"Hip" No More

Posted by Bruce Miller
I’ve taken down the meanderings I posted on Dec 19 called Addressing My Dislocated “Hip.” My intentions when I wrote that misguided effort were:
• to publicize and congratulate Bianca Bryan, the wonderful actress who played Mathilde in The Clean House and recently snagged a performing gig on Letterman, and
• to poke fun at my innate lack of “hip-ness” (David Letterman being a hipster extraordinaire).

I should have stopped there. Instead, I went on to mention how some folks never come to Barksdale because they perceive we’re not as “hip” as they want us to be. I listed Barksdale shows that I thought were “hip.” I used Bianca’s uber-hip gig on Letterman to prompt this exclamation: “So take that, you hipsters!”

I should have kept my mouth shut. I intended it all to be in good clean fun. I’ve since learned that quite a few of you thought I was being serious, mean-spirited and/or critical of other theatres in Greater Richmond.

In the comments to the post—it brought in more comments than any article in months, over 20 all told—my good friends Frank Creasy and Grant Mudge advised me that a director from Richmond Shakespeare, James Bond, also had recently been on Letterman. I thought this was great to hear—a fun news item of which I had not been previously aware. I clicked Grant’s link to Mr. Bond’s appearance and had a grand old time watching James read the Top Ten.

However, in the comment I left in response to the Creasy and Mudge comments, I replied not by saying I enjoyed the James Bond video, but by saying: “Curse you Creasy and Mudge!! Out-hipped again!!!”

I’m 100% sure without even talking with them that Frank and Grant took no offense. We’re friends; they knew, I’m sure, that I was joking around. But I know now that some of you thought I was intending to disrespect them. I wasn't.

Then Angie Shipley and I exchanged a few blog comments (good-naturedly, I thought) about what is “hip” and what isn’t. I like Angie. I never thought she was “attacking” me, and I hope she didn’t think I was “attacking” her—but some of you thought both of us were going for each others' jugulars.

I should know by now—emails and blog posts scream sarcasm and evil intent to some people, even when none of that is what the authors had in mind.

To do my little bit for peace on earth (and dispel rumors of unrest), I simply took the whole thing down. I know no one intended to offend anyone. It seems odd to me that it came off that way. But if it did, it did.

Thank you, Michael Vandergrift, for your nice comment that wisely said "Forget about it," and offered a good deal more supportive and useful advice.

To those who had fun with the post, I'm glad. To those who didn't, I'm sorry. I wish each of you, gentle readers, the Happy Holidays of your choice.

And again, congrats to Bianca for landing the gig on Letterman.

--Bruce Miller

Coffee & Conversations for Evening Viewing

Posted by Bruce Miller
Rostov’s Coffee & Conversations is a weekday talkback event in which theatre enthusiasts meet in Barksdale’s Willow Lawn lobby on the second Tuesday of each month (October through July) to participate in a panel discussion with some of our community’s leading theatre artists. Working folks who can’t make it to these 9:30 a.m. programs frequently ask if we can repeat them in the evening. We're attempting to do so. Until then, we will broadcast the discussions on YouTube and provide links to these snippets on this blog.

The following links will connect you to the Coffee & Conversations event that was a part of our recent Sarah Ruhl Festival. Steve Perigard, associate artistic director of Barksdale and director of The Clean House, moderates. The panel is comprised of Rusty Wilson (director of Eurydice at the Firehouse Theatre Project), Laine Satterfield (Eurydice in Eurydice at the Firehouse), Kelly Kennedy (Lane in The Clean House at Barksdale), and Bianca Bryan (Matilde in The Clean House at Barksdale).

The ancestry of Bianca Bryan is discussed in one of these video snippets. The full story isn’t included on the tape. Bianca is of Chilean ancestry on her mother’s side. She was born in South Africa and spent her earliest years in the Azure Islands, where Portuguese is the native language. As she mentions in the video, most of her childhood was spent in Argentina, where she became fluent in Spanish.

