Showing posts with label jobs. Show all posts
Showing posts with label jobs. Show all posts

Saturday, September 4, 2010

Labor Day - A Time to Celebrate Jobs in the Arts

Posted by Bruce Miller
Today, Barksdale and Theatre IV employ 30 arts professionals working in full-time jobs. We employed 39 full time workers just over three years ago. We’ve had to reduce and reorganize staff due to financial pressures associated with the national recession--particularly cuts in funding to the Virginia Commission for the Arts.

Thirty seems like a lot of people, and it is. But when you consider all we do (33 different productions, many of them touring throughout Virginia and 32 surrounding states, plus all the ancillary activities), we’re significantly understaffed. Several of our current staff members are carrying the responsibilities of one and a half or two different jobs. Most of our staffers log 50 hours a week, and several routinely exceed 80 hours a week.

In addition to these 30 full-time positions, we employ:
• seven or eight box office and costume shop workers who are paid on an hourly basis,
• four talented interns who work seasonally for weekly stipends,
• a master scenic artist who currently is contracted semester by semester,
• approximately 22 touring actors who keep Theatre IV’s national tour going strong, and
• legions of freelance actors, directors, designers etc whose talents power our mainstage productions.

One full-time staff position is being kept open for a past staff member who is still in recovery from a major illness.

We also budget approximately $20,000 per year for hourly production overhire.

All told, Barksdale and Theatre IV currently invest $1.9 million annually in Virginia’s workforce. If that doesn’t seem like a lot to you, then you’re not one of the ones losing sleep every two weeks worrying about how we’re going to meet payroll. There’s no grand fund set aside somewhere to cover these and other expenses. We pay out only what we bring in. To meet budget, we need to sell approximately $70,000 per week in tickets and tour shows, and raise approximately $30,000 per week in contributions. During this recession, meeting these goals has been, and will continue to be, very challenging.

That's why I vigorously support continued state funding for the Virginia Commission for the Arts. Last year, the House initially voted to do away with the VCA entirely, a move that would have put many if not most of Virginia's arts organizations out of business. Thankfully, wiser heads prevailed, and the Commission was saved, with funding significantly reduced. The funds that Barksdale and Theatre IV are receiving this summer from the VCA are $40,000 less now than they were two years ago.

The arts are a labor intensive industry, which is good for Virginians and the state economy. On average, Virginia’s arts and cultural organizations spend 44.2% of their revenues on labor, 37.2% on other production expenses, 9.8% on facilities, 7.4% on marketing, and 1.4% on state and local taxes and fees. This is a nonprofit industry.

In 2000, Virginians for the Arts, our statewide advocacy group, did an economic impact study in cooperation with the Virginia Commission for the Arts and the Virginia Association of Museums. The study was prepared independently by The Wessex Group, Ltd., located in Williamsburg. The findings of the study indicate that a decade ago, arts and cultural organizations comprised a major sector of the Virginia economy.

In 2000, 12,507 Virginians were directly employed by arts and cultural organizations (full-time and part-time). They were paid $157.8 million in salary and benefits. An additional 6,344 full-time Virginia jobs were financed indirectly by the economic impact that arts and cultural organizations have on Virginia’s support businesses and independent contractors. All told, in 2000, $306.6 million was paid to 18,851 Virginia workers by Virginia’s arts and cultural organizations.

Additionally, the 2000 study found that arts and cultural organizations in Virginia annually generate $849 million in revenues for Virginia businesses and $342 million in revenues for Virginia tourism businesses through spending by out-of-state visitors who come to see Virginia’s arts and cultural organizations. That’s a total injection into the Virginia economy of nearly $1.2 billion.

I know, it’s a lot of numbers, and they’re eight years out of date. But they’re important. If we don’t celebrate employment in the arts, nobody will. Many of those who make decisions about state funding simply don’t care about the intrinsic value of the arts, but they might care—they ought to care—about how the arts positively impact Virginia’s economy.

