Showing posts with label Frog and. Show all posts
Showing posts with label Frog and. Show all posts

Wednesday, November 2, 2011

"A Year with Frog and Toad" Set to Open This Friday

Posted by Bruce Miller
Barksdale Theatre and Theatre IV have been working in official strategic collaboration since July 1, 2001--just over ten years. While some may think of us as one company--both nonprofits have spent over a decade sharing a common staff--in several important ways our two theatres have maintained their individual identities throughout every day of the last 124 months. Barksdale and Theatre IV continue to operate with separate missions, Boards, seasons, budgets, assets, audits, development campaigns, and brands.

In some ways, it's hard to believe that our two theatres have been in courtship mode for over a decade and we've yet to bring our two theatres together. Chalk it up to devotion and commitment. In reality, the powers that be at Barksdale are so strongly in love with their legacy and mission to adult audiences, and the powers that be at Theatre IV are so completely dedicated to their legacy and mission to children, families and schools, everyone is still trying to find the right way and time to come together.

If and when the engagement is formally announced and the date of the wedding is set, "we" will be a new company with an unsurpassed commitment to adult audiences and an equally strong dedication to kids and education. If you look closely at nonprofit theatres around the nation, that profile is amazingly rare.

Our next demonstration of our belief in children, families and schools opens this Friday at Willow Lawn. A Year with Frog and Toad is itself unique, in that it was the first all-out children's theatre musical to be produced on Broadway, based of course on one of America's favorite series of children's books.

Arnold Lobel (1933 - 1987), creator of the Frog and Toad series, was one of our nation's greatest children's book authors and illustrators. He wrote and illustrated 30 books (two published posthumously), and illustrated an additional 42 books by other authors. His works include the beloved Frog and Toad series (1970 - 1979), plus Owl at Home (1975), Mouse Soup (1977), Fables (1980, Caldecott Medal winner), and Ming Lo Moves the Mountain (1982).

Willie Reale, who wrote the book and lyrics for the musical, is a playwright and lyricist who often works with his brother Robert. He is a major creative force behind the 2009 revival of The Electric Company on PBS. In 1981, he founded NYC's 52nd Street Project, a nonprofit that brought inner-city children together with professional theatre artists to create new work. In 1992, he was awarded a MacArthur Fellowship ("genius grant") for that accomplishment. In 2006, he was nominated for an Academy Award (Oscar) for his lyrics for Patience from the film of Dreamgirls.

Robert Reale, Willie's brother who created the music for A Year with Frog and Toad, is a composer with a long list of credits in film, TV and theatre, creating the original music heard on Good Morning America, Primetime, 20/20, and Inside Edition. In 2003, the Reale brothers received a Tony Award nomination for their score for A Year with Frog and Toad.

Arnold Lobel died when he was 54 years old, and his daughter, acclaimed scenic designer Adrianne Lobel, committed herself to extending the life of his work. She had graduated from the Yale School of Drama, where she studied with iconic designer Ming Cho Lee. While continuing her own career creating world-renowned sets for Arena Stage, the Guthrie Theatre, Houston Grand Opera, PBS Great Performances, and the Metropolitan Opera, she posthumously published the final two books in her father's beloved Frog and Toad series. She also commissioned the musical based on her father's characters. She designed the sets, basing her work on her father's original creations.

The musical was workshopped in 2000 at Vassar College, and later produced by the Children's Theatre Company in Minneapolis. It transferred to Off-Broadway at the New Victory Theatre in 2002, playing to good reviews and sold-out houses.

A Year with Frog and Toad opened on Broadway on April 13, 2003. The show is credited with breaking new ground by bringing professional children's theatre to Broadway for the first time. It's success enabled the Children's Theatre in Minneapolis to become the first children's theatre in the nation to receive the prestigious regional theatre Tony Award in 2003.

We hope you'll join us for this delightful show--truly a holiday treat for the whole family.

Richmond is blessed to host visits from touring productions of family shows like Wicked, Disney's Beauty and the Beast, and The Lion King. We are equally blessed, and I believe this with all my heart, to be the home town of a major professional theatre that cares just as much about children and education as we do about national caliber productions for adults.

