Emergency Escape Routes Shut Down to Keep Casts Cool

Posted by Bruce Miller
If you happened to be driving down Broad Street not too many days ago, and you noticed it was blocked off to traffic, and you wondered why, here's your answer.

Theatre IV finally replaced the giant air conditioning unit that sits atop what historically was the Little Theatre and then the Maggie Walker Theatre. This is the unit that provides cooling to our dressing rooms, costume shop and rehearsal hall. Fortunately, it was this unit, not the one that sits atop the Empire and provides cooling to the theatre itself, that went on the fritz just prior to the final two weeks of Dirty Rotten Scoundrels.

There were a couple of cast members who would not agree with me about the "fortunately" part. When the cooling suddenly stopped in the dog days of August, our initial plan was to repair the unit and immediately restore a livable environment backstage. We tried, but were quickly told that repair was no longer possible. The unit was dead; no one of this world was going to be able to bring it back to life.

So we rented a portable air conditioning system that had giant plastic tubes that I could crawl through running down all the hallways, and enormous fans creating gale force winds that were capable of cooling the backstage spaces while at the same time blowing your wig into Kentucky. It was not an ideal situation. But it was manageable, and we thanked our hard-working cast profusely for putting up with it all.

There were a couple folks who wondered aloud why we didn't just replace the unit that had died, as if it were something you could just pop out of a window and toss into the dumpster. The reasons it took us several weeks were:

1 - money (it cost $22,000 and we didn't have that amount just sitting in a drawer),

2 - finding a final resting place for the old unit which was about the size and weight of a '68 Buick, and

3 - getting the necessary permits to close off Broad Street so that we could hire a crane to take down our old deceased buddy and hoist up our new one.

If you've ever tried to close off Broad Street, you know it's not the easiest thing to do. Probably since the Civil War, Broad Street has been THE legally designated emergency escape route that will allow hundreds of thousands of Richmonders to flee whatever and head to Charlottesville. Look out UVA, we're comin'. It takes practically an act of Congress to shut it down. Well, more accurately, it takes about seven weeks.

But finally all the pieces and parts were put into place, including the giant crane pictured above.

So now, all that ominous tubing that looked like something pulled from where IT lived in A Wrinkle in Time has been removed. And if you'd like to come cool down in our rehearsal hall, dressing rooms or costume shop, please, as Lumière and all his kitchen companions would say, be our guest.

--Bruce Miller

Appearance of Theatres Fails to Pass Muster

Posted by Bruce Miller
I received the following unsigned letter in my office this morning. It’s worth sharing.

“Oct 2, 2008

Dear Mr. Miller:

I write to you without including my name in the interest of simplicity, and hope that I do not offend.

I have found much to love and enjoy in the numerous Barksdale productions that I have seen over the past few years. My first was The Full Monty; the most recent was Guys and Dolls. Doubt was, for me, the most powerful.

When attending Barksdale productions, I feel you should know what a big impression the atmospherics of the Willow Lawn and Empire venues have made on me, and I do not mean in a positive sense.

The Willow Lawn lobby cries out for re-modeling. It puts one in mind of a neglected moose lodge. Its current appearance is jarring and does not do justice to, or reflect, the level of excellence on stage. This is not an expensive proposition and could be solved with some cans of paint and a few trips to Ikea. It needs light colors, modern lighting and sleek, updated furniture. You have talent on your technical staff who would no doubt do a fabulous job of re-modeling.

The Empire Theater is obviously a treasure and beloved by Richmond. I remain mystified, however, by the abject and, frankly, embarrassing appearance of the outside presentation of the theater. It looks abandoned and neglected. The marquee must be lit up! The front of the Empire Theater needs to be lit up to look alive and welcoming! Right now, it looks like it is closed and waiting for demolition. The presentation window boxes which face the street are not lit and do not feature the posters of the show that is currently playing. I cannot understand this. It’s as though what is going on inside the theater is beside the point based on what the outside of the theater is telling the public. One of the presentation windows has broken glass. This makes a very bad impression of neglect.

I realize that keeping a theater in running order is very expensive. The solutions to the above problems, however, do not require huge investments of money.

Best of everything and keep up the otherwise very good work.”

I agree with much of what is included in this letter, and appreciate receiving it. I’ll respond in a subsequent blog posting. Please feel free to offer your opinions.

Hope to see you at our rundown theatres!

--Bruce Miller

RTP Announces Move to New Home

Posted by Bruce Miller
Three cheers and more for the Richmond Triangle Players. In the latest edition of their newsletter, Playergram, they announced that the rumors we’ve all been bandying about are true. RTP is acquiring a new home!

“A fabulous opportunity has been made available,” the article begins. “Following our Gala last September, Robb Moss came to us with the offer to make available a building for a new home. During the past eight months, the RTP Board has worked to make sure this would be the Next Stage for RTP. Architects, engineers, as well as legal and financial advisers studied the details to ensure a viable project. We have also received encouragement from some funding sources to help us get started.”

“We have now signed a lease for space that will become a 4,000 square foot performing arts facility. The plans call for a 90-seat theater, a graceful lobby, a generous bar, catering capability, and comfortable restrooms. The location is centrally located at 1300 Altamont Avenue, in historic Scott’s Addition, at the corner of W. Marshall Street, one block from Broad, and two blocks west of the Boulevard. The theatre will accommodate a stage that is double the area of the old one, with a high ceiling for proper lighting and technical equipment, backstage space and large dressing areas.”

“What we need now is to raise the necessary construction funds. Total cost is estimated at $500,000. In addition to capital costs, we hope to get commitments for $180,000 over the next three years to cover the additional costs of operating and maintaining the building.”

The first two shows in Triangle’s 2008-09 Season will be presented in a cabaret setting at Highwater Restaurant at Toad’s Place downtown on the Canal. The third production, Altar Boys, is searching for a “church setting in the Fan,” exact location TBA. Builders are telling the Triangle Board that their new facilities could be ready in “less than a year,” so the locations for the third show, opening in March, and the fourth show, opening in May, are yet to be determined.

Theatre IV purchased the historic Empire Theatre in 1986, a couple months into our 12th year of operations. Triangle has just celebrated its 15th season of successful operations. The time is right to move into a new home. Nothing energizes a Board of Directors more than an enthusiastic capital campaign, and nothing puts a nonprofit theatre company on the map more than new and improved facilities.

We wish our friends at RTP nothing but the best as they take this important and impressive step forward. Barksdale and Theatre IV will be happy to help out in any way we can.

--Bruce Miller