First Baptist of Ivy Gap

Posted by Bruce Miller
When First Baptist of Ivy Gap plays at Hanover Tavern from Feb 5 through Mar 14, it will once again connect Barksdale with Barter Theatre, the State Theatre of Virginia and our sister stage company in Abingdon.

Barksdale and Barter have been close ever since 1967 when Barter's legendary founder, Bob Porterfield, invited Pete, Muriel and Nancy to send Barksdale's hit production of Stop the World, I Want to Get Off out to Barter, marking the first time that a guest company performed on Barter's landmark stage.

More recently, Phil and I have been good friends and professional colleagues with Rick Rose, Barter's current artistic director, since his arrival in Virginia 16 years ago. Next month we'll be partnering with Barter on Poetry Out Loud. Theatre IV facilitates this national poetry recitation program for high school students throughout Virginia. Barter will be hosting our regional competition in Southwest VA.

First Baptist of Ivy Gap was first introduced to a live audience when the script was produced as a staged reading during Barter's 2002 Appalachian Festival of Plays and Playwrights, a component of the Virginia Highlands Festival. The new comedy was so popular with Barter's audience that it was remounted during the 2003 Festival as a "mini-production." Based on popular demand, Barter mounted a full production (the World Premiere) as part of their mainstage season in 2004.

First Baptist is written by Ron Osborne (above and to the right), a St. Louis playwright who is enjoying being "discovered" in his 60s. He's writing a new play every year, and four have been produced either as readings or mainstage productions at Barter.

Recently, Osborne's new play Ruby's Story premiered Off-Off Broadway at New York's 13th Street Repertory Theatre. Firehouse Theatre supporters may recognize 13th Street Rep as the home of the longest running play in Off-Off Broadway history, Line by Israel Horovitz. In 2006, 13th Street Rep was named the "Best Off-Off Broadway Company to Act With" by Backstage.

First Baptist of Ivy Gap is Osborne's most successful play. It is a sweet and sentimental comedy about six Tennessee church women who gather during World War II to roll bandages (historical photo to the right) and plan for their church's 75th Anniversary. In Act II, they reunite during the height of the Vietnam War. Amidst the laughter (there's a LOT of laughter), world and local events test the women's friendship and faith. They pass the tests.

We have assembled an All-Star cast (with one terrific newcomer). Jan Guarino (Mona's Arrangements, The Clean House) is playing Edith, the pastor's wife who holds everything together while her husband gets all the credit. Joy Williams (Driving Miss Daisy, Barefoot in the Park) appears as Luby, the very worried mother of a WWII soldier.

Harriet Traylor (The Little Foxes, To Kill a Mockingbird) introduces us to Vera, a pillar of the church and wife of the local bank president. Maggie Roop (Doubt, Annie) is Mae Ellen, the church's rebellious organist. Ali Thibodeau (Thoroughly Modern Millie, The True Story of Pocahontas) plays Sammy, a sweet young woman from the wrong side of the tracks. And Sarah Pruden (new to Barksdale's mainstage) creates the role of Olene, a vivacious Tennessee mountain girl with her eye on Hollywood.

I'm having a ball directing the show. It's our Hanover entry into Central Virginia's Acts of Faith Festival.

If you're looking for a funny, sweet and reaffirming evening of theatre, I hope you'll join us.

--Bruce Miller

Crazy Doin's Up Malibu Way

Posted by Bruce Miller
In 1959, the movie Gidget became a major hit starring Sandra Dee. The film was about a slowly developing girl (half girl, half midget, hence Gidget) who tries to get the boys on Malibu Beach to teach her how to surf. One of the boys, the Great Kanaka, is a surfing legend. His pal, Moondoggie, becomes Gidget’s boyfriend. Two sequels, Gidget Goes Hawaiian and Gidget Goes to Rome followed in 1961 and 1963.

In 1965, Sally Field made her debut as the TV Gidget, in a one-season series that went on to enjoy immense popularity as a cult hit. It also established Sally Field as a star. Gidget’s brother-in-law in the series, Peter Duell playing John, was a psychiatry student.

In 1976, Sally Field won an Emmy Award for playing the title role in the television movie Sybil. Sybil is about a young woman who suffers from multiple personality disorder as a result of the psychological trauma she suffered as a child.

Charles Busch was born in 1954, grew up on Sally Field as Gidget and Sally Field as Sybil. In 1987, he wrote the Off Broadway hit Psycho Beach Party as an answer to the question, what if Gidget and Sybil were the same girl? Psycho Beach Party is set in Malibu in 1962. The slowly developing girl who wants surfing lessons is now named Chicklet, the surfing legend is now known as the Great Kanaka, the soon-to-be-boyfriend (who is a psychology student) is now named Star Cat instead of Moondoggie. And Chicklet has a few surprises up her psyche.

I went to see Psycho Beach Party this evening at TheatreVCU. It was a crazy ride. Here’s what I enjoyed:

It was great to see a play without a serious bone in its body. Charles Busch employs a light touch as he spoofs Hollywood’s beach party and psycho movies/TV shows simultaneously. He uses the innocent background of 1960s teen flicks to skewer all the sexual mores in sight (or not in sight as the case would have been in the early 60s). My good friend Steve Perigard’s direction, likewise, is lighter than air.

I laughed out loud in several places, and the VCU student audience LOVED the play’s irreverence and tongue-in-cheek raunchiness.

From the second she walked on stage as B-movie starlet Bettina Barnes, my friend Sarah Pruden understood and exemplified the style of the piece with every ounce of her being. She nailed it from her first word to her last. Not an easy task for someone born decades after the work being spoofed.

Tommy Callan and Kyle Cornell played two young women in a completely effortless (and effective) manner. There was nothing self-conscious or campy about their performances, which seemed just right.

My buddy Richie Gregory and Dallas Tolentino had a touching chemistry as the two young men who, midst their macho beach maneuverings, discover that they’re more than just friends.

The terrific set by Adam Karvatakis established just the right sea, sand and surfer shack ambiance, and the wonderful period music (selected by Sound Designer Susan Ralmo?) served the action beautifully.

The high energy of the entire cast and the hard work of all involved made this a real crowd pleaser. Psycho Beach Party was never meant to be great theatre—God forbid—but it was a hoot and a holler and a breath of fresh Pacific air. There’s one more performance tomorrow afternoon for those who want to join in on the fun.

--Bruce Miller