Jill Bari/JB - Call Her Anything 'cept Late for Casting Call

We're back for another visit with Richmond favorite (and Theatre Gym veteran) Jill Bari Steinberg. From what I've observed, most of Jill Bari's friends call her "Jill Bari" ("Bari" being pronounced exactly the same as "Barry"), although JB also seems to be popular. At least one close friend consistently calls her Jill. Jill Bari is married to musician Steve Organ.
Q - Thanks again for taking the time to talk with us. Should I call you Jill Bari, or JB, or Jill?

A - Yes.

Q - Do you have a day job, other than acting?

A - I work at the Library of Virginia. It's wonderful being surrounded by history, genealogy, and so many books. It's also nice to see people research their own family records. Corrie Barton, Jacquie O'Connor and Dan Stackhouse also work there, so one of us is always promoting one Richmond production or another. There's a group of my co-workers that comes to see most of my shows, and that group seems to be growing, so that's nice. We all have to do what we can to build the Richmond audience.

Q - You've had the opportunity to play a great variety of characters. Does any one role stand out as being particularly challenging or invigorating?

A - There's something challenging about every role and every performance. Sometimes I feel good about my work, and sometimes I fail miserably, but there is always a lot to learn from every experience and from every person you get to work with. I think I've had the chance to work with and learn from the best directors in town--Anna (who's directing Kimberly), Steve, Keri, Bruce, Scotty, Bo, Rick (St Peter--I'm new and had to ask), to name a few. The role I'm currently playing is challenging and fun because she's crazy and grounded at the same time. Luckily, I'm not alone. I have Anna to guide me, and an amazing cast of actors to listen to on stage. With Irene Ziegler, Debra Wagoner, Richard Koch and Matt Mitchell by my side, performing the role of Aunt Debra is a real blast.

Q - What's the best thing about working with Anna Senechal Johnson?

A - She's positive and supportive and wicked smart. This production is her vision of this great material brought to life. It's not easy to tell a bunch of seasoned (ie: old) actors what to do, but Anna always knows what will work best for the play. She directs with equal parts listening, problem solving, kindness and skill.

One of my favorite Anna directing moments happened during rehearsals for My Children! My Africa! (mid-90s). There's a moment in the script when the character I was playing has a complete meltdown--she screams, cries and even collapses. At the time that seemed like the scariest thing in the world to me, so I tried convincing Anna that it would be a lot stronger moment if I held back and didn't go there. She didn't agree and said something like, "That's what that moment is all about, losing all your confidence and comfort and control. Use your fear. I know you can do it." What resulted was--for me--a real breakthrough and one of my favorite moments ever on stage. That is something cool that the best directors I've worked with all have in common--they have always said something along the lines of "This is something you can do." That confidence in you from someone you admire goes a long way.

Q - If you go just by the numbers, one could say that the majority of the Richmond mass audience attends only touring blockbusters like Wicked or The Lion King, touring shows at the Landmark. What would you say to these masses to encourage them to attend a locally produced production?

A - First I'd say, "Good for you! You went to the theatre! Didn't you love it?" Then I'd gently suggest that they're really missing out if that is all that they're seeing. If they love musicals, I'd tell them to go see whatever musical is currently playing at Barksdale or Theatre IV or Swift Creek, and suggest we talk about it afterward. Dirty Rotten Scoundrels, Putnam County Spelling Bee, Once on This Island, Joseph, Annie, Seussical, Urinetown, The Sound of Music--the list of truly great, splashy, locally produced musicals goes on and on, and all of them were better than any bus and truck show I've ever seen. We buy local produce and goods because they are just better. It's the same with theatre. Not that I'm biased or anything.

(Part 3 coming soon to a blog near you! Photo captions: as the daughter in On Golden Pond with Joe Inscoe, as the mother in Last Days of Judas Iscariot with Jesse Mattes, as the niece in How I Learned to Drive with Gordon Bass)

Young Talent Lit Up Weekend

Posted by Bruce Miller
Yesterday's Lights Up! program at CenterStage (the performance component will be repeated today) went off with hardly a hitch. I'm proud to have recruited my good friend Sabrina Squire to be our Mistress of Ceremonies. We've known each other since her early days in radio (and my less early days at Theatre IV). She did an amazing job, providing more than enough candlepower to help the celebration of young talent live up to its name.

