Behind the Iron Corset

This is Jennifer Massey (aka Mrs. Van Buren in Intimate Apparel). I see Andy Nagraj (Mr. Marks) has set the Barksdale blog bar pretty high. He gave an excellent account of the onstage atmosphere surrounding the show, so I figured it might be fun to go behind the scenes, give a few insights into the backstage "drama behind the drama", if you will.

For starters, there's a reason we ladies no longer wear corsets. Without going into too much detail, any woman who's ever had a mammogram will have an idea of what I'm talking about. "Ow, pain... Ow!"

Not to mention that whenever I don a new corset, I burp – loudly. It's sad, but quite unavoidable. If you don't believe me – drink 13 brandies and lace yourself into a straight jacket and see what happens. As ladylike and refined as Mrs. Van Buren is on stage, she's like a truck driver behind closed doors (no offense to any actual truck drivers out there).

It doesn't help that we ladies are actually wearing old-fashioned lace-up corsets. A lot of what we wear in the show has to be physically put on us in the dressing room. It's ridiculous. I don't know how anyone got anything done back at the turn of the century – seems like they must have spent a good portion of their day just changing clothes.

Luckily, we have a wonderful woman, Renee Jones, who assists with all the wardrobe changes and other backstage hoopla. If it weren't for her, Esther would be wearing the same outfit throughout the whole show. And, I'd be wearing my costumes home every night.

Also backstage with us is Audra Honaker, who most of you know better for her fabulous onstage work than her fabulous offstage work. Suffice it to say -- if Renee isn't doing it, Audra is – everything from repatching electrical wires to setting props. That Audra is a talented gal!!

Something rather anachronistic about the dressing room is that many of us bring our laptops with us to the theatre -- which was particularly helpful during tech rehearsals (which are traditionally long and tedious). We have a high-speed internet connection at the theatre (well... sometimes) so many of us boot up backstage to go online, check e-mail, write plays of our own. It's quite interesting. We're onstage being very old-fashioned women, and backstage being very modern women. I can't speak for the men, but I'm sure they're doing interesting things, as well.

Sadly, I rarely even see the men – on or off stage. Anyone who's been to the show knows that the characters in this play rarely cross paths... except with Esther (played by Adanma "Ida" Onyedike). She's our through line, and we all sort of circle around her. Even so, this is definitely an ensemble piece -- we all have a strong sense of the show as a whole, and we all feel the connection, not only with Esther, but with each and every member of the story. I reckon we love each other (as Esther says) "about as much as you can love someone you ain't seen."

I'm a little hurt that there's been no specialty drink created for our show yet. I understand that The Full Monty had the "Full Montini". And, that Mame even had TWO drinks to choose from. Where's ours?!??! Granted, off the top of my head, I can't think of a word that rhymes with "corset". But, surely there's something: Raspberry Ragtime Daiquiri, Mrs. Van Bourbon, Panama Smash... Bartender????

Getting "Intimate" with Andy Nagraj

Hi everyone, this is Andy Nagraj, aka Mr. Marks, from the cast of Intimate Apparel. The venerable blogmaster asked if I would share some of my thoughts on this production. I thought about it for a while, and finally realized that I could take this opportunity to discuss what (for me) has been the most intriguing and thrilling aspect of this show – the audience.

Now, at the risk of sounding like a complete dummy, I’d like to clarify: yes, I have previously been onstage, and yes, I have been aware of the audience. They’ve even laughed and applauded on occasion. However, when the word “Intimate” is half of the title and every scene in the play is between just two people, the work quickly takes on a certain sense of privacy, particularly in the rehearsal process when the only people in the room are you, your scene partner, the director, and the stage manager.

So you can imagine how surprising it was on opening night to notice people audibly reacting to and participating in the show. Once we got past the initial shock, it became completely invigorating and infused the show with a whole new energy. The audience of Intimate Apparel has consistently been a living, breathing entity that shares the stage with us and makes our jobs as actors very easy every night. I don’t want to give anything away from the plot, but during every performance Chris Lindsay and I sit back in our dressing room and eagerly listen for a specific audience reaction, and it never fails to produce an intake of breath from everyone in the theatre! It is extremely rewarding to know that the audience is so willing to give themselves over to the story and participate with us on stage. I salute you, I thank you, and I look forward to seeing you at Willow Lawn!

