Cole II - Fun with Photo / Singing on Soundtrack

Our Where Are They Now blog entry on Michael Cole received a welcomed comment from Carol de Giere (picutred to the left), webmaster of a comprehensive, free Stephen Schwartz e-zine (http://www.theschwartzscene.com/), brought to you by http://www.musicalschwartz.com/, the official fan site for Stephen Schwartz. The article and photo that appear below are sent by Carol, and they're a fun addition to the Michael Cole / Stephen Schwartz saga. We post them here with Carol and Michael’s permission.

Those with good memories (and some longstanding Richmond theatre knowledge) will know that the face that has been replaced by Stephen Schwartz's visage in the photo Carol sent is none other than Richmond’s own Joe Inscoe, TheatreVirginia’s Ebenezer Scrooge extraordinaire, pictured here (seated to the right) in our production of The Drawer Boy, with Brett Ambler and David Bridgewater.

And now the story from Carol:

Michael Cole doctored a photo that started as a publicity still from a production of Dickens’ A Christmas Carol at TheatreVirginia, in which Michael portrayed the role of Fred. Stephen Schwartz's face was added later. Michael provides background explanation for this playful photo in the text that follows.

"It doesn't happen often, but sometimes I sit down at my desk in my office on West 54th Street and among the to-do's and checks and bills, I find a hand written note from Stephen Schwartz on a yellow

legal pad asking me to go on some crazy errand. This errand might involve cab rides or trips on the subway. It might also include meeting so-and-so at such-and-such a place to pick up a package to be addressed and delivered to Federal Express so it will arrive at its destination by the next business morning. Or the note might instruct me to take the keys from the kitchen counter and move his car from one side of the street to the other on the days when 'alternate side of the street parking rules are in effect.' This errand includes sitting in the car for an hour until the parking rules allow me to legally park his car again.

One day Stephen was feeling very "Dickensian" as he was scribbling a note to me that would send me running all around the city doing his chores. He invented a "Pen name" and jokingly signed the letter Ezekiel Scrubb, Esq. When I see a note signed "Ezekiel" I know I'm off on a merry chase. He always apologizes to me before he sends me on one of these errands, and though I appreciate it, I never feel an apology is necessary. Aside from doing the usual bill paying and office managerial duties, a big part of my job is to do anything I can to make his life easier and less stressful. I decided I wanted my own pen name and now sign my notes to him simply 'Boy.' "

Michael also sends this current news:

Folks might like to know that Stephen Schwartz has a new Disney movie coming out in November of this year, and I had the terrific pleasure of singing on the soundtrack. Here is a link to the fantastic trailer for Enchanted - Music by Alan Menken, Lyrics by Stephen Schwartz:

http://www.collider.com/entertainment/news/article.asp/aid/4505/tcid/1

This is actually a different link than the one that Michael provided, but I couldn't make his link work on my computer. More info on Enchanted can be found on Carol’s e-zine at:

http://www.musicalschwartz.com/disney-movies-enchanted.htm

Where Are They Now? - Michael Cole

Michael Cole was one of the truly great guys of Richmond theatre, and remains a good friend today to a great many who are still singing and dancing in the Virginia trenches. He has moved onward and upward to some pretty exciting places, and we're proud of him. The following is an article that was written about Michael by Holly Timberline for Richmond Marquee Magazine (www.richmondmarquee.com). Holly has granted permission to post it on the Barksdale Buzz.

I Don't Think We're in Oregon Anymore
An Update on Michael Cole
by Holly Timberline

If you were a local theatregoer 15 years ago, then you saw Michael Cole onstage. During his decade in Richmond, he performed with every major theatre company in town. With his sturdy tenor voice, blonde good looks and perpetually cheerful nature, he enchanted people around him, whether he was onstage or off.

Michael grew up in Oregon and found his way to Richmond in the 80s. He moved to New York in 1993, looking for bigger acting fish to fry. What he found was a career working for someone he had long admired: composer-lyricist Stephen Schwartz—the man responsible for Wicked, Pippin, Godspell, etc.

