Been to the City for a Show with No Name

Posted by Bruce Miller
I don’t know why I’m waxing at such length about our Columbus Day Weekend excursion to the Big Apple. I hope it’s not boring.

The trip itself wasn’t boring at all. We flew out of Richmond on JetBlue on Saturday morning, departing RIC at 10:05 am and disembarking at JFK at 11:18. JetBlue is the Official Airline of Barksdale / Theatre IV. This, however, was a family trip and so my family paid for the tickets in full. They were a good deal at $59 each, one way, before taxes and fees.

To get from the airport to mid-town, we took the AirTrain to Jamaica Station, and then the E train subway into Manhattan. It’s about a 45-minute commute between the jet and Broadway; it’s comfortable; it costs less than $4.50 per person if you buy the right MetroCards.

Even though we were staying at the Milford, we left the subway at 53rd and 7th. I much prefer walking down Broadway and through Times Square to get to the Milford (45th and 8th) rather than walking up 8th from the 42nd St Port Authority subway stop.

Honoring the request of our late friend, we all shouted “Martha Newell” as our feet hit Broadway for the first time this trip.

On the way to the Milford, we stopped to eat lunch at Café Edison on 47th Street between Broadway and 8th—good, cheap, fast and very NYC. From Café Edison, Terrie and Curt schlepped the bags to the Milford while Hannah and I went to the TKTS Booth for half-price matinee tickets. Hannah and I are theatre junkies who enjoy seeing two shows in a day. Terrie and Curt like to relax and walk around the city in the afternoon and only see one show a day. Different strokes.

One of the shows Hannah and I most wanted to see was [title of show]. No, I didn’t forget to fill in the title; that is the title. Our friend and fellow theatre junkie, Lizzie Holland, had been raving about this small new musical since she saw it last summer. She and her parents think it would be a perfect show for Barksdale, and since it was closing this weekend, [title of show] was next to South Pacific on the top of our “must see” list.

As we ventured toward the end of the 45-minute TKTS line, we passed a half-price ticket promoter calling out the name of [title of show]. We told her we were interested, and she gave us a flyer that allowed us to purchase half-price tickets at the box office rather than waiting in the TKTS line for three quarters of an hour. [title of show] was playing at the Lyceum on 45th between Broadway and 6th, so we walked to the theatre in about 5 minutes. Using the flyer at the box office, we not only bagged half-price tickets, we also avoided the $4 per ticket service charge that one incurs at the TKTS Booth. And we were able to put it on my credit card—something that until this week was verboten on the TKTS line.

By avoiding the wait in line, we wound up with an hour to kill, so we rejoined Terrie and Curt at the Milford. I’ve stayed at the Milford a hundred times, and always found it satisfactory. It’s the cheapest of the decent hotels in the theatre district, or the most decent of the cheap hotels. And it has lots of rooms, so when the Edison (my favorite affordable hotel) books up early, which it always seems to do, I often can still find a room at the Milford.

This time, even booking more than two months in advance and using on-line rates, the Milford cost $309 before taxes for Saturday night and $279 before taxes for Sunday. That seems really expensive to me, but it’s the best rate I could find. And the only way to get that rate was to reserve for three nights and then call back and cancel one of the three. When I tried to book for two nights, the computer indicated that the Milford was sold out.

There was a street market on 8th Avenue last Saturday, so Hannah and I checked out a few of the booths before heading back to the Lyceum for our 3 o’clock curtain. She bought her second pashmina—a real deal at only $5.

We absolutely LOVED [title of show]. With music and lyrics by Jeff Bowen and a book by Hunter Bell, [title of show] documents its own creation, telling the story of two Broadway theatre junkies who attempt over a three-week period to create a new script and score to enter into the New York Musical Theatre Festival. Bowen and Bell, who not only wrote but also play themselves in the show, determined to write an original musical rather than adapt a play or movie into a musical. They discovered almost immediately that their conversations about what to write were more interesting than the ideas they were coming up with for an original show. And so the idea to document the creation of the creation of the show itself became clearer (or as the show states, "a musical about two guys writing a musical about two guys writing a musical"). After the show was accepted into the festival, Bell and Bowen expanded the script based on their writing experiences with friends Susan Blackwell and Heidi Blickenstaff, who also play themselves in the Broadway production.

