Singing to Help Others

Posted by Bruce Miller
A concert reading of the songs from the Tony Award-winning musical Parade will be presented tonight and tomorrow in benefit performances at Barksdale Willow Lawn. Thirty-three great singers will join together to celebrate the music of Jason Robert Brown, one of Broadway’s hottest “new composers.” The benefit concert is being coordinated by Hannah Zold, an alum of several Barksdale musicals including Into the Woods, The Full Monty and Mame. Music direction is by Damas E. Boudreaux.

The volunteer cast is comprised of many of the finest theatre voices from Richmond and beyond. All funds raised are being contributed by Zold and her performers to Barksdale’s Bifocals Theatre Project (which takes touring one-acts into senior centers throughout Greater Richmond at little or no charge) and Barksdale’s hospital audience program (which makes tickets to musicals and comedies available free-of-charge to families who come to Richmond to be with a child undergoing treatment at an area hospital).

Parade, with music and lyrics by Jason Robert Brown and book by Alfred Uhry, is one of the most acclaimed new musicals of Broadway's last decade. It opened at Lincoln Center ten years ago, and received the 1999 Tony Award for Best Book (Uhry) and Best Score (Jason Robert Brown). It was nominated for Best Musical, but lost that year to Fosse, the tribute to Bob Fosse’s legendary choreography.

Quoting from Wikipedia, “The musical concerns the real-life 1913 trial of Jewish factory manager Leo Frank, who was accused of raping and murdering a 13-year-old employee, Mary Phagan. The trial, sensationalized by the media, aroused anti-Semitic tensions in Atlanta and throughout Georgia. When Frank's sentence was commuted due to possible problems with the trial, he was transferred to a prison in Milledgeville, Georgia where a lynching party kidnapped him from the prison. Frank was taken to Phagan's hometown of Marietta, Georgia, and he was hanged. The Anti-Defamation League was formed partly in response to Leo Frank's trial and lynching.”

Broadway director Harold “Prince turned to Brown (pictured to the left) to write the score after Stephen Sondheim turned the project down. Prince's daughter, Daisy, had brought Brown to her father's attention. Uhry, who grew up in Atlanta, had personal knowledge of the Frank story, as his great-uncle owned the pencil factory run by Leo Frank.”

“The show was Brown's first Broadway production. His music has ‘subtle and appealing melodies that draw on a variety of influences, from pop-rock to folk to rhythm and blues and gospel.’ The plot hews closely to the historical story. The true villains of the piece are portrayed as the prosecutor Hugh Dorsey (later the governor of Georgia and then a judge) and the rabid publisher Tom Watson (later elected a U.S. senator).”

The Murder of Mary Phagan, a movie based on the same historical incident, was filmed in locations throughout Greater Richmond in 1987, starring Jack Lemmon as Georgia Gov. John Slaton and Peter Gallagher as Leo Frank.

Parade is the third in playwright Alfred Uhry’s “Atlanta Trilogy.” The first play in the trilogy, Driving Miss Daisy, will be presented at Barksdale Hanover Tavern this fall, starring Joy Williams, Jim Bynum and Garet Chester, and directed by Joe Pabst.

Jason Robert Brown's new musical 13 (pictured to the right) is set to open on Broadway this September. The entire cast of 13 is made up of 13 teen actors, and the entire band is comprised of teen musicians. The story of the musical concerns a happy 13-year-old from NYC who, weeks before his bar mitzvah, moves with his parents to Indiana where he must begin a new life.

If you love great singing, new musicals and/or stirring drama, or if you want to support this cast of magnificent performing artists as they raise funds for two worthy programs, please come to Barksdale Willow Lawn for the 8 pm performance tonight (Sunday) or tomorrow (Monday). Tickets are available at the door for $15, or you can purchase them in advance at the box office for $12.

Having listened in on two rehearsals, I can report that the singers are amazing. I can’t wait to see and hear this huge and talented cast performing these rousing songs.

See you at the theatre!

