Showing posts with label Gross I. Show all posts
Showing posts with label Gross I. Show all posts

Thursday, October 15, 2009

In Memoriam: Jack Parrish

Posted by Bruce Miller
Sharing the sadness that so many in the Richmond theatre community are feeling this evening, I’m sorry to report on the passing of Jack Parrish (pictured to the right with Cathy Shaffner standing and Jan Guarino in Money Matters). Jack was an outstanding Richmond theatre artist and a longtime friend to many of us who’ve been walking these boards for a while. After a lengthy battle with lung cancer, Jack only recently went into hospice care and died this afternoon.

I met Jack in the early 70s when I was rising in the ranks of the theatre program at U of R and Jack was similarly placed in the theatre program at VCU. One of my favorite Jack memories from those early days was when he starred in a wonderful VCU production of As You Like It, I think during one of the FanFare summers. FanFare was VCU’s erstwhile summer theatre operation.

Jack moved out of town after graduating from VCU, worked a few years in New York, landed some soap opera work, and then worked mainly in regional theatre. He played Dexter Haven in The Philadelphia Story, Uncle Ernie in The Who’s Tommy, Petruchio in The Taming of the Shrew, and many other dashing roles (Jack was good at dashing). He appeared at prestigious professional theatres including The Alabama Shakespeare Festival, Asolo Theatre in Florida, and Mill Mountain Playhouse in Roanoke.

Jack returned to Richmond in the late 80s, maybe early 90s, to star at Theatre IV as the dashing spy in the classic Civil War melodrama, Secret Service. His other major Theatre IV roles were as The Man in the Yellow Suit in Tuck Everlasting, and as an unforgettable Captain Hook in Peter Pan.

At Barksdale, Jack starred in Gross Indecency: The Three Trials of Oscar Wilde, The Little Foxes, The Crucible, James Joyce’s The Dead, Scapino!, the world premiere of Money Matters, and Anything Goes.

Shortly after his foray into Cole Porter, Jack moved to Lexington KY to share a city with his great friend, Rick St. Peter, and to lead the theatre program at a local university. He returned to Richmond during the summers to star in the Henry plays at Richmond Shakespeare, having to leave his role two summers ago when he was first diagnosed and began chemotherapy.

Jack also was an acclaimed director, rallying the forces of several of Theatre IV's touring productions. His contributions to Richmond theatre are immeasurable, and he will be greatly missed. Our deepest sympathies go out to Jack’s wife, Kathy, their son, Clay, and the rest of his family.

With love and respect, Barksdale will dedicate The Grapes of Wrath, our upcoming co-production with TheatreVCU, to Jack’s abiding memory.

--Bruce Miller

Thursday, June 19, 2008

The Solomon Islands

Posted by Bruce Miller
So did you see Jerold Solomon on the Tony Awards last Sunday? He was there, singing and dancing his heart out as one of the Navy SeaBees in South Pacific, which won a whopping seven Tony Awards including Best Revival. Jerold has been in South Pacific since it began previews on March 1 and opened to rave reviews on April 3. South Pacific is playing on Broadway at Lincoln Center. Jerold plays the role of Seaman James Hayes.

In the last few years, Barksdale and Theatre IV were privileged to feature Jerold’s talents in several casts. At Barksdale he appeared in Gross Indecency and starred in Olympus on My Mind (pictured below and to the right with Richard Travis). With Theatre IV, he starred in King Island Christmas and You’re a Good Man, Charlie Brown (pictured above and to the left with his cousin-in-law Susan Sanford).

Best of all, God bless him, Jerold lists all of his Richmond credits in his Broadway bio.

Since moving to NYC, Jerold’s credits have included the national tours of Big River, Ragtime and Annie. South Pacific is his Broadway debut.

Jerold’s a good man and a very talented actor, singer and dancer. If you’re planning a trip to NYC this summer or next fall, why not order your tickets for South Pacific NOW. The show is a mega-hit, selling out every performance. And if you go, after curtain call, hurry down to the stage door and give Jerold Richmond’s fondest regards.

--Bruce Miller