[title of show] is a classic post-modern work-in-progress, with updates reflecting the circumstances the cast and the show have experienced added to the show as it progressed from Off-Off-Broadway to Off-Broadway to Broadway. Now that it will be moving on to regional productions, it will be interesting to see if the rewriting continues.

Since I love the show, I’m asking myself the following questions:
1. Will it work as well with actors other than the original creators playing themselves?
2. Does it include too much Broadway insider information and perspective to appeal to a Richmond subscription audience?
3. Will the original creators trust the work to a small regional theatre, and if so, when?

After I answer these questions to my satisfaction, I’ll decide whether or not to pursue a Barksdale production. Right now, I can only say that the show was GREAT on Broadway. It spoke to me. I’d love to be involved in some way with a future production.

More coming soon about the other shows we saw. Till then, see you at the theatre!

--Bruce Miller

Photo note: In the show photos from [title of show], Hunter Bell (author of the book, actor playing the character "Hunter") is in the green shirt; Jeff Bowen (composer and lyricist, actor playing the character "Jeff") is in the navy or purple polo shirt, with a rolled up long-sleeved t-shirt underneath; Heidi Blickenstaff (actress playing "Heidi") has the long blond hair; Susan Blackwell (actress playing "Susan") has the pulled back dark hair.

Taking Four Young Women to Broadway

Posted by Bruce Miller

The theatre gods (and The League of American Theaters and Pro-ducers) smiled on my daughter Hannah and me in mid-October. For a couple months, Hannah and her friends had been planning a theatre weekend in New York. (Hannah and her friends are in the foreground of the photo shown above, standing with four of the stars of A Chorus Line: Heather Parcells, Katherine Tokarz, Deidre Goodwin and Will Taylor.)

When their high school drama teacher was unable to accompany them on their dream tour of Broadway, they recruited me and another dad, Tony Oates, to serve as drowsy chaperones. Tony is a former Theatre IV Board member and the father of the young Tony Oates who was in our production of The Wizard of Oz last spring.

My daughter and her pals (Lizzie Holland, Rebekah Hupp and Nathalie Oates) are all very responsible young women—juniors at Trinity Episcopal High School. I was looking forward to spending time with them and getting to know my daughter’s friends.

The airfares were paid, the hotel rooms were booked, and the tickets were secured (at a discount via Broadway Box). Then on the Tuesday before our departure, labor negotiations broke down between the stagehands and the producers. For a few days it looked like the producers would call for a lockout, causing most Broadway theatres to shut down just about the time we were scheduled to be taxiing to the gate at JFK.

But fate was on our side. The labor dispute was put on hold, and everything went according to Hoyle.

Upcoming holiday travelers may not be as fortunate. On Oct 21, one week after our return to Richmond, the stagehand members of Local One voted unanimously to empower their leadership to call a strike during the month of December, when Broadway ticket sales are at their peak. Local One has never staged a strike before, and they have promised to give advance notice if they decide to call for one now. In the interim, negotiations are continuing between the stagehands and the producers. Hopefully everything will be resolved.

The last strike to close down Broadway lasted four days in 2003, and was called by the musicians union. Should a strike occur this December, the producers have promised full refunds and/or exchanges for all ticket holders.

Anyway, back to our October theatre weekend. We flew JetBlue, leaving Richmond at 6 a.m. Saturday morning and pulling our chairs up to the table for blueberry pancakes at the Evergreen on 47th Street by 9 a.m. For more info on how to get from JFK into Manhattan, click the label at the foot of this post that says “NYC on a Budget,” then scroll down through this post and you’ll come to “A Broadway Weekend – Part II: NYC on a Budget” (March 29, 2007).

We flew home on Sunday night at around 10 p.m. It was a whirlwind weekend, but we were able to see three shows in two days, spending only one night away from home.

I learned two new things this trip that were not included in my March 29 blog post.

Number One – There is now a $25 MetroCard that gives you twelve rides on the AirTrain (normally $5 each) instead of five. You buy the new $25 card at the appropriate machines just before you exit the AirTrain terminal on your way into Manhattan. Using this card, each of our AirTrain rides cost $2.17 instead of $5, saving the six of us $35 on the arriving and departing AirTrain trips. This $25 MetroCard doesn’t work on the subways, only on the AirTrain. You can still buy the $20 MetroCard for the subways, which actually gives you twelve subway rides instead of ten.

