Showing posts with label Thanksgiving. Show all posts
Showing posts with label Thanksgiving. Show all posts

Monday, November 30, 2009

Thanksgiving Soup

Posted by Bruce Miller
During the first three years of Theatre IV (May 1975 – April 1978), our new nonprofit company netted enough revenue to pay all its actors, directors, designers etc., except for Phil and me. No one was paid much, mind you, but everyone received something. Phil and I worked for three years as 40-hour per week volunteers. We earned our living, mainly, acting and waiting tables at Swift Creek Mill Playhouse (now Swift Creek Mill Theatre) and the Haymarket Dinner Theatre. Each of us worked at whichever dinner theatre cast us in a show.

The Mill was the nicest place to wait tables, and if you arrived early, you could eat Mary’s wonderful cooking for $3 a dinner—a super deal. Mary was the chef at the Mill in those early days, and she was also co-owner Betty Callahan’s aunt. There were always quarter or half loaves of delicious Sally Lund bread left on customers’ tables when the meal was over, and the Mill let waiters take these uneaten remnants home with them. I got fat on many a sandwich made with leftover Sally Lund bread from the Mill.

The Haymarket had fewer perks, but it was the more lucrative place to work as a waiter. That’s because the waiters at the Haymarket collected the cost of the theatre tickets, dinner and bar at intermission. Your customers had the chance to see you on stage in Act I, and then you presented them with a bill that included everything. Frequently they would tip you 10% to 15% on the entire bill, including the cost of the theatre tickets.

Even in the mid-70s, I once made just over $100 in tips one night at the Haymarket.

At the Mill, the only money the waiters collected from the customer was for the bar tab, and customers would frequently leave the 15% tip only on that smaller amount. Plus, you collected that amount before curtain, so your customers had yet to have the opportunity to see your work on stage.

Phil and I acted some at Barksdale and the Barn during those years, but both of those theatres employed mostly waiters who were not actors in the show, so waiting gigs there were hard to come by.

We also worked during the first two summers at Kings Dominion. Kings Dominion and Theatre IV both opened at the same time. The personnel department at KD recruited performers from VCU to work the shows in the park, and cash control officers from the University of Richmond Law School. Somehow we heard about the U of R gig, and went to KD to apply.

We told them we were from U of R, neglecting to mention that we were not from the Law School. They hired us anyway. We’d arrive at work many nights at midnight, after completing our gigs as actor/waiters, and then count money till about 3 or 4 a.m. On weekends, we walked around the park pretending to be tourists, but popping into the back of each store and restaurant we’d pass to collect several thousands of dollars and then walk it back to cash control headquarters. Sometimes we’d be strolling through the park carrying upwards of $20 K in a plastic KD shopping bag.

During the 75-76 and 76-77 school years, we also directed (me) and choreographed (Phil) the shows at Collegiate School (mostly evening work). I’m blessed to have friends today who were my students during those two great years.

Lest you think this all sounds noble, be assured we were having the time of our lives. We were young bachelors, sharing a Grove Ave. apartment which also served as Theatre IV’s office, without the burdens of mortgages, car payments or college funds eating away at our meagre earnings. In many ways, I felt fewer money worries then than I have at any time since.

It was in those early years that I began my fall ritual of making Thanksgiving Soup, a ritual I continue to this day. The recipe was one I was given by my dad, Curt Miller, who grew up dirt poor on a Mennonite farm in Pennsylvania.

Turkey is one of the least expensive meats you can buy, back then in 1975 and still today. Like my dad before me, I cook a Thanksgiving turkey for the main event, and then on the day after, carve off whatever remaining meat is easy to get to, and then boil the turkey carcass and unused giblets to make soup.

Thanksgiving Soup is delicious, and really gratifying if you’re in a waste-not want-not frame of mind. It freezes well, and can provide many a super-cheap and inviting meal for months to come. I’ve often heard that the best way to give thanks is to be a responsible steward of the many blessings you receive. In that case, Thanksgiving Soup is aptly named.

The recipe is far from original, I’m sure. But as a family tradition, it means a lot to me. And it always reminds me of the early days of Theatre IV.

Curt Miller’s Thanksgiving Soup

To make the stock, break the turkey carcass into pieces and toss it and the giblets into a big soup pot. Add water until it just covers the turkey carcass. To the pot add 2 chopped carrots, two chopped onions, 2 stalks of chopped celery (leaves and all). Chop everything into large pieces. Toss in 2 cloves of minced garlic, a few shakes of salt, some basil and a bay leaf or two. Bring the whole thing to a boil, and let it continue on a low boil over medium heat, covered, for two to three hours.

Pour the stock through a colander into a large bowl—I usually get about 12 cups of thick liquid. Let it cool for a couple hours, and then skim off the fat (there isn’t that much).

Let the turkey cool, then sort through the bones and pick out all the meat. I usually get another four cups of meat, even after carving off all the easy stuff before cooking the carcass.

Throw away the bones and the vegetables, unless you want to save them for another use.

I usually freeze half the stock—about 6 cups. With the other half, I make my first batch of Thanksgiving Soup.

