"The BFG" Works His Magic on Three Generations

Posted by Bob Wall
When it comes to critics, our brilliant, hard-working marketing staff always touts this simple truth: At Theatre IV, the critics who matter the most are the children, mothers and grandmothers who come to see the play.

Word of mouth is our best sales tool, second to none. We’re delighted that Theatre IV’s current production of The BFG (Big Friendly Giant) seems to be earning raves from all the members of the Richmond Theatre Critics Association, but we’re even more thrilled with the assessments that are rolling in from children and their multi-generational moms.

Like the following note we recently received from a very young grandmother named Cathy Down Pemberton. Cathy was born into a theatrical family; her aunt Mary Dowd was a stalwart Richmond theatre supporter and practitioner in the 60s, 70s and 80s. Today Cathy works as Director of Social Services for Powhatan County. Cathy and her granddaughter are pictured below.

“My daughter Cate and I took her daughter, Catie Beth, to see BFG last Friday. We had taken her to see Velveteen Rabbit and she just loved it, so we wanted to take her to the theater again. She is a true theater fan now, at age 5, and when her mama asked her which play was her favorite, she said "I just don't know, they were both great."

I was not sure how she would enjoy live theater--kids seem to see so many amazing things--3D movies, wide screen tv's, Barnum and Bailey, that you have to guess if the wonder of a live play will have an impact. Does it ever! At Velveteen Rabbit, after the narrator spoke at the beginning of the play, Catie Beth was so excited she turned, speechless, and just squeezed her mom. She recognized the boy's bedroom as soon as we sat down, and was awestruck. Her big blue eyes were round as saucers when the fairy dust fell on the rabbit and made him real. It was a magic night for her. So naturally, we couldn't wait to take her to the theater again.

She just loved BFG. She loved the dreams the best, and when we walked out of the theater into the lobby and there they all were, Sophie and the Giant and the Queen--what a treat. Catie Beth, who hardly speaks to my mother because she is a shy child, went right up to the Giant and got his autograph. He said to her "Did you have fun? I did."

I saw Nunsense a few weeks ago. My best friends and I all laughed until we cried . Having been raised Catholic, it was particularly funny to the three of us. It was priceless, and I have my holy card pinned up on my bulletin board at the office. Try explaining holy cards to someone who isn't Catholic....

Thank you so much for some wonderful memories, Cate and Catie Beth are looking forward to Honk! and The Little Red Hen."
.........

Thanks, Cathy. We do it all for you and yours, so your positive words made our day!

"The Perfect Family Summer Musical"

Posted by Bruce Miller
The extraordinary musical that brings down the curtain on both the Barksdale and Theatre IV Seasons earned its first rave review this morning from Susie Haubenstock. She LOVED it, writing a review almost as glowing as last week's review of Henley Street Theatre's A Doll's House.

Considering that The Sound of Music is America's favorite musical, and that pre-sales in advance of opening have already hit a record high, I strongly urge everyone to get their tickets to 1938 Austria as soon as possible. I'm convinced that the Times-Dispatch review will be only the first of several great notices. No one should miss out on the fun.

Here's what Susie has to say:

"What does it take to revive Rodgers and Hammerstein's The Sound of Music? Seven adorable children -- check. A Maria who's full of fun and energy and sings like an angel -- check. A Mother Abbess with a thrilling, inspiring voice -- check.

The new Theatre IV/Barksdale Theatre co-production at the Empire Theatre has all that and much, much more. Under the ebullient direction of Chase Kniffen, The Sound of Music is the perfect family summer musical, with much for each generation to love.

Even after a thousand viewings of the movie, it's possible to forget that there are serious political themes here, as well as grown-up relationships. Rodgers and Hammerstein were romantics, of course, but the Howard Lindsay/Russel Crouse book takes on Nazism, patriotism, pragmatism, moral relativism and religious faith -- and the show won the 1960 Tony Award to boot.

No need to recap the moving story of the von Trapp family in Austria; suffice it to say that Kniffen has reinvigorated what might be a saccharine bore and infused it with youthful enthusiasm. Most of the underpinnings are lush, from Brian Barker's opulent set to Sarah Grady's charming costumes to Lynne M. Hartman's beautiful lighting.

The orchestra, under Sandy Dacus' direction, is almost full enough, sounding thin only on the first-act finale, Climb Ev'ry Mountain, and Derek Dumais' sound design is nearly perfect despite its complexity.

The splendid cast is led by the delightful Stacey Cabaj as Maria, who bursts with warmth and joy and sings clear as a chapel bell. Jody Ashworth plays Captain von Trapp with admirable liveliness but a near-total lack of romantic appeal; nevertheless, his voice is stirring, his Edelweiss moving.

Susan Sanford and Michael Hawke are perfectly cast as the worldly Elsa and Max, more wryly lovable than despicable, and Kara Charise Harman provides that fabulous voice for Mother Abbess, as well as her loving manner.

All seven von Trapp children are delightful -- Ali Thibodeau, Eric Pastore, McKelvey Ewing Harrison, Cooper Timberline, Meghan Rose Cordner, Sydney Morgan Hall and Ellie Wilson -- and nowhere is Kniffen's deft touch more evident than in their performances; he elicits great work from young actors. His deceptively simple staging of The Lonely Goatherd is one of the highlights of the show.

All but the youngest kids in the audience were kept entertained by the 2½-hour show. My grandma took me to see The Sound of Music when I was little, and I've always been grateful. Given this lovely production, any grandma -- or mom, or dad, or aunt or big brother -- shouldn't hesitate to do the same."

Susan Haubenstock - The Richmond Times-Dispatch

You can reach our box office at 282-2620. I hope to hear from you soon. And I look forward to seeing you at the theatre.

--Bruce Miller