Greater Richmond H S Musical Returns

During the first year of Theatre IV, 1975-76, our nonprofit company took in either $14,000 or $17,000 during the entire 12-month fiscal year. For some reason I can’t remember which of those two figures is correct. What I do remember is that every penny of that gross revenue went to pay bills, including very meager salaries for everyone except Phil and me. Phil and I didn’t earn any salary from Theatre IV for the first three years.

We earned our living during those salad days waiting tables and acting (I mention waiting tables first cause that’s where the money was) at the Haymarket Dinner Theatre and Swift Creek Mill Playhouse. We talked about waiting some at Barksdale, but, if memory serves, we never actually did. We acted there, but I don’t think we waited there.

We also worked the midnight cash control shift at King’s Dominion during the summers, collecting and counting money, mostly late at night. And I worked as the Drama Director at Collegiate Schools. I didn’t teach any classes, but I directed Barefoot in the Park, Carousel, Agatha Christie’s The Mousetrap, As You Like It, No No Nanette, and Seven Keys to Baldpate. Phil and Lynn Keeton helped with choreography on the two musicals.

There were several wonderfully talented students who played major roles in more than one of those plays, including Page Bauder, Beth Freeman, Meg Hardt, Bill Hickock, Tommy Kastenbaum, Steve Kelly and Mary Lloyd Sinnott.

I remember all of them loving theatre and wishing there were some summer opportunities. In 1977, the Richmond Department of Recreation and Parks provided just such an opportunity. They produced the Greater Richmond High School All Star Musical at Dogwood Dell. In ’77, it was Kismet. It starred Steve Kelly. I remember that Phil and I went to see it, and we were so proud of Steve we could hardly stand it.

Immediately after that summer, I stopped working at Collegiate (my Theatre IV responsibilities were getting to be too much), and the Dell stopped producing the Greater Richmond High School All Star Musical. The two stoppages were not related.

Throughout the nearly 30 years that followed, Phil and I wanted to start once again a summer program that allowed high school drama kids from throughout the entire community to have the chance to audition for and work together on a summer musical that would showcase all their talents. We wanted to revive the Greater Richmond High School All Star Musical, that terrific community-wide program from the past.

Until last summer, the only similar opportunities that existed were available only to those kids who could afford to pass on a summer day job to attend daytime rehearsals, and, in most cases, pay several hundred dollars in tuition to be in the show. And many of the leads in the shows that existed were actually played not by high school kids, but by adult professionals and/or college theatre majors.

There was absolutely nothing wrong with the programs that existed, and everything right with them. They were terrific programs. But they weren’t free, community-wide programs like that fondly remembered production of Kismet at Dogwood Dell.

In the fall of '05, Chase Kniffen and I met with a group of high school drama teachers from throughout Greater Richmond and asked what Barksdale Theatre could do to support their students. No surprise, the number one unfilled need mentioned by these teachers was this: as Metro Richmond’s major professional theatre, wouldn’t it be great if Barksdale could produce a musical every summer in which high school kids could all act together free-of-charge, with evening rehearsals so that kids who needed to could hold down day jobs.

Two days after this meeting, Craig Smith and Andy Mudd, who head the great theatre program at Steward School, called Chase to ask if Barksdale would be interested in filling this unmet need by starting exactly such a program in partnership with Steward School. Barksdale would fill the production responsibilities, and Steward would provide the facility.

That’s how Greater Richmond’s High School All Star Musical came back into being. Last summer we produced Grease at Steward’s fantastic Cramer Center--show photos are included above. This year we will be producing Disney’s High School Musical, opening day after tomorrow, with a cast of 38 wonderfully talented high school students from 20 different schools. Two supporting roles will be played by adults—Kathy Halenda and Michael Hawke.

We hope you’ll support this vital, community-wide program. In many ways, it’s a dream come true. We’re proud to be partnering with Steward School, and we hope you’ll join us at the theatre to see many of Richmond’s finest kids in action.

--Bruce Miller

All Halenda's About to Break Loose

When director Chase Kniffen was casting the two adult roles in Disney’s High School Musical, he decided to keep it all in the family. All in the Mame family, that is. Chase played grown-up Patrick in Mame last winter, and his character’s surrogate parents were Auntie Mame herself (Kathy Halenda) and her new husband, Uncle Beau (Michael Hawke). Starting tonight, Halenda and Hawke join the rehearsals for DHSM, playing the supporting roles of Mrs. Darbus, the over-the-top high school drama teacher, and Coach Jack Bolton, the “keep your head in the game” basketball coach and dad of leading guy Troy.

This is a textbook example of type casting in both cases. No one ever accused either Mrs. Darbus or Kathy Halenda of being restrained and demure. And both Coach Bolton and Michael Hawk are somewhat gym obsessed.

Bringing Halenda back to town was not cheap, but Chase convinced me she’d be worth every penny. It didn’t take much convincing. Not only is Kathy perfect for the part. More importantly, she’s perfect for keeping the cast’s spirits at a constant high and providing our 38 high school actors with a first-hand example of what true theatre professionalism looks like.

Kathy has been working in the theatre nonstop for the last 30 years. Immediately prior to Mame, she was the first Singing Ringmaster in the history of New York’s prestigious Big Apple Circus. Immediately following Disney’s High School Musical, she’ll be off to star as Mama Rose in the national tour of Gypsy—a 12 month gig.

Many actors with Kathy’s national credentials let it be known by their behavior and attitude that they expect to be treated like a star. Kathy’s not cut from that cloth. When you’re looking for someone to work hard, stay up late, come in on time, keep everything ahead of schedule, and respond to every up-and-down of the rehearsal process with nothing but positive energy—Kathy’s your gal. She held the Mame cast together like glue during a really difficult tech rehearsal period, with never a harsh word for the process or anyone involved.

Leads always set an example that other cast members emulate. The example set by Kathy in Mame guaranteed that we’d have a happy and healthy cast throughout the 11-week run. And indeed we did.

We can’t wait for our high school theatre students to get a taste of Kathy’s moxie and charm. If providing these kids with examples of true professionalism is part of our responsibility—and it is—then Chase scored a hundred when casting Halenda.

And as for Michael Hawk, you couldn’t find a nicer guy. He has talent to spare, and a coach-like physique to boot. He’s another one who moves easily from one show to the next. While performing in Disney’s High School Musical, he’ll also be in rehearsals for Urinetown at Swift Creek Mill Theatre.

So don’t miss Disney’s High School Musical. And if you notice two actors on stage whom everyone else seems to be looking up to, know that we’ve cast two of our nation’s finest troopers to set the perfect example for the 38 students who comprise the rest of the cast.

--Bruce Miller