Shalom from Israel

Posted by Billy Christopher Maupin

I sit here on Saturday night in Tel Aviv, Israel. It is my last night in this country halfway across the world. It has been a very interesting month. I've learned a lot about Israel and well...many other things that have nothing to do with the purpose of this blog. So I will plow forth since I promised that I would blog about theatre in Israel while here.

I've also attempted the read the complete works of Aristophanes while here, but I got these really bad translations called "The New Translations," so I haven't even made it through one. Perhaps someday. I've been fairly successful with learning my lines for the new musical that I start rehearsing at the Firehouse upon my return to Richmond.

Theatre and arts here are really thriving. At first, I found it to be very similar to New York City, but without the frenetic tendencies. Things seem to be much more relaxed here.

The Theatre

I've seen four shows while here this month in Israel--all four in Hebrew, two of which I read in English translation. Watching the other two, I had NO CLUE what was going on other than what my partner was translating by whispering in my ear on occasion during the performance.

The first show I was is called The Timekeepers. It's by Dan Clancy and had a limited run last year Off-Broadway. I lucked out, since the young woman we were subletting the apartment from was a director at one of the "fringe theatres" in Tel Aviv. So I got to see this show for 5 shekels. (That's about $1.25!!!) $1.25 for a fantastic production.

The Timekeepers takes place in a concentration camp during WWII. There's a straight Jewish man and a homosexual. The Jewish man works on watches; the homosexual claims to work on watches as well, so he won't go directly to the gas chambers. It seems somewhat similar to The Kiss of The Spider Woman by Manuel Puig ( I know the play more so than the novel, the movie, or the musical [which starred Chita Rivera in the title role and later Vanessa Williams, which merited a new cast recording...umm...ok?]). Except that in Spider Woman, the straight man and the gay man become lovers at the end; it's really such a beautiful play.

Here, however, they bond over their love of opera (yes, the Jewish man really is straight) and become strong friends. It's a very touching piece. When I was talking to the director about it reminding me of Spider Woman, she pointed out that there's now almost a genre of plays, including Bent by Martin Sherman, which I find to be a not-quite-good play. Again, I found it interesting to see this in Israel, but it is a fringe theatre and Lee (the director/landlady) did point out that just like in the States, they wish there would be more fringe theatres, but there's not the audience to support them. And, just like in the States, it made me sad.

Something very exciting that I learned about theatre in Israel, though, is that more people go to the theatre than go to soccer games. That would be like more Americans going to the theatre than to baseball games!!! How cool is that!

The next show that I saw was Minchausen. There are these Israeli stories about this guy who told these crazy stories, such as discovering the 32nd of May! These stories are like Babar the Elephant or Peter Cottontail. So someone decided to write a play about this guy and his attempt to divorce his wife to marry the young girl he's in love with.

Sounds like a great idea, huh? Yes! But not so much in the execution of the show. Granted, this is one of the two that I hadn't been able to get a translation of since it's an Israeli play and not yet translated into English. I did get a little excited at the beginning though because the play had subtitles....in Russian! This theatre (one of the Broadway-equivalent theatres) was started by Russian Jewish immigrants. I'm told that it wasn't just the language barrier that made me think it wasn't a very good script. It just wasn't. The leading actor, though, pictured on the right, was fantastic! He's a big star of stage and screen. Many of the big actors in Israel are crossovers, much like several in the U.S. and Britain (Judi Dench, Ian McKellan, Liev Schreiber, Kevin Spacey, Julia Roberts...ouch...wait a minute). The woman playing his wife was also really incredible. Very funny! Her comedic timing would have felt right at home in the States. The actress playing the girl he was trying to marry, on the other hand, (seen in the middle) seemed like she was playing Ophelia or Antigone. "Honey, you're in a comedy for Pete's sake!" I wanted to tell her. So overall, not the hit of the season, but some fine acting from a few people.

Here, I will note that 'night, Mother by Marsha Norman is one of my favorite plays--a really fantastic Pulitzer Prize-winning piece from 1983, recently revived on Broadway with Brenda Blethyn and Edie Falco (the original starred Kathy Bates; the movie features Anne Bancroft and Sissy Spacek). I was thrilled to see that there was a production playing with English subtitles at another of the Broadway-equivalent theatres. But I got the dates confused and missed it. Heartbroken. It doesn't play anytime within the next two months. (Everything runs in repertory here in Tel Aviv.)

Then I saw another play directed by Lee Gilat (our landlady). In the original British version, the play is called The Boys of Summer, but because that has connotations in English that it doesn't carry in Hebrew, the adaptation is called The Little Green Monkey Club.

It's a comedy that takes place in a hospice about four guys with AIDS. It was one of the first successful plays to deal with the subject and one of the only ones to do so as a comedy. Great play, two of the same actors from The Timekeepers, some really fantastic actors in this production.