Like her colleague Aaron Gilchrist, who served so ably at the Richmond Theatre Critics Awards, Sabrina Squire is one of the few local "celebrities" whose presence actually makes an event seem more special. She brings great beauty, elegance, intelligence and class to every event she hosts. She did a terrific job this weekend and I'm very grateful that she said "yes."

Sabrina was skillfully assisted by Bo Wilson, who wrote an inspired and inspiring script that hit all the right notes throughout the evening. Again, I'm proud to have recruited Bo. His contribution to the success of the event should make the theatre community proud.

Both Bo and Sabrina worked as volunteers, as did the vast majority if not all of the young performers. I think I'm speaking truthfully when I say that, with the exception of a couple musicians who accompanied singers and dancers from the Virginia Opera and the Latin Ballet of Virginia, all the performers were 21 or younger--many were a lot younger. In terms of talent, expertise and poise, they were in many ways equal to adult professionals.

As I mentioned a few days ago, I think we all should give special credit to two individuals who have been working tirelessly for months to pull all this off--without receiving a penny in compensation. Aimee Halbruner, Director of Education and Community Engagement with the Richmond Symphony worked longer and harder to make this event possible than anyone I know, and she received no recognition from the stage last night. (I hope the recognition part changed at today's matinee.)

Coming in a very close second is Brett Bonda, who directs the Minds in Motion program for the Richmond Ballet. Brett has also been working skillfully and tirelessly for months. Thankfully, he was recognized from the stage last night, along with several of his co-workers at the Ballet.

Janet Krogman, Chuck Metzgar, the tech crew, several key arts educators from Hanover, Henrico and Richmond, and many others from CenterStage also contributed exemplary efforts to make this weekend a success. Central Virginia should be proud and appreciative of one and all.

And let's not forget the good people at Genworth for funding the program, and Sue FitzHugh for raising the funds.

I was well pleased with Theatre IV's and Barksdale's several contributions to the weekend. The Richmond Boys Choir never fails to amaze and inspire, and last night's performance was no exception. The RBC was conceived of, founded by, funded and operated by Theatre IV for the first three years of its existence. From the outset, we all hoped and planned for the RBC to become independent in year four, and that's what happened. Making a successful transition to independence is itself a major achievement, and all of us on the theatre side should be proud of that also.

The RBC was included in this weekend's program because we at Theatre IV chose to share our allotted ten minutes of performance time with two of our partners--the RBC and the Latin Ballet. Only resident companies received time allotments on stage in this weekend's performances. I'm proud that Theatre IV chose to showcase not only our talented young performers, but also our partnerships with two colleague nonprofits that add significant diversity and depth to Richmond's performing arts community.

Like the Boy's Choir, the Latin Ballet also brought their traditional exuberance to last night's program.

Theatre IV and Barksdale presented several workshops and programs yesterday afternoon, all of them seemed to be very well received. Christopher Hudert, our puppet master for several Theatre IV productions, led Phil, Chase and me in our Puppetry on Parade workshop. Twenty five children had a hands-on experience with over 30 of our hand puppets, marionettes, rod puppets and specialty puppets. It was very informative, thanks to Christopher, and a lot of fun.

Sue Griffin, Marcia Hailey, Lynn West and a fourth member of our costume shop wowed the crowds with their creative Let's Make a Hat! workshop. All afternoon, you could see kids running around crowned as princesses, wizards, jesters and Egyptians. More proof that our amazingly talented costume department is second to none.

Slade Billew (Theatre IV / Barksdale) and Chris Blake (Richmond Shakespeare) team-taught a stage combat workshop. From all reports they had the kids wrapped around their fingers. Leslie Owens-Harrington did a wonderful job on a 75-minute master class in theatre dance, with a respectable and admiring audience in the Carpenter Theatre watching her every move.

I was also particularly proud of our production of I Have a Dream - The Life and Times of Dr. Martin Luther King Jr. The show is written for grades 3 and up, but it held the attention of nearly everyone in the Gottwald Playhouse audience, from toddlers to senior citizens. I was proud of the cast.

In the mainstage performance, our cast of Oh the Thinks You Can Think from Seussical the Musical was terrific. We couldn't have asked for a more talented and hardworking group of teenagers. Their costumes looked terrific, as did Chase's stage direction.