Soup

6 cups turkey stock
¼ of a large onion, chopped small, a generous half cup
3 peeled carrots, chopped into thick pennies
2 stalks celery, chopped into ¼ inch pieces, about ¾ cup
1 ½ cups cooked or frozen green beans
1 cup cooked long grain rice
1 can mushrooms, stems and pieces, 8 oz drained
2 cups cut-up turkey (about half of what came from the carcass)
2 cloves garlic, chopped small
Basil
Salt
Pepper
1 tablespoon butter
2 tablespoons flour

In the soup pot, melt the margarine and cook the onions and garlic for about 10 minutes over medium heat, stirring.

Add the can of mushrooms, liquid and all. Add the chopped carrots, celery, and green beans and continue cooking for about 5 minutes, stirring.

Add the flour and cook for another 3 minutes, stirring.

Add the turkey stock, about 12 shakes of basil, salt and pepper, and continue cooking over low/medium heat for about an hour.

Add the cooked rice and turkey and bring to a boil. Once it’s boiling, turn it off and serve.

Makes 6 servings.

--Bruce Miller

Wednesday, November 21, 2007

Don't Rain on My Mom's Parade

Posted by Bruce Miller

My mother was a native New Yorker, reared on Staten Island, educated and employed in Manhattan. So every Thanksgiving we were all but required to join her in front of the TV to watch the Macy’s Thanksgiving Day Parade.

My Mom won't be reading this blog, so I guess I can finally confess that I never really cared for the hot air balloons and I was only mildly interested in the floats. But I always liked watching the production numbers from the Broadway shows that are performed on the street in Herald Square at the very beginning of the national broadcast.

You’ll have to turn on Channel 12 early to catch ‘em, but this year there will be performances by the casts of Legally Blonde, Mary Poppins, Young Frankenstein and Xanadu. The latter three shows are not affected by the stagehands strike, and so their performances will include full costumes and props. But poor Legally Blonde—their costumes and props are being held hostage by the stagehands union (don’t ask cause I don’t know how or why) and so they’ll be performing in "substitute sportswear." As if dancing on rainy pavement weren’t difficult enough in your regular shoes.

Also of note, the Virginia Tech Regimental Band will be marching in this year’s parade in tribute to their fallen classmates.

Let’s tune in to cheer them all on.

--Bruce Miller

Taking Stock, Giving Thanks

Posted by Bruce Miller and Phil Whiteway

Thanksgiving is one of our favorite holidays. All of us at Barksdale Theatre and Theatre IV have many reasons to be thankful.

We are thankful for:

the legacy of hard work, unflappable commitment and uncompromising artistic passion that is our birthright, a gift beyond measure that has been passed on to us by Pete and Nancy Kilgore and Muriel McAuley

a family of theatre artists whose number and talents belie the size of our community, who constantly challenge us to lead and to serve

an intelligent, energized audience that bucks all national trends and continues to grow year after year—an audience that celebrates our successes and pardons our turkeys—an audience that encourages us to risk failure and expects us to do our best

a large and vigilant staff that works selflessly and creatively behind the scenes to generate the energy needed to sustain a major institution (unless you’ve seen them work their magic first hand, you probably have no idea)

financial contributors who believe in the necessity of what we do and are willing to put their money where their hearts are—corporate and foundation donors who understand that it is only through their support that nonprofit arts organizations can work to ensure that everyone has a seat at the table (or at least in the theatre)

trustees who provide the expertise we need to provide ongoing and effective management, who serve as our eyes and ears in the community, who take personal responsibility for the care and feeding of our mission, and who form a bulwark that protects us when times get tough

volunteers who contribute that most precious commodity—time, and who lend encouragement with an unwavering smile

the Virginia Commission for the Arts, under the exemplary leadership of Peggy Baggett (pictured to the right), always caring, always communicating, always holding us to the highest standards

institutional partners like Greater Richmond’s many senior centers and retirement living facilities (Barksdale’s Bifocals Theatre Project); the Hanover Tavern Foundation (our Country Playhouse Season at Hanover Tavern); James River Writers and the READ Center (Virginia Arts & Letters Live); the Latin Ballet of Virginia (Latino Theatre Project); Prevent Child Abuse Virginia and the Virginia Dept of Social Services (Hugs and Kisses); Second Presbyterian Church (the Acts of Faith Festival); Bon Air Presbyterian, Forest Hill Presbyterian and Tabernacle Baptist (rehearsal space); and the Steward School (our summer High School All Star Musical)—all of which help us build capacity to better meet the needs of our community

esteemed colleagues at the African American Repertory Theatre, the Carpenter Science Theatre, the Chamberlayne Actors Theatre, the Firehouse Theatre Project, the Henley Street Theatre, the Richmond Ballet, the Richmond Shakespeare Theatre, the Richmond Symphony, the Richmond Triangle Players, Swift Creek Mill Theatre, Sycamore Rouge, the Virginia Opera Association and many other nonprofit performing arts organizations who help to create the critical mass that keeps all of us afloat

thriving university theatre programs at Randolph Macon, the University of Richmond and Virginia Commonwealth University—their faculty expertise and student talent adds to the lifeblood of our theatre

remarkable youth training programs including the Christian Youth Theatre, HATTheatre, SPARC and many others—enabling children to engage in the arts both as participants and appreciators

and most importantly, the hundreds of thousands of individuals who go nameless here, who buy the tickets, book the tours, assemble the groups, make the contributions, and simply do their part each year to ensure the success of Barksdale Theatre and Theatre IV.

Thank you. We couldn’t do it without you.

Have a blessed and peaceful Thanksgiving.

--Bruce Miller and Phil Whiteway