This brings me to the final play that I saw, just two days ago, Thursday night, another of the Broadway-caliber theatres. This play was written and directed by my friend Ravid Davara.
Crumbs by Ravid Davara was by far the most unique piece I saw the month I was in Israel. The plot involves two sisters, Carmella and Frida (played by one of the most breathtakingly brilliant actresses I've ever seen) who run a bakery and a coffee shop, respectively, and their husbands, Aharon and Aleeko.

"A story of two sisters, Carmela and Frida, drifted apart because of an old dark family secret. Carmela, the older one, a bakery manager widow, is trying to get close to Frida, the latter does not reciprocate, solely focused on her hopes to see her son returning from his long trip to the Far East. Frida's husband, who is concerned for his wife but also for Carmela, wishes to revive the link between the sisters. Frida continues to wait for the return of her disappearing son, while the mystery around his disappearance is slowly revealed. Carmella, whose husband's death is also shrouded in mystery, is slowly collapsing under the weight of her guilt, trying to get closer to her sister, begging for forgiveness." Aharon, Carmela's husband is dead, but she still sees him and talks to him. He appears by "walking through the wall," the stage direction in the script indicates.

Ravid has melded together realism and absurdism. Carmela bakes loaves and loaves of her late husband's bread recipe and stacks them in the bakery. Sometimes she climbs up the stacks of these loaves to reach him and once collapses and lies on them. She also gifts Frida constantly with chocolate bunnies, which Frida doesn't eat, but rather uses to fill the shelves of the coffee shop.

So that's my experience with theatre in Israel. I'm very ready to be back working on theatre myself. There are so many wonderful things in Israel! So much history! And some incredible theatre! Now if only we could have more Americans going to the theatre than baseball games!!!

--Billy Christopher Maupin

Mr. Tuggle Goes to NYC

It is not often that you are able to say you don’t mind having dirt kicked on you, but when it’s being kicked by Kevin Spacey and Eve Best, it’s a little different. Let it never be said that you can’t find a good discount in New York, as this weekend I went to see Talk Radio and A Moon for the Misbegotten both as part of the theatres’ student rush ticket programs. For “Moon” we ended up in row AA, the row that was added on IN FRONT of the front row, specifically for student rush tickets. To give you an idea of how close we were, the stage was sitting over my legs like a desk. It was quiet an experience.

We saw Talk Radio on Friday night, and it lived up to all of its hype. I am very skeptical about “movie stars” moving onto the Broadway stage, and this was no exception, in spite the fact that Liev Schreiber (The Manchurian Candidate, The Omen) had some notable stage credentials. He of course got entrance applause when he entered onstage for the first time, which always irks me. I would prefer not to applaud an actor on his previous accomplishments and disrupt his current labors, but give them a hearty ovation once I have seen the work.

The play is about a talk radio host, and is virtually a one man show, with other actors stepping in momentarily for brief witty retorts, or to give information about their relationship with the central character, for really no other reason that to build the dynamic protagonist. All of these things lead to the fact that the “hero”, or “anti-hero” in this case, must be a very strong performer. I would not rank it amongst the best productions I have ever seen, but it was well worth the time and meager price.


A Moon for the Misbegotten on the other hand trumps virtually ever other play I have seen, in the realm of artistic merit. Taking on a Eugene O’Neill opus is a hearty task, but through their intensive energy, and conscious effort to not make it melancholy to the point of gloom, the cast and director developed a fantastic product.

The play was staged by the Old Vic Theatre, based in London, and then transported to Broadway after a great run in its home theatre. Kevin Spacey is not only one of the stars of the play, but also the Artistic Director of the theatre. He put on a fantastic performance, as would be expected, but was outshined remarkably by the shows heroin Eve Best.

Looking through Eve Best’s credits in the playbill looks more like a theatre history reading list, than a career. She has played some of the toughest roles for a modern actor, and this experience was evident in performance. Her ability to take the tough bull like qualities of Josie, which are apparent in the script, and intertwine them with humor and light heartedness is what made her such a lovable character capable of so much pathos. She moved the audience with her, from giddy child-like love, to the deep anguishes of a wasted life, without a single misstep.

Both shows, and the trip as a whole were fantastic. A Moon for the Misbegotten only has an eight-week run, so if you are in New York soon and have a chance to see it, do not pass it up at any cost. It will give you a love for O’Neill you never thought possible.

Brad Tuggle
Assistant to the Managing Director
Barksdale Theatre / Theatre IV


**Here is a great interview with Kevin Spacey about A Moon for the Misbegotten. In the interview he also talks about what an amazing experience live theatre is-not only for the actor but for the audience as well.

Kevin Spacey Interview