Essie Simms, Alan Flannagan, Lynn Keeton and "We the People"

Posted by Bruce Miller
It was a good afternoon at Westminster-Canterbury.

First, the latest news about Essie Simms. Phil and I had a chance to drop off some flowers at Essie’s room in the health care section of W-C today. There is still a “no visitors” sign on her door, but when the nurse told Essie we were there with flowers, Essie asked if we would step in for a few minutes.

In terms of appearance, Essie looked the best we’ve seen her. In terms of speech, she was talking in entire paragraphs—short paragraphs—but still her communication was improved since previous visits at St. Mary’s. She had a smile on her face, but stated that she was still feeling “pretty punk.” She appeared still to be unable to open her eyes.

She asked us to thank those who have been sending cards and including her in their prayers. She seemed to want to continue to hear from people, to want to be cheered up. She seemed a little down that her recovery was progressing so slowly. So please keep those cards and letters coming.

Essie appeared to be very tired, so we visited with her for only about three to five minutes before allowing her to rest.

We were at Westminster-Canterbury to present a 35-minute performance of We the People, a musical revue featuring authentic 18th century songs tied together by a historical narrative. The program was directed by Chase Kniffen, and beautifully performed by Chris Stewart, Ali Thibodeau, Aly Wepplo and Eric Williams, with Sandy Dacus recorded on piano.

We the People was performed twice for W-C residents and their guests, once at 4 p.m. and once at 7 p.m. Barksdale’s appearance was funded by Neil and Sara Belle November. A fun time was had by all.

We presented We the People for the first time in the summer of 1975, as a program created to celebrate the nation’s Bicentennial. At that time it was called Jubilee. In the audience for this afternoon’s performance were Alan Flannagan and Lynn Keeton, a husband/wife team of Richmond actors who just moved back to town after decades of success in New York. Lynn was in the original production of Jubilee with Phil, Dianne Graham, Steve Rosser and myself in the summer of 75. When Steve Rosser and Dianne Graham left the show to return to the University of Richmond, Alan and Lynn West took their places, and the five of us toured the show for many months.

It was great to see Al and Lynn today, and truly weird to see them at this performance of We the People. Both Al and Lynn were at W-C to visit with Lynn’s Aunt Florence, who has been a W-C resident for the last year.

I visited also with my own mother, who is 93 and lives with advanced Alzheimers. It was GREAT to see her face light up when she saw Phil, whom she hasn’t seen, I imagine, for over a year.

So welcome back to Richmond, Alan and Lynn. It will be great to bring you back into the fold after your years of Broadway success. Essie, get well soon. We really miss you. And everyone, remember to be kind to your elders. Every ounce of attention we give is returned many times over within their appreciation.

I’m proud that Barksdale is so actively involved with Central Virginia’s growing senior citizen community. It's a privilege.

--Bruce Miller

Serving the Community Both Near and Far

Today we finished a wonderful few weeks of touring the 35-minute radio play version of Arsenic and Old Lace. I’m very proud of this production.

All of us in the cast enjoyed the privilege of performing the show in senior centers and retirement communities throughout Greater Richmond. Phil and I actually acted in this one—something we seldom do. How could we say “no” to the chance to share a stage with such amazing colleagues, most notably our memorable leading ladies, real-life sisters Mary Jane Board and Charlotte McCutcheon? They were terrific—very funny and completely professional. The play also featured the more familiar but equally enjoyable talents of Bob Albertia, Chase Kniffen and Tom McGranahan.

Barksdale’s Bifocals Theatre Project provides a chance for senior actors (55 and up) to perform for senior audiences both near and far (2 shows on our lobby stage at Willow Lawn and 10 performances in various senior enclaves around town). All performances are presented on a sliding scale, with each senior center paying only what it can afford. The Bifocals Theatre Project is another way in which Barksdale reaches out to the community, entertaining and invigorating hundreds of high-spirited Richmonders, many of whom are no longer able to attend our mainstage shows at Willow Lawn and/or Hanover Tavern.

My mother, Amy Miller, is a perfect example of the audience member whom the Bifocals Theatre Project is meant to serve—an audience member who otherwise would be all too easy to overlook. A native New Yorker, my mom was and always will be a true-blue theatre lover. But these days, even though her spirit is willing, her mind is no longer able to make it through a two-hour production, and physically it’s just too difficult for her to leave her safe and comfortable home at Westminster-Canterbury.

And so, through the Bifocals Theatre Project, Barksdale now comes to her—and to hundreds of others who regularly benefit from this exemplary service initiative.

My mom may be 91-years-old, dealing with Alzheimer’s and permanently confined to a wheelchair, but she lit up like a Christmas tree during our recent reading of the Arsenic radio script in Westminster’s beautiful Sara Belle November Theatre. Acting is always fun. Acting in a Bifocals production is not only fun, it’s also uniquely rewarding.

Many thanks to all those who make this and other Bifocals Theatre Project events possible. If you would like to learn more, or participate, or become a sponsor, please contact our Special Projects Manager, Chase Kniffen, at c.kniffen@barksdalerichmond.org . But whatever you do, don’t drink the elderberry wine.