Showing posts with label Mill Mountain. Show all posts
Showing posts with label Mill Mountain. Show all posts

Wednesday, January 21, 2009

The Good and the Bad at Mill Mountain

Posted by Bruce Miller
We LOVE Mill Mountain Theater, one of our co-producers of Blackbirds of Broadway not so many years ago and a cultural cornerstone of Roanoke for over 40 years. It was with a heavy heart that I read this press release last night from their Board of Directors:

“Roanoke, Virginia, Jan 20, 2009

Mill Mountain Theatre’s Board of Directors announced today that the theater will close its doors on January 21 in order to focus on a reorganization of the Theater’s productions and business operations. Layoffs will begin on that date.

Sharply declining income, reduced state funding, lower than expected donations, changes in consumer entertainment choices, and the effects of today’s challenging economy have left the Theater unable to cover its operating costs. Existing debt is compounding the theater’s financial difficulties.

This difficult decision has been made after a long and thorough scrutiny of alternatives, reforecasts, and requests for relief made to donors and existing creditors.

‘Our traditional business model no longer works. We want to be responsible stewards of our community’s long-standing financial support so we are taking a break from business-as-usual to reinvent Mill Mountain Theater. We are taking an intermission,” says a theater spokesperson, “and plan to reemerge stronger and better than ever.’

Theater Board of Directors and staff are working closely with local officials and key contributors to create a model for the Theater’s future that acknowledges the organization’s historical importance to the region’s identify and tourism initiatives, while being sensitive to today’s economic realities. An aggressive fund-raising campaign based on the new business plan will begin upon the announcement of the plan’s details.

Theaters across the United States, including Broadway, are experiencing the effects of the economic downturn with rising costs and decreased attendance. According to the New York Times, ‘The annual post-holiday doldrums in the theater district are proving particularly doleful in 2009, as more than a dozen plays and musicals—almost half of the current lineup, incredible though it may seem—get ready to close by the end of the month.’ Regional theaters, all approximately the size of Mill Mountain, in Ohio, Florida, Minnesota, and Boston have all closed in recent months.

Theater officials assure Roanoke arts patrons, ‘Mill Mountain Theater is doing the responsible thing and securing its future by reinventing and reinvigorating how we do business.’ The first production of the newly reinvented organization is planned for the 2009 holiday season. Season ticket holders will receive vouchers for cancelled plays that can be applied to next season’s shows.

Of the plays remaining its current season (sic), Mill Mountain will present Driving Miss Daisy (WALDRON STAGE, January 21 – February 8, 2009). The theater box office will close on January 21 but tickets can be purchased by cash or check at the theater box office in the lobby of the Waldron Stage at the Church Avenue entrance one hour before the show.”

The Roanoke Times further reports today that Mill Mountain’s “staff will be let go as of this Friday, January 23, and plans for the theater’s future are uncertain.”

Our hearts and prayers go out to all of our colleagues who will be losing their Mill Mountain jobs at the end of this week.

The bad news is that Mill Mountain is in a position where they are forced to let go their staff and cancel the rest of their season. And that’s pretty bad news.

The good news, and we should celebrate this, is that the Board is facing these challenges responsibly. They are NOT closing the theatre. They are choosing to engage in the hard work of reinventing the theatre to suit emerging financial realities.

I am hopeful that Mill Mountain will return and once again light up its beautiful theatre in the heart of Roanoke. I congratulate the Board on NOT throwing in the towel and walking away. It takes courage, commitment and smarts to continue to fight the good fight, even when the Board, I’m sure, is broke, exhausted and demoralized. Three cheers and then three cheers more to all the Mill Mountain Board members who are refusing to let their institution die. That, my friends, is what it takes.

Business-as-usual is tough. Reinventing the business is a LOT tougher. But a small group of good people can make it work, and, in Mill Mountain’s case, it appears that that is exactly what's happening.

During the long hard days that now begin, Barksdale and Theatre IV will offer whatever support we can to the Mill Mountain Board as they take up this yoke of responsibility and move forward with determination and creativity. God speed.

--Bruce Miller

Tuesday, August 12, 2008

Hail and Farewell to John DeBoer

Posted by Bruce Miller
Hail and farewell to our good (and new) friend, John DeBoer. (That's John pictured to the far right with Matt Hackman in Little Dog.) John left Richmond yesterday morning to make his merry way to Missoula. Montana’s gain – Virginia’s loss.

Six months ago, I hadn’t a clue who John Kenneth DeBoer was. Then, when the leading contender for the starring role of Mitchell in The Little Dog Laughed removed himself from consideration, several friends suggested I go see “the new guy” in Visiting Mr. Green. I went, I was impressed, and I called John to ask if he’d be interested in reading for the show.

And, oh yeah, if he got the part, there was this little matter of a gay nude scene. Not knowing John from Adam—and vice versa—it made for an interesting first conversation.

Since then, John and I have become fast friends. He not only starred in Little Dog, he played Damon Runyon in Guys and Dolls, and provided dialect direction for Peter Pan, Guys and Dolls and Shirley Valentine. That’s five contracts in five months. Talk about starting out with a bang.

And now, with lots of hugs and “I love you’s” following his final performance in Guys (and his last hurrah at Club Dacus), J. K. is excitedly off to face his future as a new professor at the University of Montana-Missoula. We couldn’t be happier for him. His new boss, as fate would have it, is noted Virginia theatre expatriate, Jere Lee Hodgin. Jere, a talented theatre artist and all round great guy, was artistic director of Mill Mountain Theatre in Roanoke for something like the last two decades of the 20th Century. Now he heads the theatre department at UM-M.

John promises to stay in touch with us, and we with him. We will miss his talent, his beaming smile, and his good humor.

Chris Stewart will be stepping into John's shoes for the final week of Guys and Dolls, but no one will take John’s place in our hearts. It was great getting to work with you, Johnny. Thanks for your fearlessness, good will, and all the laughs. We’re looking forward to hearing great things about you in the future.

--Bruce Miller