Showing posts with label J Serresseque. Show all posts
Showing posts with label J Serresseque. Show all posts

Wednesday, May 26, 2010

Being There for the Birth of a New Play

Posted by Bruce Miller
I first met my buddy David Robbins about a quarter century ago. A theatre major from William & Mary, David had followed his undergrad work with four years at the W & M Law School, followed by a year's work as an environmental attorney in SC.

Sometime around 1982, David gave up his law practice and returned to Richmond to be a freelance writer. If memory serves, he worked mainly for the ad agencies at first. That's when we met. Whatever he was writing, he seemed to be successful at it from the beginning. He's always been one of those smart guys who works hard--compliments I don't award easily. He's always seemed destined for great things.

He spent some time acting. He played a major role in Theatre IV's production of Isn't It Romantic? by Wendy Wasserstein, and he was Dracula at Dogwood Dell. Last night Joe Inscoe said he remembered David as a "sailor on roller skates," and he seemed to be referring to something theatrical rather than a wanton evening on Canal Street.

When Theatre IV purchased the Empire in 1986, David wrote (for free) the copy for the fundraising video we used to help pull together the $2.3 million we needed to purchase and execute Phase I of renovation. The video starred Dee Slominski, Meredith Strange-Boston and Jody Smith Strickler as the three twisted sisters from Macbeth. It was a hoot. More importantly, it worked; we raised the needed funds.

Sometime in the 90s, David began working fulltime as a novelist. His first book, Souls to Keep, is a voodoo mystery of sorts set in the Florida Keys (if memory serves) and has to do with switched personalities. Or maybe I'm getting mixed up. It was published in 1998 with little acclaim, but I bought (and still own) something like four copies cause I like to support my writer buds.

His second book, War of the Rats, was a HUGE success. Overnight it seemed, little ole David Robbins (actually big ole David Robbins--he stands something like 6' 4" tall) became David L. Robbins, the best selling author. War of the Rats focuses on the Russian / German snipers fighting in and around Stalingrad in WWII. It served as the inspiration for Jean-Jacques Annaud's hit film Enemy at the Gates starring Jude Law.

Rats was followed in quick succession by The End of War, Scorched Earth, Last Citadel, Liberation Road, The Assassin's Gallery, The Betrayal Game, and Broken Jewel. He's now hard at work on his next novel, The Devil's Waters. In preparation for that assignment, he's been travelling around the world on cargo ships and conferring with genetic scientists. You can read all about his writerly adventures on his website: davidlrobbins.com.

I haven't read all his books--there's a short stack of them in my yet-to-get-to pile--but of the several I've read, Scorched Earth has always been my favorite. It concerns racial tensions in today's rural Virginia. It's a courtroom drama, full of flesh and blood characters, suspense and stirring action.

I was thrilled when David and his attorney, Barksdale Board member Bennett Fidlow, recently asked if I'd be interested in reading a stage version of Scorched Earth that David has just completed.

Last night, a small team of familiar Richmond stage faces--Ronnie Brown, Joe Inscoe, David Janeski, Thomas Nowlin, Jeanie Rule, Janine Serresseque, Jill Bari Steinberg, Ali Thibodeau, Scott Wichmann, Aly Wepplo, Eric Williams, and Irene Ziegler--performed a table read of the new script for David, Bennett, Phil Whiteway, Chase Kniffen and me. It went really well; we all were excited.

Barksdale is always eager to explore new work, and we are strongly considering producing David's new play, Scorched Earth, sometime in the near future.

Many thanks to David and all the actors who gave of their time and talents last night. I think I speak for everyone when I say it was a privilege for each of us to be together in that room.

I'll tell you more about Scorched Earth as things develop. Till then, hope to see you at the theatre!

--Bruce Miller

Tuesday, May 25, 2010

The Sound of Education

Posted by Bruce Miller
Chase Kniffen (director and choreographer of The Sound of Music [TSOM]), Brian Barker (set designer, TSOM), Janine Serresseque (Barksdale's liaison with Richmond Public Schools [RPS]), and I had the wonderful opportunity of conducting an after-school Educator Training Workshop last week with a dozen or so teachers from RPS. The workshop was organized and facilitated by Susan Damron, theatre resource teacher in the RPS Arts & Humanities Center.

