Star of Stage, Screen and Richmond

Posted by Bruce Miller
Today we’re pleased to wish Betty Ann Grove a very happy 81st birthday. Betty Ann is Richmond’s own Broadway Baby—and she’s such a good friend and familiar face that it’s way too easy to forget what an amazing national career she had before moving to Richmond with her late husband Roger twenty or so years ago.

How big a deal is our friend Betty Ann? Consider these brief anecdotes from the wealth of articles that pop up when you type her name into Google.

When she was only 21 years old, Betty Ann began her seven year stint as co-star of Stop the Music, a mega-hit musical quiz show that began on radio in 1949 and soon transferred to the up-and-coming medium of television. When Cole Porter saw adorable Betty Ann on TV for the first time, his people immediately called her people and offered her the chance to replace Lisa Kirk as Lois Lane / Bianca in the original Broadway production of Kiss Me Kate—Betty Ann’s Broadway debut.

And it wasn’t just Cole Porter who loved her. Betty Ann was so popular and appeared in so many TV shows in the early 50s that her beautiful face wound up on the cover of Look Magazine over a caption that read “America’s Most Televised Women.” And what are the TV credits that earn her recognition as one of the great women pioneers of the new medium? Stop the Music, The Bert Parks Show, The Big Payoff, All in Fun, Ozark Jubilee, The Red Buttons Show, Summer Holiday, The Merv Griffin / Betty Ann Grove Show, The Arthur Murray Party, and many others.

At the peak of her success as a television singer/actress and recording artist, Betty Ann was dating her manager, Peter Dean. Peter Dean took Betty Ann with him on frequent visits to see his niece, a little girl named Carly Simon. Betty Ann had such a strong influence on young Carly that to this day Ms Simon credits Betty Ann as the singer she wanted to be when she grew up.

When Betty Ann returned to Broadway in George M! in 1968 (the second of her four Broadway shows), she was so well known in the entertainment industry that she received second billing after Joel Grey. All the advertising materials for the original production list Betty Ann’s name on its own line, just below the title, in type about twice the size of the names that immediately follow beneath her name, names like Broadway stars Jill O’Hara and Bernadette Peters.

If you decide today that you'd like to buy on an Internet auction site the autographed photo of Betty Ann you see at the top of this post, you can! And if you Buy It Now, you can pick it up for only … oh ... $399!

“Betty Ann Grove is an American actress,” Wikipedia states. “A petite redhead with a powerful voice, she recorded in the 1950s and debuted on Broadway in Kiss Me Kate.”

Even though the Wiki article goes on, it tells such a small part of her story.

Richmonders love Betty Ann for her star turns in The Music Man and Da at Theatre IV, and Driving Miss Daisy and Smoke on the Mountain at Swift Creek Mill Theatre, among others. But as we celebrate with her the joy of turning 81 years young, let’s not forget that Betty Ann Grove is not just our sweetheart, but America's sweetheart as well.

We love you, Betty Ann. Happy Birthday!!!

--Bruce Miller

Our Journey to "South Pacific"

Posted by Bruce Miller
As I mentioned earlier, Terrie, Hannah, Curt and I ventured to NYC for Columbus Day Weekend. I love New York, and not just cause the slogan tells me so. My mother is an NYC native, and I’ve spent my entire life visiting the homeland at least once or twice a year, often more. I’ve always felt comfortable there, and it’s important to Terrie and me that Hannah and Curt feel comfortable there too.

So we don’t really need a reason to visit the Big Apple. New York is New York, with all that that entails. For us, that’s reason enough. But if we had needed additional motivation, seeing the smash hit revival of South Pacific would have been it.

The Tony Award-winning, Lincoln Center production stars the luminous Kelli O’Hara and features Richmond’s own super-talent, Jerold Solomon. Ever since seeing Light in the Piazza, Kelli O’Hara has been Hannah’s favorite leading lady under 40. I greatly admire her as well. (I have to include the “under 40” caveat out of respect for Kristin Chenoweth, Victoria Clark and Bernadette Peters, who also head Hannah’s short list of beloved musical theatre actresses.)

When we saw Piazza (also at Lincoln Center), Hannah LOVED the show, and wanted to meet the cast at the stage door following curtain call. (I loved being able to use Hannah as my excuse for wanting to do the same thing.) For reasons I don’t know, there’s usually a much smaller crowd at the stage door at Lincoln Center than at the stage doors of other Broadway musicals. So, when Victoria Clark and Kelli O’Hara exited, there was no mob, and both of them were very gracious in talking with Hannah and me. They made a terrific impression.