RM reached Michael on his cell phone on a recent afternoon, in the middle of his workday. He took a break to answer some questions about his busy, happy life:

How did you become Stephen Schwartz’s assistant?

When Michael got to NYC, he landed an apartment right above Schwartz’s studio. One day, Schwartz complained that the cleaning service he used was no good. The industrious—and hungry—Michael offered his services. "I started out cleaning his apartment for $50 a week," he says. At some point, Schwartz asked Michael to type a letter for him, and it grew from there. "Basically, every time Stephen offered me a chance to take on more responsibility, I said yes." Michael became Schwartz’s full-time assistant about 8 years ago.

What kinds of things do you do?

"One thing I like about the job is that it’s different from one day to the next," says Michael. Schwartz had a presence on the web before Wicked, but the volume of email he receives has expanded dramatically since the show opened in 2003. Schwartz likes the interaction with fans, and the sense that there is an actual relationship there, Michael explains, and he really takes time to respond to questions. Except when he’s too busy, which is where Michael comes in. "I manage a lot of e-mail!" he says. "All of the email comes to me first and then I deal with what I can and forward fan letters and the rest to Stephen.”

One task that falls to Michael is to keep an eye out for people who want a little too much time or attention from Schwartz. "Stephen's fans are terrific," he says, "but of course, some are, well, fanatical. I've learned to recognize this type of personality and have learned to give the potentially demanding ones just enough to make them happy."

What’s going on at work today?

Schwartz is currently writing an opera, a musical adaptation of a 1965 British film, Séance on a Wet Afternoon. It isn’t scheduled to open until spring of 2009, but Schwartz is letting people sample the goods here and there. "Today the singer who is creating the lead role is coming in to sing through some of the music. I can't tell you who she is, but she is an internationally acclaimed opera star. How cool is that?"

Does working for a "celebrity client" come with any sorts of wacky requests? Do you have to find dancing pigs for his kids’ birthday parties or anything like that?

"Well, he’s pretty normal," Michael says with a laugh. "He doesn’t send me off on crazy errands like that." Still, Michael’s role when Schwartz gets a trim may seem a little unusual: "He had a hairdresser he really liked," Michael says, "and she used to be in Manhattan, but now she lives in New Jersey. So sometimes when he needs his hair cut, Stephen has me pick him up at his home in Connecticut, drive him to New Jersey for his haircut, then take him to New York City when it’s over." Even a tri-state haircut is enjoyable for Michael, who says, "I like it because he’s captive in my car!"

What kinds of assignments are difficult?

"I don’t always fully understand the intricacies of how it all works with royalties, publishers, percentages, international rates... I have a pretty good handle on it, but when he asks me to do research on it, it’s challenging." Another less-than-favorite task is to return calls to people "who will talk forever."

What are your favorite memories of your time in Richmond?

Michael’s time in Richmond was his version of college, he says, and he still considers his Richmond friends to be among his closest. Play-wise, he will never forget performing in Falsettos at Barksdale. He says, "It’s one of those rare shows where, with the exception of just one moment in a tech rehearsal, every minute of that production was glorious. It was just a great time."

Where do you live?

Michael and his partner of 10 years, Steven Skybell (currently playing Dr. Dillamond in Wicked on Broadway), live about an hour outside of Manhattan in a town called Mahopac. From his house, it’s a short stroll down the street to Lake Mahopac, where he regularly indulges one of his passions besides theater: water-skiing. "I can ski in the morning and be at work in Manhattan in an hour," he says.

Will you return to the stage any time soon?

"If I lived in Richmond, there’s no question I would still be performing," Michael says, "because people doing theatre in Richmond are doing it because they love it and are passionate about it... Falsettos [in Richmond] was a love fest. To me, it feels more like a business in New York." He’d like to get involved with his local community theatre, but doesn’t have the time right now. He has found time to sing with the Westchester Oratorio Society, including some solo work, which he found "interesting, challenging, scary and fun."

So things are going pretty well for you?

"I have a terrific life! I love it. I love everything about it. I’m in the right place, I love my job. Life is pretty sweet."