Cheers,

-Andy “Blog”-raj
(I can’t tell whether that’s clever or annoying…)

"Intimate" Earns Rave in Times-Dispatch

The first Intimate Apparel review is in, and everything’s coming up roses. Susan Haubenstock’s assessment appears in this morning’s Times-Dispatch (Sunday, April 15), and it begins as follows: “What an excellent synergy of writing, acting, directing and design is Barksdale’s Intimate Apparel, the Lynn Nottage drama that played off-Broadway in 2004 and won the 2004 Outer Critics Circle Award. With director Steve Perigard at the helm, Nottage’s carefully plotted tale is realized with perfectly tuned sensibility.”

If you’re a regular reader of this blog, you know how excited we at Barksdale are about Intimate Apparel. We’re excited because Intimate Apparel is a beautiful new play by Lynn Nottage, a playwright who is now establishing her place in the top tier of favorite playwright lists all around the country. This production is a Central Virginia premiere, and the latest product of the Women’s Theatre Project we kicked off in 2001. Through this project, we commit to the production of at least one work by a woman playwright each season. Intimate Apparel is beautifully plotted and written with a real reverence for character and language. It has been a delight to produce.

We’re excited because we have been able to recruit an exceptional cast. “Adanma Onyedike’s Esther is beautifully realized, lacking in self-possession at first but growing through her difficulties to become very much herself,” says Haubenstock. “There are wonderful discoveries in the performances of Tawnya Pettiford-Wates as Mrs. Dickson, Jennifer Massey as Mrs. Van Buren, and Katrinah Carol Lewis as Mayme. Andy Nagraj is touching as Mr. Marks, and every move of Chris Lindsay’s George is charged with feeling.”

We’re excited to have the chance to again experience the organic power of Steve Perigard’s sensitive direction, the full-flavored beauty of Kim Parkin’s handsome scenic design, the magnificent period costumes created by Sue Griffin, and the spellbinding lighting of Lynne Hartman. Paul Deiss has written a wonderful rag that is performed by Katrinah and Ida (the name by which everyone knows Adanma). It sounds like Scott Joplin reborn. And, as always, Amanda Durst has created an entire world with her dialect direction.

We’re trying to live up to the standard we have set for ourselves, a standard that is appropriate for Central Virginia’s leading professional theatre. I think Intimate Apparel is representative of the artistic growth we seek. I’m proud of our production.















For the full review go to: Richmond Times-Dispatch

"Intimate" Opening Wins Hearts and Minds

I just returned from the great Opening Night of Intimate Apparel by Lynn Nottage. Joining in the warm reception awarded the show were past and present Board leaders Ric and Rhona Arenstein, Roy Burgess, Phyllis and Paul Galanti, and Charlotte and Andy McCutcheon; Bifocals stalwarts Carlene and Tom Bass, Vaughan Gary, Lyde Longacre and Tom McGranahan; and audience member extraordinaire Essie Simms (a painful bout of sciatica was not about to keep her away from an Opening Night).

Also making merry were beloved volunteers Bob Boyd, Jean Hartley and Elizabeth Prevatt; loyal staff members Ford Flannagan, Jackie Gann, Lucas Hall, Russell Rowland, Wendy Vandergrift, Jennings Whiteway and Ginnie Willard; and alumna of our recent London/Paris trip Anne Ayer.

As always, several of our treasured actors were at the head of the line to welcome this terrific show to its new life in Richmond, including Robin Arthur, Tony Foley, Scott Melton, Robyn O’Neill, Stacey Reardon, Jill Bari Steinberg, Eddie Tavares, Erin Thomas and Robert Throckmorton. To whomever I’m leaving out, please forgive me. It’s late.

Director Steve Perigard, Stage Manager Chase Kniffen, Lighting Designer Lynne Hartman, and Light Op Lynwood Guyton all graciously accepted kudos as the audience waited for the actors to emerge from the dressing rooms and join the party. When they finally appeared, the six actors who comprise our remarkable cast (Adanma Onyedike [Ida to her friends], Tawnya Pettiford-Wates, Jennifer Massey, Andy Nagraj, Katrinah Lewis and Chris Lindsay) were showered with justly deserved praise and affection.

I will leave it to others to critique the show, but suffice it to say that Phil Whiteway and I are very proud of the production and all of the talented artists involved. We’re looking forward to a long and glorious run of this beautiful and important new play. If you enjoy great theatre, this is one you won’t want to miss.