For the last eleven years, Theatre IV and RPS have partnered as Central Virginia's only affiliate of the Kennedy Center's prestigious Performing Arts Centers and Schools program. Through this national arts-in-education initiative, we present workshops that train teachers how to use the arts to enhance instruction across the curriculum at all grade levels. Teachers receive continuing education credits for their participation.

About half of the workshops involve master educators from the Kennedy Center's roster of the nation's best arts-in-education specialists. These days, about half of the workshops are developed here in Richmond by Susan Damron and various artists and educators from Theatre IV.

Earlier this year, we created a workshop entitled Beyond the Wiz. In response to teacher requests, the goal was to enable educators with no expertise in theatre--with the exception of George Wythe, RPS middle and high schools have no drama teachers--to learn where and how to look for plays that feature African American casts and themes but have little name recognition among the general public.

We assembled a panel comprised of Dr. Tawnya Pettiford-Wates from VCU (director, The Grapes of Wrath), April Jones - guest theatre artist at the University of Richmond, Derome Scott Smith - Artistic Director, African American Repertory Theatre (director, Black Nativity), and me. Together we discussed the history of African American theatre in the United States, and explored a large number of plays that have had successful revivals with African American casts even if they were not originally written from an African American perspective.

Each participating teacher left with a new appreciation for the wealth of material out there, an expanded knowledge of where to search for new titles, and an understanding of how to obtain reading copies of less well known scripts.

The subject of last week's workshop was Creating the Team Needed to Produce a Musical. Using The Sound of Music as our case study, I spoke about assembling the lead artists, Chase talked about how the director works with the stage manager and designers to move the process forward, Janine (who works overhire in our costume department) spoke about the various steps followed to create the costumes for a show, and Brian dazzled the crowd with his models and computer work, ably revealing how a designer in 2010 can use technology to more effectively communicate with the rest of the production team.

Throughout the entire workshop, we provided tips on how to create a musical on a budget--a subject near and dear to the educators' hearts and pocketbooks.

This afternoon, I will be accompanying the teachers on a tour of the Holocaust Museum. Again we will use TSOM as our case study, and discuss how to use theatre to enhance instruction across the curriculum by showing how TSOM is being used throughout Greater Richmond's school systems to teach the history of WWII.

This Friday evening, the teachers who have been participating in this workshop series will all come to see The Sound of Music, and take a behind-the-scenes tour after the show.

For decades, education has been at the heart of our work at Theatre IV and Barksdale. As early winners of the Excellence in Arts Instruction Award from the Virginia Dept of Education and the Virginia Commission for the Arts, we're proud to be a valued partner with public and private school systems throughout the Commonwealth.

Hope to see you (and the students in your life) at the theatre!

--Bruce Miller

Saturday, May 22, 2010

Everything's Coming Up Raindrops on Roses

Posted by Bruce Miller
When I opened Outlook on my computer this morning, and went back a few days to finally read some old emails, I came across this message that Janine Serresseque forwarded to our entire staff on Monday. It made me grin like a little kid with a pony. Make that a cream-colored pony. I decided to cut and paste it here. Some days my job is really fun!

Everything from this point forward is copied from Janine’s forwarded email. I’ve left out children’s names and email addresses just cause that’s what seemed right.

Hi Everybody,
I'm forwarding this love letter to the entire staff. Here is proof that we rock.

-----Original Message-----
From: Ashley Evans [mailto:xxxx@xxxx.net]
Sent: Sunday, May 16, 2010 9:14 PM
To: Janine Serresseque
Subject: The Sound of Music

Janine-
I thought I would start with you, since I have your email address from signing up my daughter, who will be participating in Stage Explorers again this Summer. Please pass this to whomever may be interested in my feedback.

Today, my husband and I took our daughter (10) and son (8) to see The Sound of Music….

Where to start… We were BLOWN AWAY
The play was OUTSTANDING in every way!
From the stage to the costumes to the voices to the story line! WOW

The attention to detail was so impressive….
Down to the looks, the expressions, and the scenes, as well as the quality of the voices of all ages and ranges.