It was an honor to share the stage, also, with African American Repertory Theatre, City Dance, Richmond Ballet, Richmond Shakespeare, Richmond Symphony Youth Orchestra, SPARC and Virginia Opera.

If all this sound like I'm bragging, I am. One thing I continue to re-learn at these community-wide events is that several of my respected arts administration colleagues are far more skilled than I at promoting the vital contributions made by their organizations. Some are true masters, promoting their nonprofits endlessly at every turn, and receiving for their nonprofits contributions far exceeding what we receive at Barksdale and Theatre IV. They're doing it right; I'm not as skilled.

I know our case statement is just as impressive as theirs, if not more so. For one thing, through Hugs and Kisses, our theatres literally save children's lives everyday. The failure comes in my (and Phil's) tendency to keep quiet about so much that Barksdale and Theatre IV do. I'm trying my best to turn that situation around. I need to start being a braggart for Barksdale.

Along with many others, Theatre IV and Barksdale worked long and hard to make this weekend's programs a success. If you were able to make it, I hope you had a grand time.

--Bruce Miller

Great Family Fun This Weekend

Posted by Bruce Miller
Lights Up - Youth Open House at CenterStage is a free event for you and the children in your life. It takes place this weekend, Saturday and Sunday, and everyone is invited! The mini-festival will occur, of course, at CenterStage, marking the public opening of the Genworth BrightLights Education Center.

Theatre IV and Barksdale are proud to be resident companies of CenterStage, and we're excited about helping to produce and present the free performances and workshops that are part of the weekend's festivities. Other resident companies that are participating include African American Repertory Theatre, Elegba Folklore Society, Richmond Ballet, Richmond Shakespeare, Richmond Symphony, SPARC and Virginia Opera.

The Jazz Society is also a resident company. They will not be joining in this weekend because all events are designed to involve children and teens, and the Jazz Society has no performers in and presents no workshops for this age group.

Theatre IV and Barksdale have invited two of our partnering companies to share our allotted time slots: The Latin Ballet of Virginia and the Richmond Boys Choir. African American Repertory Theatre has done the same with one of their partners, City Dance. The Richmond Symphony also will be working in one activity with a community partner, the Richmond Philharmonic.

I served on a steering committee of three that has been working hard for several months to pull the Open House together, with lots of leadership and help from CenterStage staff and volunteers. Area arts educators have also been key leaders in this effort.

To give credit where credit is due, the bulk of the work was done by the other two members of the steering committee--Aimee Halbruner, Director of Education and Community Engagement with the Richmond Symphony, and Brett Bonda, Director of Minds in Motion with the Richmond Ballet. These two outstanding artists are cornerstones of our community's arts leadership.

Events will begin on Saturday, Jan 23, with an afternoon of fun and informative arts workshops, master classes, lecture-demos and live performances for children and teens. Attendees must register for the activities of their choice. Registration begins at 10:30 a.m. in the Carpenter Theatre lobby. Everything is free, but on-site registration is required, on a first-come first-served basis.

The interactive fun will begin at noon and continue throughout the facility until 5 pm. Theatre IV and Barksdale will be offering the following:

I Have a Dream: The Life and Times of Dr. Martin Luther King Jr. - A live performance of one of Theatre IV's acclaimed touring productions, co-produced with the Virginia Historical Society. In the Gottwald Playhouse, Saturday, 1:30 pm. Most appreciated by audiences age 9 and up.

Let's Make a Hat! - A hands-on workshop conducted by our brilliant costume shop. Participants will use everyday materials to construct fun and festive hats. In room 3137, Saturday noon. Most appreciated by children of all ages.

Puppets on Parade - Using Theatre IV's extensive puppet collection, kids will learn about hand puppets, marionettes, rod puppets and body puppets. In room 3140, Saturday noon. Most appreciated by children of all ages.

Careful Combat - Produced in association with Richmond Shakespeare and co-led by Slade Billew, our fight coach extraordinaire, this workshop will teach kids how professional actors can appear to fight on stage, with nobody getting hurt. In room 3140, Saturday 3 p.m. Most appreciated by kids age 11 to 14.