Number Two – When traveling with parties larger than four, and using either of the above mentioned MetroCards for the AirTrain or the subway, you can let four people through the turnstile on one card, but then you have to wait 18 minutes before using the card at this same stop for persons number five and six or more. It’s a crazy rule, because if you go to the clerk to explain the problem, they immediately issue you a new MetroCard that allows the remaining people to go through. Clearly they don’t mind you using one card for groups larger than four, but the turnstile computer won’t let you until you trade your MetroCard in with the clerk.

We arrived at the Millennium Broadway Hotel at around 10 a.m. The Millennium can be accessed from both 45th Street and 44th Street, and is located mid-block between Broadway (7th) and Avenue of the Americas (6th). They let us check our bags and suggested that we return at noon for an early check-in. The regular check-in time is 4 p.m., but we were able to check-in to three of our four rooms by 12:15.

The Millennium is a terrific bargain right now. It is a relatively new and very comfortable hotel (downright Ritzy by my standards), and currently offers some great deals that you can discover at http://www.millenniumhotels.com/millenniumnewyork/index.html. I recommend it highly.

In future posts, I’ll talk about the shows we saw, the street festival we visited, and some of the Barksdale/Theatre IV alum who are now starring on the Great White Way.

And if and when I hear any news about the possible strike, I’ll be sure to pass it along via this blog.

--Bruce Miller

(Added Sat. 11/10 - The Stagehand's union went on strike today, shutting down over 2 dozen Broadway productions. See this MSNBC article for details.)

They Say the Neon Lights are Bright ...

Feel the need for a New York theatre weekend this fall?

The JetBlue Fall Fare Sale started today, and you can book round trip flights between Richmond and New York JFK for $49 one way, exclusive of taxes and fees. You can fly up on a Thursday morning and fly back on a Monday morning, and the total round trip airfare, including all taxes and fees, is $118.80. Or, you can fly up on a Friday morning and fly back on Sunday evening, and the total round trip fare, including all taxes and fees, is $178.80.

Either way, it’s a great deal.

The sale is valid for travel between September 5 and November 14, with a few exceptions. Mid-week fares are the cheapest; Friday and Sunday fares are the most expensive. To take advantage of the sale price, you must book by August 8.
Go to JetBlue to make your reservations on line. For detailed information about the best way to travel between JFK Airport and midtown Manhattan, click on “NYC on a Budget” in the labels listed at the bottom of this post, then scroll down to my March blog post about economy tips for NYC theatre trips.

Shows run on and Off Broadway on Thursday nights, Friday nights, Saturday matinees, Saturday nights, Sunday matinees and Sunday nights. Check schedules to see which shows run in which slots.

Phil and Donna Whiteway and their two teenage sons recently stayed at the Howard Johnson Penn Station (AKA Regency Inn and Suites) on 34th Street between 7th and 8th. It is an economy hotel - nothing fancy at all, but it's an easy and safe walk from the theatre district. It's in a safe neighborhood, has clean rooms, and is usually available. Best of all, they booked on SideStep.com and paid only $190 per night, a great rate for NYC.

Several Broadway shows now offer a limited number of "day of show" rush tickets at really good prices, usually $25 or less. Sometimes the rush tickets are limited to students with IDs (or a student and "companion" - in my case "parent"), but often they're not. Also, when shows are selling out, you can frequently get standing room tickets (SR or SRO) for similar prices. I stood in London for Guys and Dolls just a few months ago, and my 56-year old body had no problem with it. There's usually a place to lean.

You can get lots more info on all aspects of what's up on Broadway at http://www.talkinbroadway.com/ . On the home page of this great site, click On the Boards / Rush and SRO, for a PARTIAL list of what's playing. You'll find most of the hit titles. At the end of each listing, they'll tell you what your options are for rush and/or standing room tickets.

Finally, if you are going up with kids, I've saved a link to an article by Liz Pulliam Weston. It's probably 6 months old, but it includes more budget tips for families. Visit it here.

I hope some or all of this helps.

And if you make it to Broadway, remember that the late great Martha Newell asked all her Richmond theatre friends to shout out her name each time we make it up to the Great White Way.

--Bruce Miller