It was such a treat and the kids had just watched the movie again recently “to be ready” and they were right there loving it and “in it” the entire time!

Maria and Mother Superior were so good it made you smile to listen, and you wanted to jump to your feet to applaud each time when they were done.

From a regular theatre lover in the audience, I just had to say something. You guys “nailed it” and you should be very very proud of yourselves.

BRAVO!!

Ashley Evans

Now this is me, Bruce again. THANK YOU, ASHLEY! I'm passing your kind words on to lots of folks who will be interested in your feedback.

And you "folks" out there, if you have yet to reserve your seats for The Sound of Music, I hope you will do so ASAP. The show really is as good as you're hearing. To break even, we need the support of about ten thousand of you.

With all the attention paid to the "Broadway" series at the Landmark, and all the marketing dollars spent, and all the costs that customers have to pay, it's really worth everyone's while to see how professional Broadway productions that originate right here in Richmond measure up.

Hope to see you at the theatre!

--Bruce Miller

Wednesday, December 19, 2007

Sketchy Behavior Makes Merry Masterworks

Posted by Bruce Miller
Do you ever wonder what performers do while they’re waiting in the wings? Here are two answers from the closing night of Home for the Holidays.

While anticipating their entrances at tables off right, our meistersingers were apparently less than riveted by the performances of their fellow songbirds. It was their fifth performance after all, and they had limited view.

From all accounts our vocal Vulcans allowed their eyes and thoughts to wander from the stage, finally finding some errant piece of trash and deciding to draft upon it a graphic storyboard for All Those Christmas Clichés. This beautiful Lynn Ahrens / Stephen Flaherty classic-in-the-making (that's Lynn and Stephen pictured above and to the left) was masterfully performed each night by Janine Serresseque. The Ahrens / Flaherty duo also wrote music and lyrics for Ragtime, Once on this Island, Seussical the Musical, and A Man of No Importance--source of Audra's song, Princess. Last night during the show, the cast created a visual homage to the evocative lyrics of All Those Christmas Clichés. Their artwork is pictured below.

Janine warmly amused the house with her “local” rendition of the song: “I’ve spent Christmas in Mechanicsville, Christmas in Midlothian, Christmas in Varina and Luray.” I don’t believe those noble neighborhoods are depicted in our cast-created artwork, but many of the Christmas clichés mentioned in the song are.
For a fun party game, see if you can locate: “a tree full of toys and tinsel,” a “wreath on the red front door,” “elves in the yard,” a “sentimental card dripping glitter on the floor,” “plywood reindeer,” a “horse-drawn sleigh,” “a turkey with all the trimmings,” “Johnny Mathis,” “perfect skaters,” a “fruitcake with sugar glaze,” “snow,” a “choir,” “candles in the window,” “chestnuts roasting on the fire,” “a house filled with noise and laughter,” “a street bathed in twinkling light,” “bells,” “drums,” “mistletoe,” “sugar plums,” “kids to tuck in tight,” and last but not least, “that guy in the bright red outfit.” I think five or six may be missing, but then I've never been good at these games.

Vigorous debate arose during the closing party as to whether or not Santa was still wearing his fur-trimmed pants. Hmm.

The second masterpiece created by our Michelangelos of melody—actually I think it was a single Michelangelo (or Michelangelette)—is a pen and ink portrait on cocktail napkin entitled “Crabby in the Front Row.”

Yes, dear readers, if you don’t know by now that actors notice each and every facial expression in the audience, then you don’t know actors. Only the purest of artistes—the ones who swear they never read reviews—will deny noticing and reacting to misanthropic pusses spreading gloom and doom down front.

The estimable Robyn O’Neill has long stated that audience members should have to audition for Rows A, B and C. And here’s why. Each singer, one after the other, was literally abuzz last night with chat about the “grouch on the front row.” Unbeknownst to those of us sitting behind her, an apparently discontent woman sat not three feet from our singers, glaring up at them all night long doing her best impression of Grumpy of Seven Dwarfs fame. No wonder her anonymous visage prompted this cocktail napkin characterization.
Time to turn that frown upside down, dontcha think?