Master Class: Musical Theatre Dance - Our brilliant director and choreographer, Leslie Owens Harrington (Crowns, Annie Get Your Gun, Peter Pan, Anything Goes, many others) will offer a 75-minute intensive class for experienced dancers ages 16 to 18, covering tap, jazz and myriad other musical theatre styles. Pre-registration required by this Friday. Interested participants should contact Christina Billew at (804) 783-1688 x 1132 or c.billew@theatreivrichmond.org. Non-participants can observe the class as well. On the stage of the Carpenter Theatre, Saturday 3:30 p.m.

In addition to the open house activities, a concert program featuring many of Richmond's most talented young performers (ages 6 to 21) will be presented in the Carpenter Theatre on Saturday night at 7 and Sunday afternoon at 3. Both performances are free. To obtain tickets or more information, visit the CenterStage website at http://www.richmondcenterstage.com/. Free tickets will be awarded on a first-come first-served basis.

The wonderful Sabrina Squire will be our host for both performances. Bo Wilson leant his impressive talents to the short script that will hold each performance together.

Young artists from Theatre IV will present the opening number from Seussical the Musical, accompanied by the Richmond Youth Symphony.

Theatre IV and Barksdale are proud to participate in the leadership of exciting arts education events like this one. Hope to see you at CenterStage this Saturday and Sunday!

--Bruce Miller

Shining Actors

Posted by Bruce Miller

I saw Shining City tonight. I loved the way Henley Street (or whomever) has upgraded the space. I love the new risers and raked seating. I didn’t see True West last season (I heard it was great). But I’ve seen many other shows at Pine Camp. Shining City was by far the most satisfactorily produced play I’ve seen there. Sets, lights, sound and overall ambiance seemed indeed to have been kicked up a notch.

I loved James Ricks’s pre-show speech—very casual, friendly, confident, charming and short. Those speeches are tough and few people do them well. James's speech was great.

I can’t say enough about the talents of Joe Inscoe. He’s world class—as good as anyone you’ll see anywhere. What an amazing actor. He’s a Broadway star right here in Richmond. I’m being completely serious.

If I ever go to see a therapist, I hope he’s just like Larry Cook. Larry's was a very comforting presence. I thought he was great.

Same thing for Jacob Pennington, except different profession.

I think Lyddall Bugg is a talented actress, and I’m sorry I didn’t become more familiar with her work when she toured in Huck and Tom and the Mighty Mississippi for Theatre IV.

Bo Wilson is one of the smartest guys in Richmond theatre and an astute director. I need to ask him to direct something at B'dale someday.

Henley Street is growing impressively. New artistic director James Ricks has hit the ground running. I applaud his talent, vision and ambition.

--Bruce Miller

PS Some anonymous commenters tell me I see plays at Virginia theatres other than Barksdale for terrible reasons. They say I'm trying to be like a plantation master proving that all the other theatres are beneath Barksdale and needy of my largesse. They say I write about the things I like at other theatres mostly to damn through omission those things I don't like. They say I want to make the other theatres look and feel small.

God help me if that is how this is coming off. None of that is my intention.

I go to other theatres to be supportive of other theatres. I think it's important for me to be supportive, and I take that responsibility seriously. I write about other theatres also to be supportive--of the theatres themselves and the artists who work there. If any artistic or managing director would prefer that I not come to their theatre and/or not write about their theatre on this blog, just let me know. You all know how to reach me. Thanks.

Some commenters still think I hate the Richmond critics; they believe I viewed the recent Artsie awards with derision and contempt. I don't and I didn't. If I come off that way, chalk it up to my being a horrible writer who can't make his opinions clear. I'm nothing but respectful of the critics, and actually quite fond of the several of them I know. I LOVED the Artsies. I've said it, I've written it, and I mean it.

Last but not least, when I recently wrote nice things about some Richmond theatre artists who didn't win Artsies, some commenters suggested I must really have it in for Joe Doran, Ron Keller, Audra Honaker, Ali Thibodeau, Marta Reiner and Jeff Cole (the Jeff part came from a response I wrote to a 'Rick Gray comment). You can believe me or not, but the truth is I actually care a lot about Joe, Ron, Audra, Ali, Marta and Jeff. I'm actually pretty crazy about them. I admire their talents. They are my friends.

That's all for now. Thanks.

--Bruce Miller

Mona's Arrangements on stage now!