Fiscal conservatives routinely herald "small businesses" as the engine that creates jobs and drives the American economy. And rightly so. Why they fail to include nonprofit arts organizations among the ranks of small businesses is beyond me. The thousands of jobs that we, as an industry, generate each year in Virginia are just as real, just as vital as any other jobs.

We who work in or care about the nonprofit arts sector need to make sure that Virginia's arts jobs are recognized. We need to remember that Labor Day not only marks the closing of our neighborhood pools, plus the beginning of the Virginia public school year and the NFL and NCAA football seasons, it also represents our chance to remind all Virginians that the nonprofit arts sector and its tens of thousands of jobs represent an irreplaceable force in the state economy. The arts are not a frill or a nicety. We are a cornerstone industry, crucial to the Commonwealth and its financial well-being.

--Bruce Miller

Wednesday, February 17, 2010

My Job Responsibilities Include What?!

Posted by Bruce Miller
Ah, so much to write about and so little time. I have a list of about ten theatrical matters that I'd meant to address on this blog by now--and I'll get to them, honestly I will. But something caught my eye this morning that has elbowed its way to the top of the heap.

One of the links that is being promoted on my start-up page over at MSN.com this morning reads as follows:

Paramedics & Cops Only Make How Much?
10 stressful jobs you'd think would pay more

And underneath this headline appears this enticing tickler:

Find a job by salary range

Seeing as how Phil and I are facing our third salary cut in as many years (isn't this economy fun?), I thought I might just check out what the employment professionals are saying I should be making.

Three years ago, Phil and I made salaries that were only a little shy of principals in Greater Richmond's high schools. That salary range is pretty comfortable, actually, and seemed appropriate considering the breadth of our responsibilities.

Then as the economy began to shrink, we took a 7% cut in 08-09. In 09-10, we and everyone else at Theatre IV were asked to assume more of the costs of our health insurance. Pretty soon, if things continue to go as they're going now, we'll be taking an additional 10% cut in 10-11.

I'm not complaining. I'm lucky to have my job. It seems everyone is being asked to sacrifice these days. Being a glass half-full kind of guy, I prefer to focus on the notion that sacrifice is good for the soul.

But just for the heck of it, I decided to click on the little box that suggested I could "find a job by salary range." I thought I'd check out just how the high school principals are doing these days, and how theatre directors are doing in comparison.

The link took me to CareerBuilder.com, and a specific off-shoot of their site called cbsalary.com. I was asked to type in a job title. I typed in "Theatre Director." I was invited to search for actual salaries within a particular community, and I typed "Richmond" and "VA."

Particulars immediately popped up, and I was glad to see that my job was included in CareerBuilder.com's data base. But I was puzzled to see my job described thusly:

"Theatre Director:
Supervise and coordinate activities of correctional officers and jailers"

There it was. That was it. And "theatre" was even spelled with an "re."

Now I know that when one is fighting in a world war, the global battlefield is divided into "theatres." I guess it makes sense for prisons to adopt similar language. So I'm not dismayed to learn that someone who supervises jailers calls himself or herself a "Theatre Director."

Actually that's kind of cool.

But I am disappointed to learn that this is the only type of "theatre" job to have earned the attention of CareerBuilder.com. The type of "theatre" that you and I love, my friends, completely escapes their attention, at least in terms of "directors." Are there really more "theatre directors" working in Central Virginia's prisons than there are working in Greater Richmond's theatres? Or, once again, are jobs in the arts being overlooked and/or dismissed as somehow being less worthy than "real jobs."

With attitudes like this being developed and propagated by employment specialists, no wonder politicians continue to make cuts in the arts (one of the most labor intensive industries out there) while calling for more expenditures directed toward "job creation."

Stop the madness!

--Bruce Miller

Sunday, August 31, 2008

This Labor Day, Celebrate Arts Employment

Posted by Bruce Miller
Today, Barksdale and Theatre IV employ 37 arts professionals working in full-time jobs. It was 39 a few months ago, but we’ve had to reduce staff by two due to financial woes associated with the national recession.