Using any and all criteria for excellence, The Velveteen Rabbit was one of my favorite productions of the year last season. I'm really looking forward to spending some time this holiday season with some of the most lovable and cherished animals you'll find on any Virginia stage.

Hope to see you at the theatre!

--Bruce Miller

Sunday, October 30, 2011

Goodbye to "Becky" & "Kimberly"; Hello "Frog and Toad"

Posted by Bruce Miller
On Friday of this week, we'll open one of our two Broadway for the Holidays musicals, A Year with Frog and Toad, directed by Steve Perigard and choreographed by Leslie Owens Harrington. This is one of those times when we can shout out "Fun for the Whole Family" and really mean it. Please make plans today to treat your children and grandchildren to this joyous classic.

On Saturday evening, we will celebrate the final performance of Kimberly Akimbo, and on Sunday we'll bid a fond farewell to Becky's New Car. We hope you won't let either terrific show pass you by.
All week we'll be putting the final touches on our new lobby paint job at Willow Lawn. Many thanks to the terrific volunteers at Altria for choosing this as one of their community volunteer projects. After 15 years, our Willow Lawn lobby definitely needed a little sprucing up. In all sincerity, Altria, we couldn't have done it without you.

Olives on the Front Porch, our first Bifocals show of the season begins touring this week to senior centers and retirement living facilities throughout Greater Richmond. I'm so proud of the wonderful theatre artists who are pouring their hearts, souls and talents into this exceptional service initiative.

All told, we'll be presenting 68 live performances this week--our busiest week so far this season. Here's some of what's happening at your theatre.

Monday, Oct 31
FIELD Arts Project - 2 classes Chesterfield Co VA
Olives on the Front Porch - 3 pm Beth Sholom
Hugs and Kisses - 2 shows Westmoreland Co VA
Little Red Hen - 1 show Chesterfield Co VA
Sleepy Hollow - 2 shows Martinsville VA
Tales as Tall - 2 shows Harrisonburg VA

Tuesday, Nov 1
Kimberly Akimbo - 7 pm Theatre Gym
FIELD Arts Project - 1 class Henrico Co VA
Frog Prince - 2 shows Cedar Falls IA
Hugs and Kisses - 1 show Fairfax Co VA, 1 show Prince William Co VA
Sleepy Hollow - 1 show Louisa Co VA, 1 show Hanover Co VA
Snow White - 2 shows York Co VA
Tales as Tall - 1 show Halifax Co VA, 1 show Mecklenburg Co VA

Wednesday, Nov 2
FIELD Arts Project - 2 classes Chesterfield Co VA
Olives on the Front Porch - 1 pm Lifelong Learning
Frog Prince - 2 shows Oelwein IA
Hugs and Kisses - 1 show Prince William Co VA, 1 show Fauquier Co VA
Sleepy Hollow - 2 shows Accomack Co VA
Snow White - 2 shows Halifax Co VA
Tales as Tall - 2 shows Nottoway Co VA

Thursday, Nov 3
Becky's New Car - 8 pm Hanover Tavern
Kimberly Akimbo - 8 pm Theatre Gym
Olives on the Front Porch - 7:30 pm Cedarfield
Hugs and Kisses - 1 show Amherst Co VA, 1 show Bedford Co VA
Little Red Hen - 2 shows Vera Beach FL
Sleepy Hollow - 1 show Hanover Co VA
Snow White - 2 shows Richmond VA
Tales as Tall - 2 shows Chesterfield VA

Friday, Nov 4
A Year with Frog and Toad - 7 pm Willow Lawn (opening)
Becky's New Car - 8 pm Hanover Tavern
Kimberly Akimbo - 8 pm Theatre Gym
FIELD Arts Project - 2 classes Chesterfield Co VA
Olives on the Front Porch - 2:30 pm St. Francis
Hugs and Kisses - 2 shows Prince William Co VA
Little Red Hen - 1 show Lecanto FL
Sleepy Hollow - 1 show Loudoun Co VA
Snow White - 2 shows Halifax Co VA
Tales as Tall - 1 show Richmond VA, 1 show Chesterfield Co VA

Saturday, Nov 5
A Year with Frog and Toad - 2 pm and 7 pm Willow Lawn
Becky's New Car - 8 pm Hanover Tavern
Kimberly Akimbo - 8 pm Theatre Gym (closing)
Snow White - 1 show Dublin OH

Sunday, Nov 6
A Year with Frog and Toad - 2 pm Willow Lawn
Becky's New Car - 2 pm Hanover Tavern (closing)

Hope to see you at the theatre!