Mona's Arrangements - our World Premiere Musical Comedy runs through April 5, 2009 at Hanover Tavern.
More information | Tickets | (804) 282-2620

Book by Bo Wilson
Music by Steve Liebman
Lyrics by Steve Liebman and Bo Wilson

Starring Jan Guarino, Scott Wichmann and Audra Honaker
Photos by Jay Paul








See the full photo album on our Facebook page.

Video Interview - Bo Wilson & Jan Guarino of Mona's Arrangements

Mona's Arrangements - our World Premiere Musical Comedy - opens this Friday, Feb. 27 at Hanover Tavern.
More information | Tickets

Visit the set of Mona as playwright Bo Wilson and actress Jan Guarino discuss the inspiration behind the show and the role the audience plays in tweaking a new production.

Happy Birthday to Linda and Harry!

Posted by Bruce Miller
Please join me in wishing a very Happy Birthday to two of Richmond’s greatest theatre scribes: Linda Escalera Baggs and Harry Kollatz, Jr. I’m privileged to call each of them my friend. Unlike their fellow birthday celebrant, J. R. R. Tolkien, Linda and Harry tend to base their writing on personal experience and history rather than fanciful acts of the imagination.

I first encountered Linda Baggs on a flight back from London in 2003. Phil and I had just led our first theatre trip abroad, and I was seated next to one of the maiden voyagers who had accompanied us, the wonderful Gerri Escalera. As we talked, she began telling me about her daughter Linda, who had recently left a successful advertising career to become a fulltime playwright. I remember being amazed that here was a mom talking about an adult child leaving a lucrative career to pursue a theatrical dream, and she sounded excited about it. “What a great mom!”, I thought.

And what a great daughter! One year later Barksdale produced Silent Heroes, a new play written by that daughter based on the “Marine wife” experiences of that mom.

Linda Escalera Baggs is one of Virginia’s foremost playwrights. Apparently theatre has been in her genes since her conception, but it took a while to bubble to the surface. Her grandmother was an actress born in Hollywood, but when push came to love Grandma gave up an opportunity to appear on Broadway and chose instead to marry Linda’s grandfather.

Linda’s father was a Marine, and so she spent her childhood moving frequently up and down the East Coast from one base to another. Linda wrote her first short story in the 4th grade as a present for her theatrically inclined granny, and immediately discovered that she loved to write. As she matured, Linda’s practical side convinced her artistic side that she should pursue a career in advertising, and so she did. For 18 years she earned a living, great acclaim, and a couple of ANDY’s and Clio’s writing commercials and assorted ad copy.

In 2000, she heard a funny story and her creative juices transformed it into a one-act play called Who’s Margaret?. When the Richmond Playwrights Forum selected the play for a public reading, and actors breathed life into her characters for the first time, the audience roared with laughter. Linda was hooked. She gave up advertising to pursue playwriting fulltime.

Now, three full-length plays, two short plays and three one-acts later, Linda has earned 18 nominations and awards, and 13 productions (including stagings in NYC, at Barksdale and at the Firehouse). Along with Paul Deiss, Doug Jones, Randy Strawderman, Bo Wilson and Irene Ziegler, Linda is one of the Virginia playwrights to whom Barksdale offers an on-going commitment. Hopefully we’ll see more of Linda’s work on one of Barksdale’s stages soon.

Until then, you can catch her show Silent Heroes opening next week on Jan 8 in New York City produced by the Round Table Ensemble. How cool a birthday present is that!?

Harry Kollatz Jr., I’ve decided, is my mirror image, only he looks good in hats and I don’t. And then there’s that little matter of him being more than a decade younger than me, but who’s counting?

Harry Kollatz and I are both Richmond natives. He graduated from VCU in 1986; I graduated from U of R in 1974. Harry co-founded the Firehouse in 1993; I co-founded Theatre IV in 1975. Harry married Richmond artist Amie Oliver in 1994; I married Richmond artist Terrie Powers in 1985. (Amie and Terrie are colleagues, friends, and alumnae of 1708.)

Harry earns his living writing for Richmond Magazine and publishing books; I earn my keep at Theatre IV writing plays for young audiences and grants. Harry’s most successful writing is inspired by local history (his regular column “Flashback” at Richmond Mag, his new book Richmond in Ragtime, his first book True Richmond Stories). Many of my most successful plays also are based on local history (Buffalo Soldier, The Maggie Walker Story, Arthur Ashe – Champion of Honor). Harry brought local history to life as an interpreter at the Valentine Museum; I did the same directing Do Lord Remember Me at the Valentine.