Meet the Cast of "Intimate Apparel"

During a recent focus group that was a part of our marketing research, I was surprised to hear a Broadway Under the Stars subscriber say that she always went to BUTS (that’s the acronym, sorry) and never to Barksdale because she liked knowing that “all the BUTS actors were on Broadway last week, and the Barksdale actors are local amateurs.” Her comment, of course, could not be further from the truth. Many of the BUTS tours featured not a single Broadway actor; many of them were non-Equity tours produced in Maryland. On the other hand, Barksdale’s Signature Season features many of our nation’s top professional talents, veterans of Broadway, Hollywood and America’s leading regional theatres.

The acting company of Intimate Apparel by Lynn Nottage is a perfect example. This wonderful show is up next in our Signature Season at Willow Lawn, and it features an amazingly talented cast of professional actors working at the top of their game. We’re proud to include each of them in our Barksdale family. Intimate Apparel is written by Lynn Nottage, one of the most popular playwrights working in our country today. It's the latest show in our Women's Theatre Project. Richmond theatre lovers of both genders would be crazy to miss it.

Adanma Onyedike plays the leading role of Esther. She last appeared at Barksdale in To Kill a Mockingbird. She is a brilliant actor at the beginning of her professional career; her performance in Intimate Apparel will uplift your heart. She is a member of Actors’ Equity Association, the union of professional actors and stage managers in the U.S.A. Adanma’s other stage credits include Luminosity at UVA, The Tempest with the Richmond Shakespeare Festival, Northstar Light with the Carpenter Science Theatre, and Tribute 9/11 with Sycamore Rouge. Adanma is now an MFA Theatre Pedagogy candidate at VCU, where she teaches Black Theatre. She also teaches at the Henrico High School Center for the Arts.

Chris Lindsay plays her love interest, George. Chris is making his Barksdale debut after just starring in the national tour of I Have a Dream – The Life and Times of Dr. Martin Luther King Jr., produced by Theatre IV. Chris is also a member of AEA. Based in Florida, Chris played Valentine in Twelfth Night, the Apothecary in The Imaginary Invalid, and Shere Khan in The Jungle Book—all for the Orlando Shakespeare Festival.

Tawnya Pettiford-Wates is also making her Barksdale debut as Mrs. Dickson, but she brings to our stage the wealth of experience she has gained during a stellar international career. Dr. T, as she is known by her students, is the Head of Performance on the faculty of the VCU Theatre Department. She appeared on Broadway in For Colored Girls … before moving to the West Coast to appear on stage at Seattle Rep, the Intiman Theatre, and ACT, and on film in David Lynch’s Twin Peaks, Life or Something Like It with Angelina Jolie, and Under One Roof with James Earl Jones.

Jennifer Massey returns to Barksdale in the role of Mrs. Van Buren, after starring with us previously in Fifth of July and Light Up the Sky. Jennifer’s other regional stage credits include performances with The Alliance Theatre (Atlanta), Flat Rock Playhouse (NC), and for the new playwright’s project at Arena Stage (Washington D. C.). In Los Angeles, she appeared in numerous productions with the acclaimed Deaf West Theatre. Her extensive film and TV credits include The Wedding Crashers, One Tree Hill, The Practice, 7th Heaven, and Melrose Place. Since moving to Richmond, she has also appeared with the Firehouse Theatre Project in Dinner with Friends and The Secret of Madame Bonnard’s Bath.

Andy Nagraj is pleased to be playing the Jewish fabric merchant, Mr. Marks. A graduate of the University of Richmond and the Steppenwolf Theatre Company’s Professional School in Chicago, Andy has performed in concert in France, Italy, Germany, Austria, the Czech Republic and, most recently, Spain. Previous Virginia credits include one of the titular roles in Disney’s Beauty and the Beast at Theatre IV, Forever Plaid at Swift Creek Mill, and A Midsummer Night’s Dream with the Virginia Shakespeare Festival in Williamsburg.

Last in this cast listing, but near and dear to our hearts, Katrinah Carol Lewis returns to Barksdale after starring as the Girl in our smash hit production of Crowns. A BFA performance grad from VCU, Katrinah also studied at the Levine School of Music in Washington, D. C. She was a featured soloist at the opening of the Guggenheim Museum in Bilbao, Spain with the Children of the Gospel Mass Choir. With the same group, she sang at the Kennedy Center and at the Inauguration of President William Jefferson Clinton. This summer, she will be singing with Barksdale again in Into the Woods.

In an upcoming blog entry, I’ll discuss the non-actor members of our award-winning company of Intimate Apparel. Please support Barksdale Theatre and our wonderfully talented professional cast by buying your tickets today. You’ll be glad you did.