--Bruce Miller

Word of the Week - HALLOING

Posted by Hannah Miller
On Saturday March 22, the world wished a very happy 78th birthday to STEPHEN JOSHUA SONDHEIM, so this edition of Word of the Week is created in his honor. This week’s word is HALLOING.

Stephen Sondheim is one of the most respected composers and lyricists of the 20th century. He has won more Tony Awards than any other composer on Broadway. Sondheim developed his love for theatre and music after attending his first musical at the age of nine. He was hooked when the curtain rose and a piano was revealed.

Never fitting easily with his parents, Sondheim spent many afternoons learning from his “surrogate father,” Oscar Hammerstein II, of Rodgers and Hammerstein fame. The Hammersteins and the Sondheims lived near each other on the upper West Side of NYC. When Sondheim wrote By George, a musical for his high school, Hammerstein spent an entire day teaching him what he could do to make the musical better. In Sondheim’s words, he “learned more about songwriting and the musical theatre” in that one afternoon “than most people learn in a lifetime.” Sondheim continued his apprenticeship with Hammerstein until he left New York to attend Williams College in Massachusetts.

In 1957, Sondheim made history by writing the lyrics to West Side Story, and then to Gypsy in 1959. Though both of these shows brought him great success as a lyricist, Sondheim knew that what he really wanted to do was compose. Three years later, he received that opportunity and wrote both music and lyrics for A Funny Thing Happened on the Way to the Forum, another hit. His string of commercial success was broken in 1964 when he wrote Anyone Can Whistle, which lasted for only nine performances.

Sondheim went on, of course, to write other history-making hits such as Company, Follies, A Little Night Music, Pacific Overtures and Sweeney Todd, all in partnership with director Hal Prince. He was disappointed by the short run of their next show, Merrily We Roll Along. Following this commercial flop, he considered quitting theatre to write murder mysteries. Instead he switched directors, breaking with Prince and teaming with James Lapine (pictured with Sondheim to the left), who not only directed his subsequent musicals but also wrote the books. The first Sondheim/Lapine triumph was Sunday in the Park with George (my favorite musical), based on the artistic genius of French painter Georges Seurat, the father of Neo-impressionism. Sunday in the Park is one of only seven musicals to have won the Pulitzer Prize for Drama.

Other Sondheim/Lapine musicals include Into the Woods (produced at Barksdale last summer), Passion, and Assassins.

I study voice with Amy Hruska, and one of the songs she has me singing currently is Green Finch and Linnet Bird from Sweeney Todd. Inspired by the beautiful warbling of caged birds, the character of Johanna sings:

Green finch and linnet bird,
Nightingale, blackbird,
How is it you sing?
Whence comes this melody constantly flowing?
Is it rejoicing or merely HALLOING?
Are you discussing or fussing or simply dreaming?
Are you crowing?
Are you screaming?

When I first sang the word HALLOING, I assumed it meant something like “saying hello.” But this is Sondheim, so of course there are other layers of meaning. In 16th and 17th century England, to hallo or halloo was to shout an exclamation in a hunt when the quarry was spotted. In Coriolanus, Act I, Scene 8, Shakespeare writes, “If I fly, Marcius, halloo me like a hare.” Considering the plot of Sweeney Todd, certainly the birds were halloing when they spotted Johanna—or perhaps when they spotted the Judge.

Our word hello, issued as a greeting rather than a shout, dates from the mid-19th century, and fell into popular usage when Thomas Edison proclaimed it the appropriate way to greet someone when answering a telephone. Alexander Graham Bell preferred the phrase Ahoy, as used on ships. But by 1889, telephone operators were known as hello-girls due to the public acceptance of the Edison-inspired hello.

Today, Sondheim continues to write, create and inspire young admirers like me. His 2003 original musical Bounce has failed thus far to receive a NYC production. But in 2007, he composed incidental music for the Public Theatre production of King Lear, directed by Lapine. In that same year he had a bit part as himself on The Simpsons episode Yokel Chords.

--Hannah Miller