We hope you enjoy watching these selections from our October Coffee & Conversations event.

http://www.youtube.com/watch?v=d7YS3TjP4LU – in which Steve asks the panelists if this is their first Sarah Ruhl experience, and invites discussion regarding Ms Ruhl’s qualities as a playwright

http://www.youtube.com/watch?v=TrWPqR49V8M – in which Steve prompts a discussion of the difference between reading Ms Ruhl's plays and playing and/or seeing them, and Bianca launches a sidebar discussion of Ms Ruhl’s stage directions

http://www.youtube.com/watch?v=HDjVfUXSZ0U – in which Steve mentions reading that Sarah Ruhl hopes to create ordinary characters who say exceptional things and exceptional characters who say ordinary things, leading into a discussion of the joke in Portuguese that opens The Clean House

http://www.youtube.com/watch?v=7L7N-7ZRsFM – in which the panelists respond to audience questions about language, design and bashert

http://www.youtube.com/watch?v=XMcMkEUsCYo – in which the panelists engage in further discussion of language, building relationships between characters, and managing real life relationships among theatre artists

http://www.youtube.com/watch?v=E21JMXHA8j0 – in which Kelly discusses developing her character (Lane in The Clean House), and the group discusses Ms Ruhl’s use of silence, imagery and punctuation

http://www.youtube.com/watch?v=MM03ebxGawI – in which a question from the audience prompts a discussion of the technical aspects of Eurydice and The Clean House

http://www.youtube.com/watch?v=76Q4gBEVmHk – in which Rusty discusses an email communication between Joe Inscoe (the actor who played Eurydice’s Father) and Ms Ruhl

December’s Coffee & Conversation program will feature Eric Williams (Uncle Stanley in Sanders Family Christmas) interviewing Scotty Wichmann (actor) and John Moon (director) about This Wonderful Life.

Hope to see you at the theatre!

--Bruce Miller (with IT help from Brad Tuggle)

A Reading of Dead Man's Cell Phone by Sarah Ruhl

Posted by Billy Christopher Maupin

"You know what's funny? I never had a cell phone. I didn't want to always be there, you know."

What would you do in response to an incessantly ringing cell phone as you were trying to enjoy your lobster bisque in a near-empty cafe? Jean, who lies at the center of Sarah Ruhl's most recently published (and my personal favorite) play, Dead Man's Cell Phone, answers it. As it turns out, the owner of the phone, Gordon, is dead. But Jean continues to answer Gordon's phone and finds herself meeting his family, falling in love with his brother -which results in a room full of floating stationery in "classic" Sarah Ruhl style-, meeting his mistress...AND his wife, and becoming involved in organ trafficking.


Charles Isherwood writes in the New York Times:

"A beguiling comedy ... a hallucinatory poetic fantasy that blends the mundane and the metaphysical, the blunt and the obscure, the patently bizarre and the bizarrely moving. As Dead Man's Cell Phone takes surprising twists and leaps, the lament for the supposed coziness of pre-digital culture takes on layers of nuance and contradiction. Characters in Ruhl's plays negotiate the no man's land between the every­day and the mystical, talking like goofs one minute and philosophers the next. And her characters' quirkiness is in keeping, too, with the play's doleful central theme, that each human being is a book full of surprises even to intimates, and that one is destined to be left unfinished. Ruhl's affec­tion for the unexpected phrase, the kooky observation, the unlikely juxtaposition, is essential to her central belief that the smallest and most trivial things in life can be charged with meaning. She writes surrealist fantasies that happen to be populated by eccentrically real people, comedies in which the surface illogic of dreams is made meaningful­ -made truthful- by the deeper logic of human feeling."

On Monday, October 6, on the Barksdale Theatre Lobby Stage at 8PM, Barksdale and The Firehouse Theatre Project will co-produce a reading of Ms. Ruhl's Dead Man's Cell Phone featuring cast members from our production of The Clean House (see Rave Reviews below) and Firehouse's production of Eurydice. This continues as part of the Sarah Ruhl Festival. (Don't forget that audience members who see both Eurydice and The Clean House receive a discount on tickets!)

