us fulltime this fall in our six touring companies. Many of them are new to Richmond, but if tradition holds, several of these newcomers will stay in town for years to come.

Our first actor is T. J. Ellis. T. J. gets to be first because he had to leave last week's Tourmite Party early, and in so doing missed the group photo. Here he is, flying solo.

T. J. played the voice of Audrey II in Little Shop of Horrors with SPARC last summer. We thank Jamie and Rick Brindle for connecting us with T. J.

Jamie Brindle was a Theatre IV All-Star as a child (playing Alexander in Alexander and the Terrible Horrible No Good Really Bad Day, Christopher Robin in The House at Pooh Corner, etc.). He and T. J. were great pals in high school, and Jamie’s dad (TIV Board member Rick Brindle), gave us a heads up that T. J. was a young talent to keep our eye on.

T. J. is doing a terrific job as legendary folk hero John Henry in Tales as Tall as the Sky. As fate would have it, we have two characters named John Henry on stage right now. T J plays the "steel-drivin' man" of tall tale fame, and Eric Evans plays a more diminutive, ironically named John Henry in Carson McCullers' The Member of the Wedding at Barksdale Willow Lawn.

The quartet of talented young women in the photo to the left includes (left to right) Alia Bisharat, Winter Bailey, Ellie Atwood, and Jamie Sprovach. Alia, Winter and Ellie are in the 25th Anniversary Tour of Hugs and Kisses, Theatre IV’s internationally acclaimed child sexual abuse prevention program, co-produced with Prevent Child Abuse Virginia and the Virginia Department of Social Services. Jamie is in The Song of Mulan.

Alia returns to our employ after starring as Dorothy in last spring’s mainstage production of The Wizard of Oz. Winter (who has been Alia’s best friend since they both appeared in Disney's Beauty and the Beast at Theatre IV in the spring of 06) is a "military brat" who's lived all over the U. S., most recently in Petersburg. This is Winter's second year touring with Theatre IV.

Ellie was hired in our Memphis auditions. She graduated from Southern Illinois University and toured nationally with the California Theatre Center before joining us at Theatre IV. Jamie was hired in our St. Louis auditions. She graduated from Western Illinois University and performed with Bard in the Barn and the Western Illinois Summer Music Theatre before moving to Richmond to join Theatre IV.

The two men in Hugs and Kisses are Jonah Bowles and Christopher Schoen, pictured left to right in the cell phone photo to the right. Jonah was cast out of our Atlanta auditions. He graduated from Coastal Carolina University, and appeared in The Lost Colony before returning to Richmond, his home town. Chris is also a native son of our fair city, and the son of the chair of U of R's Theatre Dept., Walter Schoen. Chris is returning for his second year of touring with Theatre IV. At Barksdale, Chris has served as an assistant stage manager and appeared as the bear who chased a character across the stage in Melissa Arctic.

Another man who was unable to make it to the Tourmite Party and therefore missed the group photos is Beau Forbes, pictured in another cell phone pic to the left. Beau will be touring with The Legend of Sleepy Hollow, and will be in his second year with our company. He graduated from Southern Illinois University, and is an alum of The Johnny Appleseed Outdoor Drama in Ashland, Ohio.

There is one final group of five actors featured in this Part I post. Remember, I can’t include more than 20 names in the labels for any given post, so I frequently have to subdivide larger groups so as to be able to index everyone.

In the photo to the right, you will find (left to right) Amy Wolf, Nicholas Jimenez, Jeremy Howard, Jordan Barwick and Jermise Bailey, all of whom are working with Theatre IV and Barksdale for the first time. Amy and Nicholas are both appearing in Tales as Tall as the Sky. Amy graduated from the University of Richmond, and has performance experience at Sycamore Rouge in Petersburg and with the Fredericksburg Theatre Company and Riverside Theatre, both in Fredericksburg. Nicholas graduated from Appalachian State University, and was referred to us by his college professor (and former Theatre IV touring actor) Gordon Hensley. Nicholas's previous credits include the prestigious Utah Shakespeare Festival.

Jeremy, Jordan and Jermise are all touring in The Song of Mulan, and were all cast out of Atlanta. Jeremy graduated from Chattanooga State where he particularly enjoyed performing for young audiences in Cinderella and Once Upon a Mattress. Jordan hails from Kinston, N C. He and his wife Aubrey are the proud parents of twin daughters, Alana and Alexis. Jermise graduated Cum Laude from North Carolina Central University, after attending Henrico High School right here in Metro Richmond.

