Posted by Bruce Miller
So much goes on every week at Barksdale and Theatre IV that it’s easy to let important programs sail by with little or no fanfare. Last week, for example, three modest but nonetheless gratifying theatrical events graced our stages.
On Monday, March 19, the incomparable Frances Wessells sent my spirits soaring. The two dances she staged as part of the Bifocals Vintage Variety program knocked my socks off. Frances has to be at least 80 years young—she was my dance professor when I was a student at the University of Richmond 35 years ago. Monday marked the debut of her newest work, and the reprise of a recent pas de deux. The first piece was one she choreographed for five beautiful senior actor/dancers: Lyde Longaker, Pat Lorimer, Ales Rowe, John Bailey and Vaughan Gary. She co-choreographed the eloquent and physically demanding second piece with Robbie Kintor, and she and Robbie performed it as well.
Her artistic spirit, creativity and agility were clearly in evidence in both pieces. Truth be told, I’m in awe of Frances Wessells. Both of her wonderful dances will be performed on tour along with Una Harrison’s mini-cabaret performance at senior centers throughout Greater Richmond until the end of the month, bringing uplifting artistic programming to countless performance lovers who can no longer make it out to see shows at Richmond’s theatres. Barksdale makes its Bifocals programming available to senior centers on a sliding fee scale. Everyone is served, regardless of ability to pay.
On Friday, March 23, the equally incomparable (and utterly charming) Betty Ann Grove shared memories of her four-decade career on Broadway with a rapt crowd of approximately 75 theatre lovers of all generations. For about 50 minutes Betty Ann shared stories, by turns hilarious and invigorating, and brought back to life the Broadway of a bygone era. At the end of her program, she sang an a cappella rendition of "Give My Regards to Broadway," one of the George M. Cohan classics that she and fellow cast mates immortalized in the original Broadway production of George M! You could have heard a pin drop and there wasn’t a dry eye, or an untouched heart, in the house.
On Saturday, March 24, film and TV star Barry Corbin (Urban Cowboy, Northern Exposure, One Tree Hill - pictured in upper right corner) joined Jennifer Massey, Erin Thomas, Justin Dray and The Dogtown Trio in the fourth annual Virginia Arts & Letters Live, co-produced by Barksdale Theatre and James River Writers in association with the READ Center. The brainchild of actress/author (and Barksdale favorite) Irene Ziegler, VALL features short stories by Virginia authors read aloud by Virginia’s top professional actors and accompanied by Virginia’s most magical musicians. If you missed VALL live at the Empire Theatre last weekend, you can catch it on Thanksgiving Day when the recording will be broadcast over WCVE-FM, your Community Ideas Station.
So why do we do it? With hit productions of Brooklyn Boy, Lyle Lyle Crocodile and Smoke on the Mountain all going strong last week, why pull focus by engaging in all this extra programming? It’s certainly not to make money—we lose money with each of these initiatives. It’s certainly not because we have too little to do—our 40 person staff works significant amounts of overtime as is.
The reason we engage in these outstanding programs is because both Barksdale Theatre and Theatre IV have always been committed to community leadership. We have never been arts for art’s sake organizations; we have always been arts for the community’s sake organizations. Right or wrong, it is our commitment to community that sets Barksdale and Theatre IV apart from other regional theatres around the nation and from other major performing arts groups in metro Richmond. We’re proud of how we have always served in non-traditional ways.
Each year—shoot, each week—we internally debate whether or not our nonprofit organizations are well-served by our community commitment. Please join the debate by letting us know your thoughts.
--Bruce Miller
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