When Hannah saw Kelli O’Hara in South Pacific on the Tony Awards, that Rodgers and Hammerstein classic immediately became her #1 choice of shows to see. (She’s never quite forgiven me for seeing Pajama Game, which also starred Ms O’Hara, on a business trip without her.)

And then there’s Jerold. Hannah was very fortunate to have played the Oomiak in King Island Christmas years ago at Theatre IV, under Steve Perigard’s wonderful direction. Hannah won the role fair and square, and did a terrific job. Among her costars in that production was Jerold Solomon, who played Ooloranna, the Inuit leader who conceives of the plan to carry the oomiak (a walrus-skin boat) over the mountain that divides one half of King Island from the other, rescuing the island’s priest who had been stranded in an ice-bound ship offshore.

Every week, show after show, Jerold, Jake Mosser and the other men of King Island hoisted Hannah up high and carried her all around the stage. When you’re a little girl, and it’s your first starring role in a show, and a handsome and able 22-year old man is carrying you around stage for 90 minutes, it’s got to make an impression. Suffice it to say that Jerold will always hold a special place in Hannah’s heart.

Our only problem was this. We decided to take this trip sometime in August, and by the time the decision had been made, South Pacific was already sold out for the entire month of October. You can always go through a broker to buy tickets in advance to sold-out shows, but it winds up costing an extra $35 to $150 or more per ticket. And that's money we don't have. So I decided to take a chance, and try to buy a last minute ticket from a broker on the street. This is a risky venture, to be sure, but the two times I’ve tried it, it’s worked.

Coming tomorrow – Buying Last Minute Tickets from the Stranger on the Sidewalk … and LOVING South Pacific!

--Bruce Miller

Everything's Coming Up Halenda

Posted by John Steils

Kathy Halenda, the wonderful Richmond-raised actress who starred in Barksdale’s recent productions of Mame and Disney’s High School Musical will be lighting up another stage about an hour down the road next week. Kathy is starring as Mama Rose in the national tour of Gypsy (see photo), stopping for one night at Charlottesville’s Paramount Theatre.

Her national reviews thus far have been unanimous raves:

“Gypsy has at least three things going for it -- the beautiful melodies of Jule Styne, Stephen Sondheim's witty lyrics, and American stage veteran Kathy Halenda, a woman big-voiced enough to sing the U.S. national anthem at Fenway Park, and bold enough to make us care about the original stage mommie dearest.” – London Free Press

“Great sets, great costumes and a great Rose!” – Binghamton Sun-Bulletin

“Everything’s Coming Up Rose!” – New Haven Advocate

“Halenda—taking charge the moment she arrives onstage—brings exuberance, energy and physical bravado to her character, making Rose larger than life. The other actors rarely show as much depth as she does, and rarely command such attention.” – Yale Daily News

Also appearing in the national tour of Gypsy is another Barksdale all-star. Rachel Abrams plays Mazeepa (the stripper with the helmet to the right of the photo). Rachel starred with Barksdale during each of the last two summers. She played Janis Joplin, Connie Francis and others in Beehive in 06, and the Baker’s Wife in Into the Woods in 07. In Gypsy, she’s also understudying Kathy as Mama Rose.

Called “the greatest of all American musicals” by the New York Times, Gypsy is the story of a quintessential stage mother, her dreams for her children, and the daughter who dared to live her own dream. From the first trumpet blast to the last hot spotlight, this classic Broadway show packs a powerful wallop, serving up one popular standard after another—songs like “Everything’s Coming Up Roses,” “Let Me Entertain You,” “You Gotta Have a Gimmick,” and “Together Wherever We Go.”

The Paramount performance will be Wednesday, November 7 at 8 pm. A group from the cast of Mame is planning on going up, and we hope lots of Richmonders will drive to C’ville to welcome Kathy back to her home state.

Gypsy was written by three virtuosos of American musical theater: Arthur Laurents (book), Jule Styne (music), and Stephen Sondheim (lyrics). The original production starring Ethel Merman and directed by Jerome Robbins was an instant hit when it opened at the Broadway Theatre in 1959. Subsequent revivals have garnered a total of three Tony Awards and featured such talents as Angela Lansbury, Tyne Daly and Bernadette Peters in the role of Rose.

Tickets are $58.50, $61.50, $64.50, and $69.50. (Barksdale's prices are starting to look pretty good, aren't they?) Half-price student rush seats and group discounts are also available. Tickets are currently on sale online and through the Paramount's box office at 434-979-1933. Also, as of this writing, Chase Kniffen has a couple or three great seats that he needs to sell. You can reach Chase at C.Kniffen@BarksdaleRichmond.org.

--John Steils