Tomorrow I'll introduce our remaining 15 actors. We're proud and privileged to be working with each and every one of these talented theatre pros, and looking forward to a terrific year.

--Bruce Miller

Tia James Continues to Soar

Great things are in the works for an amazing Richmond woman, and our community has every reason to celebrate. Tia James, who most recently appeared in Theatre IV’s mainstage production of Lyle, Lyle Crocodile and is working crew on The Wizard of Oz even as I type, has taken a major step forward in achieving her life’s dream.

Tia is someone to watch. Read on, and you'll find out why.

For those of you who don’t know her—yet—Tia is one of the nicest, most humble, giving and talented women you’ll ever meet. She graduated from VCU with a BFA in Theatre Performance, and VCU must be mighty proud.

While a student, she performed in Breath, Boom directed by Broadway veteran Michelle Shay, and Playboy of the West Indies and The Trial of One Shortsighted Black Woman vs. Mammy Louise and Safreeta Mae, both directed by the late, great Marvin Sims.

VCU entered The Trial… into the American College Theatre Festival, and the production thereafter received rigorous professional scrutiny from regional adjudicators. In the ACTF, the nation is divided into eight regions; Richmond is in Region Four. After viewing all the productions submitted by colleges and universities in our part of the country, the adjudicators selected the approximately 300 actors with whom they were most impressed. These 300 were then nominated for the prestigious Irene Ryan Award. Tia was one of the 300 in Region Four.

At that point, Tia and her fellow nominees were asked to pick a scene partner and then perform a scene and a monologue for additional review. Out of the 300 couples, two were selected to represent the region at the Irene Ryan finals at the Kennedy Center. Tia and her partner, Aaron Holland, were one of the two couples selected to represent Region Four.

They went to the Kennedy Center for a week, took master classes and had a wonderful time. At the end of that week, there was a night of public performance, and the 16 finalist pairs from around the nation performed their scenes and monologues. Decisions were made immediately, and many awards were given. The last two awards were Best Partner, which was won by Aaron Holland, and, finally, the Irene Ryan Award for Best Actor. In this national competition, Tia won the Irene Ryan in 2003.

Since graduating from VCU in 2004, Tia has spent the last three years touring nationally with Theatre IV, and, this year, interning with our Richmond operations. Throughout the last several months, she has also concentrated on her next goal, which is to relocate to NYC. Along with 800 other actors, Tia has been working this year to gain admission to the three-year Graduate Acting Program at NYU’s Tisch School of the Arts, one of the top masters programs in the nation. Of the 800 applicants, 18 were admitted—the best of the best.

The entire staff at Barksdale and Theatre IV went nuts when, a couple weeks ago, Tia received the phone call saying that she was one of the eighteen. Best of all, they loved her so much that, in addition to her admission, she has been offered $18,000 per year in scholarship funds!

This blog entry would not be an accurate reflection of Tia if I did not immediately add, as she herself does repeatedly every time she admits to her many achievements, that she gives all thanks and credit to God.

Without taking anything away from that spiritual attribution, I give additional and enormous thanks and credit to Tia. She has worked incredibly hard and thanklessly throughout the time I’ve known her. She has kept her sights set on her dream. And, by sharing her talent and good will, she has contributed enormously to
Theatre IV, Barksdale Theatre and the audiences we serve.

We will miss Tia when she moves on next fall. But she'll always be part of the Barksdale / Theatre IV family. We CAN’T WAIT for the moment that we know is sure to come—the moment when we can turn to the rest of the country that will only be beginning to fall in love with her, and proudly say that we knew her when.

God speed, Tia. All of Richmond theatre is behind you 100%.

Theatre IV Alum Nabs Maytag Spokesman Gig

This may sound too good to be true--at least for Clay Jackson--but it is NOT an April Fools story. We have learned on good authority that Theatre IV alumnus Clay Jackson (Papa in the national tour of Hansel and Gretel, and Clement Moore in the national tour of 'Twas the Night Before Christmas) has been selected as the national spokesperson for Maytag. You know the Maytag Repairman--the one who's so lonely cause no one ever needs him--well, from this point forward, this national icon will be played by one of our own.

Clay is not one of those who toured with Theatre IV and then disappeared. He's kept in touch since. His wife, Janna, is chairing the children's activities section of our Fairy Tale Ball this year, just as she has for the last couple of years. So, in our mind, this "dream come true" could not have happened to a better guy. It's always GREAT when a hometown boy makes good!