Harry was in the first acting company of the Playbooth Theatre on Palace Green in historic Williamsburg; my daughter Hannah was just accepted to William & Mary.

Harry keeps the blogosphere abuzz with The Blue Raccoon; I make my regular contributions to the b’o’sphere at the B’dale Buzz. Harry co-created the Theresa Pollak Awards for Excellence in the Arts in 1998. I won one in 2006.

All coincidence, or some twisted trick of the parallel universes? You decide.

Anyway, if you haven’t read one of Harry’s amazing books, you should. I’ve been a longtime fan of True Richmond Stories. Phil just bought his copy of Richmond in Ragtime: Socialists, Suffragists, Sex & Murder at a local book signing. I ordered mine today on Amazon.com.

Linda and Harry are invaluable assets to our Richmond theatre community. As they blow out their candles, we all wish them a wonderful 2009!

--Bruce Miller

Fond Farewells to Fantastic Fall Fare

Posted by Phil Whiteway

I can’t believe we’ve already closed the curtains on the first three mainstage shows of our 2007-08 seasons. Wasn’t Labor Day just last week? Time flies when your audiences are having fun. (Special thanks to iweiss.com for letting us borrow the interactive graphic. Please visit them for all your theatre supply needs.)

The first show to take its final bows was Stuart Little at the historic Empire Theatre, followed about an hour later by Deathtrap at Hanover Tavern. We bid adieu to both of these crowd-pleasers on Sunday, October 21. I attended the last Stuart performance (it was great!) and then hustled out to Hanover to join Bruce in raising a glass to our wonderful and talented Deathtrap cast and crew (pictured above and to the right) at their closing festivities.

This past Sunday, October 28, it was time to make my famous chili for the wedding reception--The Member of the Wedding, that is. And I actually remembered to bring my camera this time.

Gathered around the groaning board (as Nancy Kilgore's portrait sings a supportive tune) are (left to right) cast members Joe Pabst, Carl Calabrese, Lexi Langs (arm only), Katy Burke, Erin Kate Bradner, David Bridgewater, Katherine Louis (holding her beloved grandbaby), and Eric Evans in the red t-shirt.

To the left, our brilliant and beautiful Berenice Sadie Brown (Katherine Louis) beams in the embrace of her two biggest fans - her equally beautiful daughter and granddaughter. Quoting from Crowns, her last Barksdale show, Katherine called to everyone's attention the way her granddaughter was "workin' that hat."

In the photo to the right, our stage manager Bo Wilson sneaks a hug with our other leading lady, 13-year-old Lexi Langs, with Pete Kilgore's portrait keeping a watchful eye. Joe Pabst (standing to the right of the photo) filled in as Lexi's stage father for the last two weeks of the run, and was a perfect stand-in for Dave Bridgewater, who had been called south for two weeks for some film work. Dave's movie schedule allowed him to come back to town on Sunday so that he could see the show from out front.

Lexi's real-life mom, who lived with Lexi for nine weeks in the comfortable company housing provided by our good friends at Studio Plus Deluxe Studios, smiles for the camera with Jill Bari Steinberg, Lexi's on-stage aunt.

The man of the hour was our Wedding director, Scott Wichmann, (standing to the left in the photo below and to the right) who is not only a gifted theatre artist but also, clearly, a connoisseur of great chili. A quick plug--Scotty, Joe Pabst and Dave Bridgewater joined co-star Joy Williams and director Steve Perigard yesterday to begin rehearsals for the next show in Barksdale's Signature Season at Willow Lawn, Moonlight and Magnolias, a hilarious comedy about the making of Gone with the Wind.

And please note the two stellar theatre talents located just behind Scotty's stage right shoulder. As is so frequently the case, they are in dim lights and in the background. But they are invaluable members of the Barksdale family and add immeasurably to the success of our productions. They are Renee Jones (wardrobe chief and dresser to the stars) and Linwood Guyton (light board operator extraordinaire).

Many, many thanks to all the terrific artists who made Stuart Little, Deathtrap and The Member of the Wedding the great shows that they were. Please know how much we appreciate and value your talent, dedication and hard work.

--Phil Whiteway