--Bruce Miller

Wednesday, June 4, 2008

In Memoriam: Murry DePillars

Posted by Bruce Miller
Our friend Murry died last Saturday at his Richmond home. He was only 69 years old, which surprised me. It’s not that he seemed older; he didn’t. Spiritually he was perpetually vibrant and young. But he was such a towering figure in the Richmond arts community, I always imagined that he had to be more than a mere 12 years older than I.

I’m elevating Phil and myself by calling Murry our “friend.” If he thought of us at all in recent years, I’m sure he didn’t honor us with so personal a moniker. It would be more accurate to call Murry a mentor—a mini-mentor perhaps, not one of the ones who made it into our playbill bios, but a mentor nonetheless. More than anyone else, Murry DePillars convinced us that the arts were meant to be populist rather than elitist. He taught us that an artist who elevated himself over his community may not be an artist at all.

After serving as an assistant dean, Murry was promoted to Dean of VCU’s School of the Arts in 1976, one year after Phil and I founded Theatre IV. He held that position for 19 years. During his entire tenure, there was little institutional reason for Murry to take notice of Phil or me. He was a visual artist and a lover of jazz, and we were theatre upstarts with, during most of those years, little influence and even less power in the Richmond arts community.

And yet, from day one, Murry acted like we were worthy of his notice and friendship. He was Dean of the School of the Arts—a huge deal—and yet he willingly and eagerly gave us his attention and respect. And it wasn’t just us. He gave full credence to artists who chose to remain in Richmond, and never made us feel like anyone worth their salt would have moved on to New York. If anything, he made us feel like he awarded extra points to those who chose to grow where they were planted.

When Theatre IV purchased the historic Empire in 1986, Murry was among the few who made it possible.

Here's a brief history. In the mid-70s, a dashing and successful Varina home developer named Mitchell Kambis bought and cosmetically renovated the Empire. After a financially challenging stint as an impresario, Mitchell turned over ownership of the Empire to the mortgage holder, Central Fidelity Bank. The late Carroll Saine, who was Chairman and CEO of CFB at the time, was a close friend of the late Richmond icon Nina Abady. In the early 80s, Nina was a volunteer on the Theatre IV Board, but she was employed as Director of the Virginia Opera Association (VOA) – Richmond Office. Central Fidelity Bank donated the Empire to the VOA, under the condition that they continue to own it for at least two years.

Unfortunately, the Empire was too small for most operas. So as soon as the VOA’s two-year commitment concluded, they sold the Empire to a real estate developer from Roanoke.

In 1986, this developer began to actively seek buyers for the facility. Three parties expressed interest in the building: a Richmond-based developer who planned to convert the building into retail space and condos, Murry DePillars on behalf of VCU’s School of the Arts, and Theatre IV. Obviously, VCU could have outbid Theatre IV (we had no assets to speak of at the time), but the minute Murry learned that we were interested, he called us in for a meeting.

He said that his main interest was in preserving the historic building and keeping it out of the hands of those who wanted to convert it into commercial use. He said that if we were seriously interested, VCU would support us in our efforts to buy the building rather than bid against us. He made suggestions as to where we could go for financial support, and stood by our company until the building was purchased later that year and securely in our hands.

There were no power plays and no conditions—only encouragement and support.

Phil and I have missed Murry DePillars ever since his retirement from VCU in 1995. And we’ll continue to miss him and remember him with the greatest affection and respect. He was a giant in the development of Richmond’s arts community. When Theatre IV produces A Year with Frog and Toad in the Empire next spring, complete with a jazzy score Murry would have loved, we will dedicate the show to the memory of Dr. Murry N. DePillars, our mentor and friend.

--Bruce Miller