Fond Farewells to Fantastic Fall Fare

Posted by Phil Whiteway

I can’t believe we’ve already closed the curtains on the first three mainstage shows of our 2007-08 seasons. Wasn’t Labor Day just last week? Time flies when your audiences are having fun. (Special thanks to iweiss.com for letting us borrow the interactive graphic. Please visit them for all your theatre supply needs.)

The first show to take its final bows was Stuart Little at the historic Empire Theatre, followed about an hour later by Deathtrap at Hanover Tavern. We bid adieu to both of these crowd-pleasers on Sunday, October 21. I attended the last Stuart performance (it was great!) and then hustled out to Hanover to join Bruce in raising a glass to our wonderful and talented Deathtrap cast and crew (pictured above and to the right) at their closing festivities.

This past Sunday, October 28, it was time to make my famous chili for the wedding reception--The Member of the Wedding, that is. And I actually remembered to bring my camera this time.

Gathered around the groaning board (as Nancy Kilgore's portrait sings a supportive tune) are (left to right) cast members Joe Pabst, Carl Calabrese, Lexi Langs (arm only), Katy Burke, Erin Kate Bradner, David Bridgewater, Katherine Louis (holding her beloved grandbaby), and Eric Evans in the red t-shirt.

To the left, our brilliant and beautiful Berenice Sadie Brown (Katherine Louis) beams in the embrace of her two biggest fans - her equally beautiful daughter and granddaughter. Quoting from Crowns, her last Barksdale show, Katherine called to everyone's attention the way her granddaughter was "workin' that hat."

In the photo to the right, our stage manager Bo Wilson sneaks a hug with our other leading lady, 13-year-old Lexi Langs, with Pete Kilgore's portrait keeping a watchful eye. Joe Pabst (standing to the right of the photo) filled in as Lexi's stage father for the last two weeks of the run, and was a perfect stand-in for Dave Bridgewater, who had been called south for two weeks for some film work. Dave's movie schedule allowed him to come back to town on Sunday so that he could see the show from out front.

Lexi's real-life mom, who lived with Lexi for nine weeks in the comfortable company housing provided by our good friends at Studio Plus Deluxe Studios, smiles for the camera with Jill Bari Steinberg, Lexi's on-stage aunt.

The man of the hour was our Wedding director, Scott Wichmann, (standing to the left in the photo below and to the right) who is not only a gifted theatre artist but also, clearly, a connoisseur of great chili. A quick plug--Scotty, Joe Pabst and Dave Bridgewater joined co-star Joy Williams and director Steve Perigard yesterday to begin rehearsals for the next show in Barksdale's Signature Season at Willow Lawn, Moonlight and Magnolias, a hilarious comedy about the making of Gone with the Wind.

And please note the two stellar theatre talents located just behind Scotty's stage right shoulder. As is so frequently the case, they are in dim lights and in the background. But they are invaluable members of the Barksdale family and add immeasurably to the success of our productions. They are Renee Jones (wardrobe chief and dresser to the stars) and Linwood Guyton (light board operator extraordinaire).

Many, many thanks to all the terrific artists who made Stuart Little, Deathtrap and The Member of the Wedding the great shows that they were. Please know how much we appreciate and value your talent, dedication and hard work.

--Phil Whiteway

Helping "Into the Woods" into their clothes

We would be a cast of bedraggled actors on Barksdale's stage if it wasn't for one special woman keeping us together during every performance of Into the Woods. That person is Renee Jones and she is the Dresser/Quickfixer/Magician, and every actors' best friend behind the scenes. Ever wonder how an actor can somehow magically appear three lines of dialogue later entering on the other side of the stage in a completely different costume head to toe and no sweat? .... No we do not conjure up magical fairy dust .... it has a name and that name is Renee Jones.

To explain more about the phenom that is Renee, we must understand where she comes from and what brought her to us here at Barksdale Theatre. She lives in the house she was born in right here in Richmond. Renee is a graduate of the dance program at Henrico High School's Center for the Performing Arts which, coincidentally is where Into the Woods director Robin Arthur was the school's first Head Director. Renee is also a graduate of UNC Wilmington. You may recognize the campus from Dawson's Creek episodes, as it was used as the set for the High School in the series. Her first professional production in Richmond was Theatre IV's Charlotte's Web at the Empire Theatre followed by Proof at Barksdale Theatre. Following other local shows she headed off to HersheyPark in PA to hone her skills even more. Recent credits since her return to Richmond include Mame, Intimate Apparel, and Beehive. On the right is a picture of Renee making sure everything is perfect on Adanma Onyedike's costume during Intimate Apparel.

It takes a person with a strong constitution to see and do the things Renee does. We're talking actors sweating buckets everywhere and people literally falling out of costumes. This woman has seen it all. Each costume change is like a choreographed dance between Renee and each actor. As you can imagine each actor has a different "modus operandi" so she has to accomodate each one. Although I do enjoy my time with Renee, I am lucky enough to have only one real costume change....of course this change is from a carniverous wolf in full make-up exiting stage left, and coming in 1/2 a page later as a dashing (sweat-free) prince entering stage right (see photo on the left). Not only does she keep us dressed, she also keeps us in good repair. The costume designers and staff do a superb job at assembling all our phenomonal costumes, but as you can imagine falls, tears, weight loss....or gain, and missing buttons happen. Renee can be seen post-show, intermission, and at many times doing upkeep on our costumes. She is a huge asset to this summer's production of Into the Woods, she is truly a star.

-Russell Rowland

* Firsthand account by Amy Hruska, one of Renee's "Dance Partners":

"After I walk onstage as "Sleeping Beauty", I have 3 lines and then appear again as "Granny". Renee has my "Granny" wig sitting atop her head and as she is velcroing me in, I snatch the wig off of her and place it on my head. A pair of glasses completes the ensemble. Remember all is done in 3 quick tempo lines. Renee stays calm through all of this and gets me back onstage on time every time."

** Sidenote: We also have a "Set" Dresser, in a way. His name is Ronnie, and among his other jobs is fitting Amy Hruska two times a show, in and out of a 9'-10' tree "costume" , moving branches and all.

*** Personally I miss my appearance as a large piece of white celery (Prize to the first person,vegetable , or mineral who can guess the show)

Barksdale Theatre and Theatre IV employees void.

Anyone else like to share their strangest or most outrageous costume?