This seems like a lot of people, and it is. But when you consider all we do (33 different productions, many of them touring throughout 32 states, plus all the ancillary activities), we’re actually understaffed.

In addition to these 37 full-time positions, we employ:
· several wonderful box office workers who are paid on an hourly basis, · several talented interns who work on a seasonal basis for weekly stipends,
· several skilled part-time workers who put in less than 40 hours per week in various capacities,
· tens of touring actors who keep Theatre IV’s national tour going strong, and
· legions of freelance actors, directors, designers etc whose talents power our mainstage productions.

We also budget $15,000 per year for hourly production overhire.

All told, Barksdale and Theatre IV invest approximately $2.2 million annually in Virginia’s workforce. If that doesn’t seem like a lot to you, then you’re not one of the ones loosing sleep every two weeks worrying about how we’re going to meet payroll. There’s no grand fund set aside somewhere to cover these and other expenses. We pay out only what we bring in. To meet budget, we need to sell approximately $70,000 per week in tickets and tour shows, and raise approximately $30,000 per week in contributions. During this recession, meeting these goals has been, and will continue to be, very challenging.

That's why I vigorously support continued state funding for the Virginia Commission for the Arts. Additional state cuts will mean additional layoffs, and additional layoffs, at Barksdale and at other nonprofit arts organizations statewide, will ultimately increase rather than decrease Virginia's financial woes.

The arts are a labor intensive industry, which is good for Virginians and the state economy. On average, Virginia’s arts and cultural organizations spend 44.2% of their revenues on labor, 37.2% on other production expenses, 9.8% on facilities, 7.4% on marketing, and 1.4% on state and local taxes and fees. This is a nonprofit industry.

In 2000, Virginians for the Arts, our statewide advocacy group, did an economic impact study in cooperation with the Virginia Commission for the Arts and the Virginia Association of Museums. The study was prepared independently by The Wessex Group, Ltd., located in Williamsburg. I mentioned this study in a previous post. The findings of the study indicate that eight years ago, arts and cultural organizations comprised a major sector of the Virginia economy.

In 2000, 12,507 Virginians were directly employed by arts and cultural organizations (full-time and part-time). They were paid $157.8 million in salary and benefits. An additional 6,344 full-time Virginia jobs were financed indirectly by the economic impact that arts and cultural organizations have on Virginia’s support businesses and independent contractors. All told, in 2000, $306.6 million was paid to 18,851 Virginia workers by Virginia’s arts and cultural organizations.

Additionally, the 2000 study found that arts and cultural organizations in Virginia annually generate $849 million in revenues for Virginia businesses and $342 million in revenues for Virginia tourism businesses through spending by out-of-state visitors who come to see Virginia’s arts and cultural organizations. That’s a total injection into the Virginia economy of nearly $1.2 billion.

I know, it’s a lot of numbers, and they’re eight years out of date. But they’re important. If we don’t celebrate employment in the arts, nobody will. Many of those who make decisions about state funding simply don’t care about the intrinsic value of the arts, but they might care—they ought to care—about how the arts positively effect Virginia’s economy.

Labor Day originated in 1882 when the Central Labor Union of New York City asked the nation to take a day to value America’s workforce, the engine that always has and always will power our nation. This made sense to the U. S. Congress, and so they made Labor Day a federal holiday in 1894. Today, Labor Day is honored by all 50 states.

We who work in or care about the nonprofit arts sector need to make sure that we also get in the game. We need to remember that Labor Day not only marks the closing of our neighborhood pools, plus the beginning of the Virginia public school year and the NFL and NCAA football seasons. Labor Day is our chance to remind all Virginians that the nonprofit arts sector and its 18,851 jobs represent an irreplaceable force in the state economy. The arts are not a frill or a nicety. We are a cornerstone industry, crucial to the Commonwealth and its financial well-being.

--Posted by Bruce Miller