The reading will feature Laine Satterfield - currently appearing as the title character in Eurydice - as Jean (played in the New York production by Mary Louise Parker, Tony Award winner for her performance in Proof by David Auburn, also the star of the hit Showtime series, Weeds), Andy Boothby - Big Stone in Eurydice - as Gordon, the "Dead Man" of the title, Robin Arthur - Ana and A Woman in The Clean House - as Mrs. Gottlieb, Lauren Leinhaas-Cook - Loud Stone in Eurydice - as Gordon's widow, Hermia, John Moon - Charles and A Man in The Clean House- narrating, Bianca Bryan - Matilde in The Clean House - as The Other Woman, and Chris Hester - Orpheus in Eurydice - as Dwight. The reading will be staged by Jase Smith from The Firehouse Theatre Project.

Both Bruce Miller and Carol Piersol (Artistic Director of The Firehouse Theatre Project) will speak prior to the reading. A cash bar will be available in the lobby beginning at 7PM and will also be available at intermission. There is no admission charge and seating is general admission.

Don't miss out on this exciting collaboration!

Our First Review for "The Clean House"

Posted by Bruce Miller

We welcome Julinda Lewis to the growing fold of Richmond theatre critics. She wrote a complimentary review for The Clean House in this morning’s T-D (more about that in a moment). Ms Lewis has been reviewing dance in Richmond for four or five years now, and she’s critiqued other theatrical shows and companies over the last 18 months, including one show at Theatre IV. This is her first review of a Barksdale production, and we’re pleased to be working with her.

Ms Lewis is director of the Ayinde2 Children and Ayinde2 Youth Dance Ministries at St Paul’s Baptist Church in Richmond. Prior to moving to Richmond, she was the founding director of the Spiritual Walking Liturgical Dancers at Emmanuel Baptist Church in Brooklyn, NY, where she grew up and studied dance with George Faison, Fred Benjamin, Eleo Pomare, Maurice Hines and Pepsi Bethel. She also studied with the Dance Theatre of Harlem.

Ms Lewis holds BS and MA degrees in Dance and Dance Education from NYU’s School of Education, Health, Nursing and Arts Professions. She has been a dance writer and critic for more than 25 years. She is the author of a young adult biography, Alvin Ailey: A Life in Dance, and editor of Black Choreographers Moving Towards the 21st Century, which has been used as a textbook in dance programs throughout the nation.

Ms Lewis is enrolled in the PhD in Education program at VCU. Her dissertation examines the needs and perspectives of gifted performing arts students. She is currently a teacher with the SPACE Program (Special Program for Academic and Creative Excellence) with Richmond Public Schools, and a frequent contributor to Dance and Pointe magazines. Just like her esteemed T-D colleague, Susan Haubenstock, Ms Lewis works as a “Special Correspondent” for the Times-Dispatch.

Here are the quotes we'll be pulling and publishing from her glowing review of The Clean House:

“Perfect!
Free-Spirited, Romantic Comedy
Vivacious, Mystical, Defies Convention
The best tantrum ever seen on a stage!
An Analogy for Love ~ Poignant ~ Beautifully Designed
Everyone is Laughing!”

--Julinda Lewis, Richmond Times-Dispatch

We’re so proud of this beautiful production of a great play by Sarah Ruhl, and honored to be partnering with the Firehouse on the Sara Ruhl Festival. If you haven’t made your reservations yet to see The Clean House at Barksdale and Euridice at the Firehouse, I hope you’ll call the box office today at 282-2620.

See you at the theatre!

(The Jay Paul photos seen above picture the following outstanding cast members: [top left] Bianca Bryan and Robin Arthur, [top right] Kelly Kennedy, [mid left] Bianca Bryan and Robin Arthur, [mid right] John Moon and Robin Arthur, [lower left] Jan Guarino, [lower center] Jan Guarino and Bianca Bryan.)

--Bruce Miller