So if you’d prefer not to be immortalized on disposable paper by the cast of an upcoming theatrical production, then SMILE next time you’re sitting within fifteen feet of the stage, or anywhere else in the theatre for that matter. At the very least, look vaguely pleasant. I can’t tell you how much we ALL will appreciate it.

And here's a fun fact to recall when trying to summon up that requested good cheer. The preliminary results are in, and it appears that you audience members for Home for the Holidays (99.9% of whom weren’t ill-tempered or cross) swelled the coffers of the Richmond Theatre Artists Fund by approximately $3,400—we’re still doing the final tabulation. That’s enough to make anyone happy, and a wonderful holiday gift to Richmond's theatre community. Many, many thanks to all involved.

Merry Christmas and a belated Happy Hanukkah!

--Bruce Miller

Tuesday, September 4, 2007

First Friday's at the Empire!

Posted by Catherine Dudley
I just wanted to let you guys all know… if you’re not coming downtown on the first Friday of every month- you’re missing out! At every event the streets are swarming with people, and the energy is amazing. The restaurants are packed, the art galleries are filled to capacity, the music is spilling out into the streets from numerous storefronts and we, here at the Empire Theatre, are proud to show off our beautiful and historic building. Some months our lobby presents live music from awesome bands around the Richmond area, and some months we have a video montage of several of our past productions playing on a large screen in the lobby. Every month there is a gallery display of some kind- photography, artwork, sculpture, costume display, etc…, but there is always a ton to be seen. The bar is ready to serve, and the theatre space itself is ready to be admired. So come on down and join us every First Friday night, and see what you’ve been missing! The theatre beckons…

(This Friday also come check out a cabaret featuring
Keydron Dunn, Russell Rowland, Billy Christopher Maupin, Andrea Ross, Audrey Snyder, Robin Harris-Jones, Janine Serresseque, Corey Davis and Chloe Williams.)

-Catherine Dudley

Saturday, August 4, 2007

Stage Explorers

Posted by Billy Christopher Maupin
Stage Explorers has now come to a close. In case you're not familiar, Stage Explorers is Barksdale's annual summer day camp for rising 1st through 6th graders. Campers take workshops/classes in singing, stage lighting, choreography, theatre games, acting for the camera, set design, masks, face painting, costuming, how to audition, backstage tours, acting, playwriting, and scene painting.

The exciting new thing about Stage Explorers 2007 was that not only were there two sessions at Barksdale Theatre at Willow Lawn, Barksdale Theatre at Hanover Tavern this year boasted one simultaneous session of its own!

Wendy Vandergrift and Janine Serresseque were the ladies in charge of pulling off this monumental task, beginning months prior with registering campers and managing more phone calls than I would like to think about (especially after both Willow Lawn sessions completely filled up). In addition to all the duties Janine and Wendy had in preparation, they also taught classes (along with Catherine Dudley, Sarah Grady, Audra Honaker, Chase Kniffen, Billy Christopher Maupin, Bruce Miller, Kim Parkin, Eric Williams and Joy Williams).

Each group of campers (divided at Willow Lawn into Winkies, Munchkins, and Flying Munchkins by grade) had a fantastic counselor who stayed with them through their journey to their different classes. Emlyn Crenshaw, Andrew Darnell, Jennings Whiteway, Eileen Barnett, Katrinah Lewis, Lauren Paullin, Christina Kilgore, and our purple angel Brenda Meier who volunteered her time to do practically anything for the Hanover session.

At the end of each session, friends and family were invited for a special performance showcasing the songs, choreography, set designs, etc. that the campers had worked on for two weeks. Can you imagine? It's one of the most adorable and wonderful things I've ever seen. To see these children performing, many for the first time in their life and having an absolute blast is such an immensely gratifying and fulfilling experience.
If you're interested, you can sign up for the eNewsletter to be among the first to sign up for next year's camp. Sign ups are in January and Februay. By March, Willow Lawn is usually booked up. This was our first year at Hanover Tavern, so there still seems to be availability there.

--Billy Christopher Maupin